21세기 동아시아 미술현장의 생태계에 대한 단상: 고동연 저, 『소프트파워에서 굿즈까지―1990년대 이후 동아시아 현대미술과 예술대중화 전략』, 다할미디어, 2018
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 이재은 | - |
dc.date.available | 2020-11-20T01:40:34Z | - |
dc.date.created | 2020-11-20 | - |
dc.date.issued | 2018-06 | - |
dc.identifier.issn | 1598-1258 | - |
dc.identifier.uri | https://scholarworks.bwise.kr/gachon/handle/2020.sw.gachon/78991 | - |
dc.language | 한국어 | - |
dc.language.iso | ko | - |
dc.publisher | 미술사학연구회 | - |
dc.relation.isPartOf | 미술사학보 | - |
dc.title | 21세기 동아시아 미술현장의 생태계에 대한 단상: 고동연 저, 『소프트파워에서 굿즈까지―1990년대 이후 동아시아 현대미술과 예술대중화 전략』, 다할미디어, 2018 | - |
dc.title.alternative | An Essay on Ecosystem in East Asian Art Site in the 21st Century | - |
dc.type | Article | - |
dc.type.rims | ART | - |
dc.description.journalClass | 2 | - |
dc.identifier.doi | 10.15819/rah.2018..50.267 | - |
dc.identifier.bibliographicCitation | 미술사학보, no.50, pp.267 - 268 | - |
dc.identifier.kciid | ART002358388 | - |
dc.citation.endPage | 268 | - |
dc.citation.startPage | 267 | - |
dc.citation.title | 미술사학보 | - |
dc.citation.number | 50 | - |
dc.contributor.affiliatedAuthor | 이재은 | - |
dc.description.journalRegisteredClass | other | - |
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