ScholarWorks@Hanyang University: NAM, Sung Taeg

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NAM, Sung Taeg (남성택)

COLLEGE OF ENGINEERING (SCHOOL OF ARCHITECTURE)

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Tel 02-2220-1248
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미술관:6||Rem Koolhaas:4||Le Corbusier:4||Art Museum:4||뉴 브루탈리즘:3||SANAA:3||Museum:3||The New Brutalism:3||루이스 칸:3||Kunsthal:2||Musée des Monuments Français:2||벽난로:2||Fireplace:2||쿤스트할:2||교차 관계:2||Collage:2||Objet:2||앨리슨 &:2||Louis Kahn:2||오브제:2||Cross Relationship:2||피터 스미슨:2||렘 콜하스:2||DDP:2||Parallel of Life and Art:2||Alison and Peter Smithson:2||이미지 체계:2||삶과 예술의 평행:2||Image System:2||자유 평면:2||르 코르뷔지에:2||Void:2||Sacred and Profane:2||성과 속:2||Destruction of the Box:1||Dominican Motherhouse:1||Eames House:1||Editorial Composition:1||Electric lamp:1||Elevation:1||Environment:1||Essential Object:1||Fisher House:1||Floating Structure:1||Frank Lloyd Wright:1||Free Plan:1||Gallery:1||Genel House:1||Ground Subsidence:1||Herzog &:1||Hollow column:1||Hollow structure:1||Independent entities:1||Industrial design:1||Installation Art:1||Irregular Centre:1||Jakarta:1||Jean Nouvel:1||Kahn:1||Le corbusier:1||Local Environment:1||Local Material:1||M:1||Mallization:1||Manhattan:1||Marcel Duchamp:1||Mechanical equipment:1||NYC Landmark:1||Neutral Space:1||Nonreligious Architecture:1||O:1||Objet trouvé:1||Olafur Eliasson:1||Organic Simplicity:1||Oswald Mathias Ungers:1||Peter Zumthor:1||Phenomenology:1||Plazaprogram:1||Program:1||Rainwater Purification System:1||Ramp:1||Regular Edge:1||Restoration:1||Reyner Banham:1||Robert Venturi:1||Rotunda:1||SHopping:1||Sacralization:1||Sacred:1||Sacred Space:1||Sequence:1||Sequential experiences:1||Shopping Mall:1||Simple Construction, Vernacular Architecture, Design for Poverty, Primitive Hut, Catalogue, Minimalism, Readymade:1||Skyscrapers:1||Smithson:1||Solid:1||Space:1||Street:1||Thermal baths:1||Transfiguration:1||Typical Plan:1||Ungers:1||Vertical baths:1||Villa Sarabhai:1||Villa Savoye:1||Weiss House:1||Well:1||White Cube:1||boundary ambiguity:1||container space:1||daily objects:1||de Meuron:1||dressing:1||dwelling:1||environments:1||free plan:1||housing:1||overlapped space:1||positive and negative space:1||solid and void:1||space matrix:1||technology:1||throwaway:1||urban planning:1||가로:1||건축과 환경:1||건축비평전문 지:1||건축전문지:1||경계 모호성:1||경사로:1||공간:1||규칙적 주변:1||근원적 오브제:1||단순 구축, 토속 건축, 빈자를 위한 디자인, 원시 오두막, 카탈로그, 미니멀리즘, 레디메이드:1||도미니칸 마더하우스:1||디자인 방법론:1||랜드마크:1||레이너 밴함:1||렘 쿨하스:1||로버트 벤투리:1||로툰다:1||르 꼬르뷔제:1||르누아르:1||마르셀 뒤샹:1||마천루:1||맨하탄:1||박물관:1||베통 브뤼:1||변용:1||보이드:1||보존:1||복원:1||부유식 구조:1||북경올림픽 주경기장:1||분위기:1||불규칙적 중심:1||브루탈리스트 스타일:1||브루탈리즘:1||비워진 기둥:1||비종교건축:1||비평:1||빌라 사라바이:1||빌라 사보아:1||빗물정화시스템:1||상업 공간:1||상자의 파괴:1||설비:1||설치미술:1||성스러운 공간:1||성스러움:1||속이 빈 수직 구조물:1||쇼핑:1||쇼핑몰:1||쇼핑몰화:1||수륙양용 구조:1||스미슨 부부:1||시퀀스:1||신성화:1||아르 브뤼:1||아키슈트 아키그램 옷 건축 환경 기술 버리다:1||알테스 뮤지엄:1||앨리슨/피터 스미슨:1||예술 전시 공간:1||온천 건축 욕탕 개체들 순차적 경험 수직형 온천:1||올라푸 엘리아손:1||와이스 주택:1||우물:1||원심적 공간:1||유기적 단순성:1||은행:1||입면:1||자본주의:1||자카르타:1||장 누벨:1||전시실:1||전형적 평면:1||제넬 주택:1||중립적 공간:1||중첩:1||지반침하:1||지역재료:1||지역환경:1||카다브르 엑스키:1||콜라주:1||탈 직각:1||파괴:1||페터 줌토르:1||편집구성:1||퐁피두 센터:1||프랑스 기념비 미술관:1||프랑스 기념비 박물관:1||프랭크 로이드 라이트:1||프로그램:1||플라자 프로그램:1||피셔 주택:1||하얀 입방체:1||헤르족/드므론:1||Adolf Loos:1||현상학:1||Alexandre Lenoir:1||Alison/Peter Smithson:1||Altes Museum:1||Amphibious Structure:1||Archisuit:1||Archigram:1||Architectural Criticism Magazine:1||Architectural Magazine:1||Architecture &:1||Art Exhibition Space:1||Art burt:1||Art of Inhabitation:1||Atmosphere:1||Béton Brut:1||Banham:1||Bank:1||Bathroom:1||Bathroom fittings:1||Beijing Olympic National Stadium:1||Beyond Orthogonality:1||Brutalism:1||Brutalist style. Alison and Peter Smithson:1||Cadavre Exquis:1||Capitalism:1||Centre Pompidou:1||Centrifugal Space:1||Commercial Space:1||Conservation:1||Criticism:1||Decorative arts:1||Design Methodology:1||Design by choice:1||Destruction:1||

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