1949년 이후 중국 여성복 변화와 디자인 특성 -20대 상하이(上海)여성을 중심으로-
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 왕탁졸 | - |
dc.contributor.author | 이연희 | - |
dc.date.accessioned | 2022-07-16T18:36:52Z | - |
dc.date.available | 2022-07-16T18:36:52Z | - |
dc.date.created | 2021-05-13 | - |
dc.date.issued | 2011-10 | - |
dc.identifier.issn | 1229-7240 | - |
dc.identifier.uri | https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/167394 | - |
dc.description.abstract | This study will focus on research and analysis covering the period of time since the creation of the People’s Republic of China to current day China, with an emphasis on 20-something year-old women living in Shanghai. In conducting this research, historical evidence of fashion was derived from books, photographs, and Internet resources pertaining to the specific periods of interest. Furthermore, each set of data has been organized in approximately decade-long segments that best reflect the transformation of Chinese fashion from 1949 to 2000. As a result of the countrywide emphasis placed on revitalization of the newly created Chinese state during the period of 1949 to 1965, detail to fashion was largely ignored, in preference to the successful upstart of a working economic foundation. This neglect of fashion is evident by the scarcity of new and daring styles during this period. The following the period of 1966 to 1977 ushered in a cultural revolution that was aptly demonstrated in the changing fashion tastes. When compared with the previous period, the blandness of clothing, authorized by the Chinese government clearly reflected the rules and regulations strictly enforced by a government mandate of conformity and obedience. These orthodox changes were so drastic, that women wearing these clothes could hardly be differentiated from men in the same style wear. After Mao Ze Dong’s death in 1976 and the end of the sternest period of the Chinese Revolution, a new era of Chinese culture and fashion was made possible by a more lax and tolerant government. During the later part of the seventies through the eighties, this new governmental policy fostered more openness and self-expression, both of which led to a newfound interest in expressing one’s desires and personality through the clothes he or she chose to wear. | - |
dc.language | 한국어 | - |
dc.language.iso | ko | - |
dc.publisher | 한국의상디자인학회 | - |
dc.title | 1949년 이후 중국 여성복 변화와 디자인 특성 -20대 상하이(上海)여성을 중심으로- | - |
dc.title.alternative | The Changing Dynamics of Young Shanghai Ladies’ Fashion and Aesthetic Styles from 1949 to 2000 | - |
dc.type | Article | - |
dc.contributor.affiliatedAuthor | 이연희 | - |
dc.identifier.bibliographicCitation | 한국의상디자인학회지, v.13, no.4, pp.15 - 28 | - |
dc.relation.isPartOf | 한국의상디자인학회지 | - |
dc.citation.title | 한국의상디자인학회지 | - |
dc.citation.volume | 13 | - |
dc.citation.number | 4 | - |
dc.citation.startPage | 15 | - |
dc.citation.endPage | 28 | - |
dc.type.rims | ART | - |
dc.identifier.kciid | ART001616382 | - |
dc.description.journalClass | 2 | - |
dc.description.isOpenAccess | N | - |
dc.description.journalRegisteredClass | kci | - |
dc.subject.keywordAuthor | Chinese fashion(중국패션) | - |
dc.subject.keywordAuthor | Young Shanghai ladies’ fashion(상해여성패션) | - |
dc.subject.keywordAuthor | 1949 to 2000(1949년에서 2000년까지) | - |
dc.subject.keywordAuthor | Chinese fashion(중국패션) | - |
dc.subject.keywordAuthor | Young Shanghai ladies’ fashion(상해여성패션) | - |
dc.subject.keywordAuthor | 1949 to 2000(1949년에서 2000년까지) | - |
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