从《湖州守》谈吴梅与戏曲改良运动
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 오수경 | - |
dc.contributor.author | 신재광 | - |
dc.date.accessioned | 2022-07-07T03:55:02Z | - |
dc.date.available | 2022-07-07T03:55:02Z | - |
dc.date.created | 2021-05-14 | - |
dc.date.issued | 2017-01 | - |
dc.identifier.uri | https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/142841 | - |
dc.description.abstract | 摘要 二十世纪初中国戏曲改良运动不僅加速了东方社会吸收西方思想的步伐,还改变了传统戏剧在中国文学界的地位。但运动的局限性又对戏曲艺术本身造成了不小的负面影响。本文结合该历史背景以分析吴梅戏曲创作风格的转变原因。并以《湖州守》为例,尝试探讨吴梅于二十世纪初如何在保护、还原传统戏曲形式的同时,接纳西方思想并对中国戏曲进行改良探索之问题。通过本文可以为在解释吴梅戏曲创作观念之转变时提供更多样的观察视角,并能为对吴梅后期创作是单纯疏远政治后的尚古行为这一解读提供另一种思路。進一步在增补中国近代戏剧史中遗漏的片段及细节,以及为探讨中国传统戏曲于今后之方向时起到微薄之力。 | - |
dc.language | 중국어 | - |
dc.language.iso | zh | - |
dc.publisher | 中國藝術硏究院(중국예술연구원 희곡연구소) | - |
dc.title | 从《湖州守》谈吴梅与戏曲改良运动 | - |
dc.type | Article | - |
dc.contributor.affiliatedAuthor | 오수경 | - |
dc.identifier.doi | 7j699y37j0/1737390 | - |
dc.identifier.bibliographicCitation | 戱曲硏究(희곡연구), v.99, pp.125 - 142 | - |
dc.relation.isPartOf | 戱曲硏究(희곡연구) | - |
dc.citation.title | 戱曲硏究(희곡연구) | - |
dc.citation.volume | 99 | - |
dc.citation.startPage | 125 | - |
dc.citation.endPage | 142 | - |
dc.type.rims | ART | - |
dc.type.docType | 정기학술지(Article(Perspective Article포함)) | - |
dc.description.journalClass | 3 | - |
dc.description.isOpenAccess | N | - |
dc.description.journalRegisteredClass | other | - |
dc.subject.keywordPlus | 戏曲改良运动 吴梅 湖州 中国近现代 戏曲史研究 戏曲理论 历史考证 研究者 | - |
dc.identifier.url | http://47.95.242.172/thesis/detail/1737390 | - |
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