ScholarWorks@Hanyang University: Shin, Sung Hwan

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Shin, Sung Hwan (신성환)

COLLEGE OF HUMANITIES (COLLEGE OF HUMANITIES)

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Tel 02-2220-2472
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Keyword

space(공간):3||place:3||place(장소):3||thinking machine(생각하는 기계):2||digital technology (디지털 기술):2||transcendental cognition(선험적 인식):2||new aesthetic experiences(새로운 미학 체험):2||victims(희생자):2||SNS:2||Gyengsong(경성):2||Pyun Hyeyoung:2||장소:2||collector(수집자):2||flaneuse(산책자):2||conceiving detective(지각하는 탐정):2||placelessness:2||playing(놀이):2||a spacetime continuum of playing(놀이의 시공간):2||MaIn(마인):2||human geography:2||Kim NaeSeong(김내성):2||crimespace(범죄 공간):2||reasoning(논리):2||identity of place:2||crimetricks(범죄 트릭):2||SF:2||secret of space(공간의 비밀):2||authenticity of place:2||<:2||detective novel(탐정소설):2||digital Homoludens(디지털 호모 루덴스):2||space:2||:2||modern city(근대 도시):2||the subject of playing(놀이 주체):2||camera:1||climate crisis:1||confirmation bias:1||consilience:1||conspiracy theory:1||critical thinking:1||cyborg:1||detective novel:1||ecology:1||embodiment:1||ethics of coexistence:1||extended mind:1||forming public opinion:1||guard of light:1||hospitality:1||human geography(인문지리학):1||humantechnology union:1||identity of place(장소성):1||ignorance:1||ignoring:1||main agents of visual recognition:1||membership.:1||modern city:1||netcarthyism:1||office:1||office novel:1||photograph:1||photographic images:1||picture images:1||placeless(무장소성):1||point of view:1||process!dialogismoriented approach:1||proper distance:1||reading logic of picture:1||real actor:1||representational spaces(재현의 공간):1||rhetoric of view point:1||science fiction:1||selfdeception:1||selflove:1||social media:1||social network:1||sympathy:1||topophilia(장소애):1||unconditional hospitality:1||visual balance:1||voice:1||wastecivilization:1||window of Dalloway:1||witchhunt:1||writing humanities:1||youth consciousness:1||경성:1||곡성:1||공간:1||공간의 트릭:1||공감:1||공존의 윤리:1||근대 도시:1||근접학:1||기후 위기:1||김내성:1||김세희:1||김초엽:1||나르시시즘:1||넷카시즘:1||댈러웨이의 창:1||런던:1||레나타 살레츨:1||마녀사냥:1||마크 피셔:1||목소리:1||무시:1||무정:1||무조건적 환대:1||무지:1||배삼룡:1||백설공주 살인사건:1||번안소설:1||변희봉:1||비즈니스 존재론:1||빛의 호위:1||사이보그:1||사진:1||사진 이미지:1||사진기:1||생태:1||서브토피아:1||성원권:1||셜록 홈즈:1||소셜 네트워크:1||소셜 미디어:1||소셜포비아:1||승리호>:1||시각적 균형:1||실존 배우:1||실패한 탐정:1||심상지도:1||쓰레기 문명:1||앤디 클라크:1||여론 형성:1||영상 이미지:1||월E>:1||윤고은:1||음모론:1||이창:1||인간기술 연합:1||인문지리학:1||인물 형상화:1||자기기만:1||자기심리학:1||자기애:1||자본주의 리얼리즘:1||장류진:1||장소상실:1||장소성:1||장소의 진정성:1||적절한 거리:1||지그문트 바우만:1||지리적 능력:1||청년 의식:1||추리소설:1||코로나 팬데믹:1||클린트 이스트우드:1||탐정소설:1||편혜영:1||하인즈 코헛:1||확장된 마음:1||확증 편향:1||환대:1||회사:1||회사원 소설:1||視覺的 認識 主體:1||視點:1||視點의 修辭學:1||映像 讀解 論理:1||Andy Clark:1||Arthur Conan Doyle:1||Bae SamRyong:1||Byun Heebong:1||Capitalist realism:1||Clint Eastwood:1||Corona pandemics:1||Gyengsong:1||Heinz Kohut:1||Jang RyuJin:1||Kim Choyup:1||Kim NaeSeong:1||Kim SeHee:1||London:1||Mark Fisher:1||Moo Jeong. narcissism:1||Proxemics:1||Rear Window:1||Renata Salecl:1||SF(science fiction):1||Self psychology:1||Sherlock Holmes:1||Snow white murder case:1||Socialphobia:1||Space Sweepers:1||Wailing:1||WallE:1||Yun Goeun:1||Zygmunt Bauman:1||adaptation:1||adapted novel:1||assessment methods of writing education:1||authenticity of place(장소의 진정성):1||business existence:1||

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