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The Waesaek Controversies, or the Sound of Modernity in Park Chan-wook’s The Handmaiden
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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 계희승 | - |
| dc.date.accessioned | 2023-04-03T18:05:01Z | - |
| dc.date.available | 2023-04-03T18:05:01Z | - |
| dc.date.issued | 2022-03-27 | - |
| dc.identifier.uri | https://scholarworks.bwise.kr/hanyang/handle/2021.sw.hanyang/183886 | - |
| dc.title | The Waesaek Controversies, or the Sound of Modernity in Park Chan-wook’s The Handmaiden | - |
| dc.type | Conference | - |
| dc.citation.conferenceName | Association for Asian Studies (AAS) 2022 Annual Conference | - |
| dc.citation.conferencePlace | Honolulu, Hawai’i (Hybrid) | - |
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Collections - 서울 음악대학 > 서울 작곡과 > 2. Conference Papers
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Related Researcher
- KYE, HEE SENG
- COLLEGE OF MUSIC (DEPARTMENT OF COMPOSITION)