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하이테크(High-Tech) 패션의 변화 및 유형open accessVariations and types of high-tech fashion

Other Titles
Variations and types of high-tech fashion
Authors
장호이연희
Issue Date
Jun-2020
Publisher
한국의상디자인학회
Keywords
하이테크 패션; 발광형 패션; 인터렉션 패션; 가상패션; 3D 프린팅 패션; high-tech fashion; luminous fashion; interaction fashion; virtual fashion; 3D printing fashion
Citation
한국의상디자인학회지, v.22, no.2, pp.117 - 136
Indexed
KCI
Journal Title
한국의상디자인학회지
Volume
22
Number
2
Start Page
117
End Page
136
URI
https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/145519
DOI
10.30751/kfcda.2020.22.2.117
ISSN
1229-7240
Abstract
The purpose of this study is to analyze changes in high-tech fashion along with the types and characteristics of high-tech fashion that have appeared recently providing diverse material for the fashion field. High-tech fashion requires such research to learn how much distance one has in one's life. It is also meaningful to predict what direction high-tech fashion research may be needed. For research methods, previous research and literary studies were considered and photographs in which high-tech techniques were used were collected using the keyword ‘high-tech fashion’. High-tech fashion types can be organized into the four types of luminescent types, mutual interaction types, 3D printing fashion, and virtual fashion. The research results were as follows. First, luminescent fashion was an important expression method of high-tech fashion. Materials for luminescent fashion first started with LED electric wire connections and many methods have been attempted with the appearance of electrically conductive clothing material, such as luminescent lasers and beam projectors. Second, interactive high-tech fashion often appears as variable fashion. The work of Hussein Chalayan, which was combined with advanced technology, set up a base for variable type interactive high-tech fashion in the 2000s. As bioengineering technology has developed, fashion that interacts with the environment without an energy source has appeared and the interaction among fashion, people, and the environment can be seen. Third, diverse forms of expressiveness in virtual reality such as 3D CLO shows a great difference with past high-tech fashion. Simple and diverse attempts made through virtual fittings reduce the limitations of time and space, permit interaction, and add a sense of reality through speed and dynamic physical beauty. Fourth, 3D printed fashion expresses complex and detailed clothing material that is different from those before with the development of computer 3D modeling technology. Modeling that can imitate geometric and bio-engineered structures is possible and mysterious feelings are passed on to people through creative expressions.
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