明代 曲家의 敎化觀 析論
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 이상철 | - |
dc.date.available | 2020-02-29T07:46:32Z | - |
dc.date.created | 2020-02-12 | - |
dc.date.issued | 2012 | - |
dc.identifier.issn | 1225-973X | - |
dc.identifier.uri | https://scholarworks.bwise.kr/gachon/handle/2020.sw.gachon/16988 | - |
dc.description.abstract | 明代初期曲家的敎化觀是跟在明初社會上蔓延的政治倫理思想有關係。朱權和朱有燉把曲視爲詩的支流, 所以從儒家詩敎觀找出理論根據, 有濃厚的政治功利主義色彩。而邱濬、邵璨、王世貞等人從戱曲藝術本身的立場, 吸收了『琵琶記』中的倫理思想, 其觀點稍偏向於普遍的倫理道德。有些明代曲家們一方面重視文學的表現人的內在情感, 又一方面也不疏忽文學的敎化作用, 力求情、敎的調和和統一。但各家所追求的敎化目的及敎化對象各不相同, 其中王驥德, 馮夢龍, 孟稱舜等人較注重宣揚倫理綱常, 而李開先, 徐渭, 李贄等人帶有反映現實的積極敎化觀, 湯顯祖, 潘之恒, 張琦等人追求以情敎化社會全體, 其敎化對象也包括皇帝。 | - |
dc.language | 한국어 | - |
dc.language.iso | ko | - |
dc.publisher | 중국어문학연구회 | - |
dc.relation.isPartOf | 중국어문학논집 | - |
dc.title | 明代 曲家의 敎化觀 析論 | - |
dc.type | Article | - |
dc.type.rims | ART | - |
dc.description.journalClass | 2 | - |
dc.identifier.bibliographicCitation | 중국어문학논집, no.77, pp.519 - 542 | - |
dc.identifier.kciid | ART001720357 | - |
dc.citation.endPage | 542 | - |
dc.citation.startPage | 519 | - |
dc.citation.title | 중국어문학논집 | - |
dc.citation.number | 77 | - |
dc.contributor.affiliatedAuthor | 이상철 | - |
dc.subject.keywordAuthor | 中國文學 | - |
dc.subject.keywordAuthor | 中國戱曲 | - |
dc.subject.keywordAuthor | 明代 | - |
dc.subject.keywordAuthor | 曲家 | - |
dc.subject.keywordAuthor | 曲論 | - |
dc.subject.keywordAuthor | 敎化 | - |
dc.description.journalRegisteredClass | kci | - |
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