현대 패션에 표현된 지속가능한 느린 디자인Sustainable Slow Design in Contemporary Fashion Design
- Other Titles
- Sustainable Slow Design in Contemporary Fashion Design
- Authors
- 이연희; 이현아; 박재옥
- Issue Date
- Jan-2007
- Publisher
- 한국의류학회
- Keywords
- Sustainable slow design; Timeless style; Hand-touch style; Renewable design; Transformable design; 지속가능한 느린디자인; 타임리스 스타일; 핸드터치 스타일; 리뉴어블 디자인; 트랜스포머블 디자인; Sustainable slow design; Timeless style; Hand-touch style; Renewable design; Transformable design; 지속가능한 느린디자인; 타임리스 스타일; 핸드터치 스타일; 리뉴어블 디자인; 트랜스포머블 디자인
- Citation
- 한국의류학회지, v.31, no.1, pp.21 - 32
- Indexed
- KCI
- Journal Title
- 한국의류학회지
- Volume
- 31
- Number
- 1
- Start Page
- 21
- End Page
- 32
- URI
- https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/180522
- ISSN
- 1225-1151
- Abstract
- The purpose of this study is to establish the idea of sustainable slow design by analyzing literatures and preceding cases, based on the external elements of a design including forms, the methods of expression, materials and colors. This study reviewed the previous literature of books and pictures related to the research for case studies and content analysis. Fashion books, magazines, and web-sites published from 2000 to 2005 were analyzed for this research. The sustainable slow design trends in fashion can be summarized as follow. The first is a timeless style which has sustain ability in design independently of the versatile fads and relies on functionality, serving the purpose of design. One of the examples is both clothes designed by Burberry and suits by Chanel. The second is a hand-touch style which the more time for outputs can be positively tolerated, in favor on eco-friendly design through the techniques of manual arts. The third is a renewable design which the combined values of design with reuse and renewal result in recreation of past ecology as shown in the technique of designs by mix & match. The forth is a transformable design which features the multi-purpose and multi-forms, eventually extending the life cycle of products. As a result of analysis of the four designs above, it can be inferred that the representation of past styles, the mixture of old design with new design, the appropriate combination of conventional fabrics with advanced ones, the ecological trends of sports look was emerging.
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