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Prelude for Clarinet and Computer: a Confluence of Technological and Musical Choices
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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Richard Daniel Dudas | - |
| dc.date.accessioned | 2022-07-16T17:32:45Z | - |
| dc.date.available | 2022-07-16T17:32:45Z | - |
| dc.date.created | 2021-05-13 | - |
| dc.date.issued | 2011-12 | - |
| dc.identifier.uri | https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/166717 | - |
| dc.description.abstract | This paper describes the compositional and technical aspects of the author's composition Prelude for Clarinet and Computer, a work for amplified clarinet and realtime audio processing using the Max/MSP graphical programming environment. The audio signal processing technologies and musical choices for this piece have a tightly interwoven relationship: many of the technological developments were motivated by musical necessity, and conversely the construction of some of the musical material was a direct result of technological considerations. | - |
| dc.language | 영어 | - |
| dc.language.iso | en | - |
| dc.publisher | ACMP(Asia Computer Music Project) | - |
| dc.title | Prelude for Clarinet and Computer: a Confluence of Technological and Musical Choices | - |
| dc.type | Article | - |
| dc.contributor.affiliatedAuthor | Richard Daniel Dudas | - |
| dc.identifier.bibliographicCitation | Proceedings of the ACMP 2011 Conference, Tokyo, no. , pp.69 - 72 | - |
| dc.relation.isPartOf | Proceedings of the ACMP 2011 Conference, Tokyo | - |
| dc.citation.title | Proceedings of the ACMP 2011 Conference, Tokyo | - |
| dc.citation.startPage | 69 | - |
| dc.citation.endPage | 72 | - |
| dc.type.rims | ART | - |
| dc.type.docType | Proceeding | - |
| dc.description.journalClass | 1 | - |
| dc.description.isOpenAccess | N | - |
| dc.description.journalRegisteredClass | other | - |
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Collections - 서울 음악대학 > 서울 작곡과 > 1. Journal Articles
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Related Researcher
- Dudas, Richard
- COLLEGE OF MUSIC (DEPARTMENT OF COMPOSITION)