CAU Scholar's Space: Cho, Sook Hee

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Cho, Sook Hee (조숙희)

인문대학 (영어영문학과)

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Tel 02-820-5168
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Shakespeare:4||Tennessee Williams:3||dramatherapy:3||셰익스피어:3||the double:2||테네시 윌리암스:2||트라우마:2||narcissism:2||fugitive heroes:2||PTSD:2||Trauma:2||Pinter:2||드라마테라피:2||AI:2||인공지능:2||American drama:2||수잔 로리 파크스:2||Julius Caesar:2||elder abuse:2||Caesar Must Die:2||King Lear:2||Suzan Lori Parks:2||George Peele:1||Heretic:1||Hippodamia:1||Humanity:1||Imperialism in painting:1||In the Blood:1||John Arden:1||Julia Kristeva:1||King David and Bethsabe:1||Korean literature:1||KoreanAmerican culture:1||Lincoln:1||Lloyd Suh:1||Margaret Mead:1||Martin MacDonagh:1||Michelanne Forster:1||Narcissus myth:1||Neurosis:1||Nic Cha Kim:1||Oenomaus:1||Oleanna:1||Orestes myth:1||Orientanlism:1||Orpheus Descending:1||Postmodernism in history:1||Posthumanism:1||Power:1||Pulitzer Prize for drama:1||Quiara Alegria Hudes:1||Robot:1||Serjeant Musgrave:1||Sheridan:1||Singularity:1||Songs of Dragons Flying to Heaven:1||Sue Jennings:1||Susan Lori Parks:1||The Beauty Queen of Leenane:1||The Death of the Last Black Man in the Whole Entire World:1||The Glass Menagerie:1||The Grace of Mary Traverse:1||The King Is Alive:1||The Scarlet Letter:1||The School for Scandal:1||Timberlake Wertenbaker:1||Topdog/Underdog:1||Transcendence:1||Trapezoid:1||Utopia:1||Violence:1||Water by the Spoonful:1||William Faulkner:1||Young Jean Lee:1||[천국의 딸들]:1||anthropology:1||autoeroticism:1||black literature:1||catharsis:1||chora:1||crisis of the whites:1||cyber space:1||diaspora:1||drama therapy:1||elder care:1||elder issue:1||fairy tale:1||feminism:1||free jazz:1||guilt:1||healing:1||home:1||human ecology:1||ideology:1||immigration:1||inadequate care:1||intruder:1||justice:1||juvenile delinquency:1||matricide:1||mirror image:1||modern American drama:1||narrateme:1||one dimensional man:1||otherness:1||performance:1||plastic sexuality:1||problem play:1||psychoanalysis:1||racism:1||restoration drama:1||sentimental comedy:1||sexuality:1||social text:1||the Third Space:1||the clash of cultures:1||the myth of Orpheus:1||theatre in education:1||tramp:1||『 리어왕』:1||『 왕은 살아있다』:1||『끝이 좋으면 모두 좋다』:1||『시저는 죽어야한다』:1||『욕망이라는 이름의 전차』:1||『유리동물원』:1||『전 세계에서 마지막 남은 흑인의 죽음』:1||『줄리어스 시저』:1||감상희극:1||교육연극:1||권력:1||내러팀:1||노년학:1||노인문제:1||노인부양:1||닉 차 김:1||다윗왕과 밧세바의 사랑 이야기:1||데이비드 매밋:1||디스토피아:1||로봇:1||리어 왕:1||링컨:1||머스그레이브하사:1||메리트레버스의 우아함:1||모욕당한 자들:1||문명의 충돌:1||문제극:1||미국 드라마:1||미셀란 포스터:1||민담:1||백인의 위기:1||부스:1||비행청소년:1||사다리꼴:1||사회적 텍스트:1||성경 연대기:1||세리단:1||수 제닝스:1||스캔들 학교:1||승자와 패자:1||신경쇠약:1||아이아드 악타르:1||압살론:1||엘리자베스 시대 연극:1||오리엔탈리즘:1||올리아나:1||왕정복고 드라마:1||외상증후군:1||외상후 스트레스 장애군:1||용비어천가:1||유토피아:1||이데올로기:1||이영진:1||인간성:1||인종차별주의:1||일차원적인 인간:1||장애:1||정의구현:1||제3의 공간:1||조지 필:1||존 아든:1||쥴리아 크리스테바:1||청소년극:1||카타르시스:1||코라:1||트랜센던스:1||특이점:1||팀버레이크 워텐베이커:1||파우스트 신화:1||포스트모던 역사담론:1||포스트휴머니즘:1||폭력:1||퓰리쳐 상 드라마 부문:1||한국계 미국인:1||한국문화:1||현대미국드라마:1||현실도피자들:1||회화에 나타난 제국주의:1||"A Rose for Emily":1||흑인문학:1||A Streetcar Named Desire:1||Absalon:1||African American literature:1||All’s Well That Ends Well:1||American Hwangap:1||American theatre:1||Ayad Aktar:1||Biblical chronicle:1||Booth:1||Caryl Churchill:1||Cloud Nine:1||Daughters of Heaven:1||David Mamet:1||David Williamson:1||Derek Freeman:1||Disgraced:1||Disorders:1||Dystopia:1||Elizabethan play:1||Faustus Myth:1||Freudianism:1||

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