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Developing real-time systems for concert performance

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dc.contributor.authorRichard Daniel Dudas-
dc.date.accessioned2022-07-16T14:30:21Z-
dc.date.available2022-07-16T14:30:21Z-
dc.date.created2021-05-13-
dc.date.issued2012-07-
dc.identifier.urihttps://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/165065-
dc.description.abstractThis artist talk describes the compositional and technical aspects of several of the author's compositional projects using the Max/MSP graphical programming environment. Musical choices and audio signal processing technologies used in the context of a realtime performance system often have a tightly interwoven relationship: sometimes technological developments are motivated by musical necessity, and conversely the construction of some of musical material is a consequence of technological considerations. This will be elucidated through examples from the author's series of preludes for flute, clarinet, and alto flute. In addition to discussing the signal processing effects used in these pieces, an important emphasis will also be made on the pitch tracking and score following techniques used.-
dc.language영어-
dc.language.isoen-
dc.publisherAustralasian Computer Music Association-
dc.titleDeveloping real-time systems for concert performance-
dc.typeArticle-
dc.contributor.affiliatedAuthorRichard Daniel Dudas-
dc.identifier.bibliographicCitationProceedings of the 2012 Australasian Computer Music Conference(ACMC), no. , pp.121 - 124-
dc.relation.isPartOfProceedings of the 2012 Australasian Computer Music Conference(ACMC)-
dc.citation.titleProceedings of the 2012 Australasian Computer Music Conference(ACMC)-
dc.citation.startPage121-
dc.citation.endPage124-
dc.type.rimsART-
dc.type.docTypeProceeding-
dc.description.journalClass1-
dc.description.isOpenAccessN-
dc.description.journalRegisteredClassother-
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COLLEGE OF MUSIC (DEPARTMENT OF COMPOSITION)
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