CAU Scholar's Space: Cho, Eun Sook

Detailed Information

Cho, Eun Sook (조은숙)

예술대학 (무용)

Research Area: 무용

Tel 031-670-3120
Homepage

ResearcherID ORCiD Scopus Google Scholar ID ResearchGate

Keyword

무용교육:3||Dance:2||Topf Technique(타프 테크닉):2||Expression:2||현대무용:2||Bartenieff Fundamentals(바티니에프 기본 원리):2||Energy Flow(에너지 흐름):2||Breathing(호흡):2||표현:2||Modern Dance:2||Yin and Yang(음양):2||무용:2||Art Nouveau(아르누보):1||Attraction:1||Avantgarde:1||Bauhaus:1||Body Awareness(신체 자각):1||Body Awareness(신체자각):1||Body Movement Therapy(신체동작치료):1||Body Reeducation(신체재교육):1||Busan International Dance Festival:1||CRP position:1||CRP자세:1||Collaboration:1||Collaboration structure:1||Color(색):1||Communication:1||Concert Dance:1||Continuance Intention:1||Cooperative framework Act:1||Cosmopolitanism:1||Creation:1||Creative Dance:1||Creative convergence education:1||Creative expression:1||Creativity:1||Critic:1||Cultural Economics:1||Cultural arts cooperatives:1||Cultural diversity:1||Dance Education:1||Dance Education standards:1||Dance Form:1||Dance Unit:1||Dance appreciation:1||Dance education:1||Dance literacy:1||Dancing:1||Deconstruction:1||Dimitris Papaioannou:1||E.A.T.:1||Experiments in art and technology:1||Expressive Activity:1||Female Dancer:1||Harlem Renaissance:1||Helen Tamiris(헬렌 타미리스):1||Hemsley Winfield:1||High Value Addition:1||Higher education:1||How Long, Brethren?(형제여, 얼마나 오랫동안?):1||Ideokinesis:1||Ideokinesis(이디오키네시스):1||Illusion(환영):1||Inclusive approach:1||Inclusive approach for dance education:1||Inclusive arts:1||Integration of Body and Mind(심신융합):1||Interdisciplinary arts:1||Involvement:1||Kinesthetic Imagery(근운동 감각적 심상):1||Kinesthetic Imagery(근운동감각적 심상):1||Light(조명):1||Little Theater Movement:1||Local Festival:1||Loie Fuller(로이 풀러):1||Louis XIV:1||Madame plaza:1||Maguy Marin:1||Male Dancer:1||Martin Seligman:1||Masculine:1||Maud Allan:1||Maxine Greene:1||Mechanism(기계주의):1||Modern Dance(현대무용):1||Modernity:1||Mourning:1||Movements:1||Nancy Topf(낸시 타프):1||Negro Spiritual(흑인영가):1||Nine business model building:1||NonHumanization(비인간화):1||Orientalism:1||Oscar Wilde:1||Oskar Schlemmer:1||Oskar Schlemmer(오스카 슐렘머):1||Osterwalder:1||PERMA:1||Peeping Tom Dance Company:1||Performing arts:1||Phenomenological Qualitative Study:1||Pilates(필라테스):1||Plural art work:1||Pluralism:1||Positive psychology:1||Post modernism:1||Postmodernism:1||Prince HyoMyung:1||Private dance Ballet STP cooperatives:1||Qi(기):1||Reality and nonreality:1||Regional Economy:1||Revolutionary Dance:1||SNS Contents:1||SNS 콘텐츠:1||Satire:1||Sets:1||Sincha Hong:1||Social Tendency(사회적 성향):1||Sunmudo(선무도):1||Surrealism:1||T'aiChi Ch'uan(태극권):1||Ted Shawn:1||The Vision of Salome:1||Theatre Union Dance Group:1||Theme:1||Ticket Purchase Intention:1||Topf Technique (타프 테크닉):1||Total Theater(총체적 예술):1||Unconsciousness:1||Violin phase:1||Wellbeing Theory:1||body alignment:1||case study:1||convergence education:1||dance education:1||dance sports:1||free learning semester:1||kinesthetic imagery:1||movement principles:1||the Quality of Movements(움직임의 질):1||the Seventh curriculum:1||the revised curriculum in 2007:1||university student's:1||고등 교육:1||고부가가치화:1||공연무용:1||공연예술:1||관여도:1||극 연합 댄스 그룹:1||근운동 감각적 심상:1||긍정 심리학:1||남성 무용수:1||남성성:1||다원예술:1||다원예술 작품:1||다원주의:1||댄스 유닛:1||동작 원리:1||디미트리스 파파이오아누:1||루이 14세:1||마기마랭:1||마담 플라자:1||마사 힐:1||마틴 셀리그만:1||맥신 그린:1||모더니티:1||모드 알렌:1||무대장치:1||무용 감상:1||무용 교육:1||무용 형식:1||무용교육표준:1||무용리터러시:1||무용수업:1||무용예술강사:1||무용창작:1||무의식:1||문화 다양성:1||문화경제학:1||바우하우스:1||바이올린 페이즈:1||범세계주의:1||부산국제무용제:1||비평:1||살로메의 환영:1||수업만족:1||신체정렬:1||심미적 교육:1||심미적 무용 감상:1||아무 일도 일어나지 않는 곳으로의 10 번의 여행:1||아방가르드:1||안나 소콜로우:1||앙드레 브르통:1||여성 무용수:1||예술과 과학기술의 결합:1||오리엔탈리즘:1||오스카 슐레머:1||오스카 와일드:1||움직임:1||웰빙 이론:1||융합 교육:1||이디오키네시스:1||이에이티:1||자유학기제:1||작은 연극운동:1||재미요인:1||제례:1||주제:1||지속사용의도:1||지역경제:1||지역축제:1||지오르지(Giorgi):1||창의성:1||창의적 융합교육:1||창의적 표현:1||청소년:1||초현실주의:1||춤나누기:1||춤만들기:1||춤추기:1||테드쇼운:1||티켓구매의도:1||펄마:1||포스트 모더니즘:1||포스트모더니즘:1||포용적 예술:1||포용적 접근:1||포용적 접근의 무용예술교육:1||표현활동:1||풍자:1||피핑톰 무용단:1||할렘 르네상스:1||해체:1||햄슬리 윈필드:1||혁명적 무용:1||현상학적 질적연구:1||현실과 비현실:1||협업:1||협업 구조:1||호감도:1||홍신자:1||10 matkaa sinne missä mitään ei tapahdu:1||효명세자:1||1930‘s:1||1930년대:1||2007개정교육과정:1||7차교육과정:1||Adolescent:1||Aesthetic dance appreciation:1||Aesthetic education:1||Alwin Nikolais(얼윈 니콜라이):1||Amedeo Giorgi:1||André Breton:1||Anna Sokolow:1||

STATISTICS: Total View :6,845,721; Today View :5,463

RSS_1.0 RSS_2.0 ATOM_1.0

84, Heukseok-ro, Dongjak-gu, Seoul, Republic of Korea (06974)02-820-6194

Certain data included herein are derived from the © Web of Science of Clarivate Analytics. All rights reserved.
You may not copy or re-distribute this material in whole or in part without the prior written consent of Clarivate Analytics.

Detailed Information

Keyword

BROWSE