천만영화 스토리 디자인 연구
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 길종철 | - |
dc.date.accessioned | 2022-07-14T23:35:34Z | - |
dc.date.available | 2022-07-14T23:35:34Z | - |
dc.date.created | 2021-05-13 | - |
dc.date.issued | 2017 | - |
dc.identifier.issn | 1738-5180 | - |
dc.identifier.uri | https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/153197 | - |
dc.description.abstract | In December 2003, Silmido (directed by Kang, Woo Suk) became the first Korean film ever to attract over 10 million moviegoers to the theaters in South Korea. This was an astounding milestone in Korean box office history that led to a new era of so called “Ten Million Club”– an exclusive group of mega blockbusters. Since then, a total of 18 films joined the “Club” in 13 years, 14 Korean films among them. This study analyzes key success factors of five carefully selected Korean mega blockbusters in the Ten Million Club: Masquerade (2012), Miracle in Cell No. 7 (2012), The Attorney (2013), Roaring Currents (2014), and Ode to My Father (2014). Commercial films must deliver the following core emotions in its storytelling: empathy, authenticity, and catharsis. The Ten Million Club films analyzed in this study successfully deliver these three core emotions, and certain storytelling elements in the selected films make up the key success factors. In conclusion, this analysis found five common storytelling elements emerging from Korean mega blockbusters in the Ten Million Club: single protagonist, character-centric story, multiple levels of conflicts, thematic unity, and application of a familiar genre. These five elements are at the core of Korean films, whose primary objective in storytelling is communication with the audience. | - |
dc.language | 한국어 | - |
dc.language.iso | ko | - |
dc.publisher | 한국영상제작기술학회 | - |
dc.title | 천만영화 스토리 디자인 연구 | - |
dc.title.alternative | Ten Million Club: A Study of Story Design in Korean Mega Blockbusters | - |
dc.type | Article | - |
dc.contributor.affiliatedAuthor | 길종철 | - |
dc.identifier.doi | 10.34269/mitak.2017.1.26.008 | - |
dc.identifier.bibliographicCitation | 영상기술연구, v.1, no.26, pp.145 - 166 | - |
dc.relation.isPartOf | 영상기술연구 | - |
dc.citation.title | 영상기술연구 | - |
dc.citation.volume | 1 | - |
dc.citation.number | 26 | - |
dc.citation.startPage | 145 | - |
dc.citation.endPage | 166 | - |
dc.type.rims | ART | - |
dc.identifier.kciid | ART002233505 | - |
dc.description.journalClass | 2 | - |
dc.description.isOpenAccess | Y | - |
dc.description.journalRegisteredClass | kci | - |
dc.subject.keywordAuthor | Story Design | - |
dc.subject.keywordAuthor | Empathy | - |
dc.subject.keywordAuthor | Authenticity | - |
dc.subject.keywordAuthor | Catharsis | - |
Items in ScholarWorks are protected by copyright, with all rights reserved, unless otherwise indicated.
222, Wangsimni-ro, Seongdong-gu, Seoul, 04763, Korea+82-2-2220-1365
COPYRIGHT © 2021 HANYANG UNIVERSITY.
Certain data included herein are derived from the © Web of Science of Clarivate Analytics. All rights reserved.
You may not copy or re-distribute this material in whole or in part without the prior written consent of Clarivate Analytics.