Recent Submissions

• Global cinema in an era of deglobalization: trans-territorial compulsions and the plenipotentiary potential of human activities in Cloud Atlas and Okja
• Giving form to finance culture: Neoliberal denizens in Wall Street (1987), Boiler Room (2000), and Margin Call (2011)
• Endorsing upper-class refinement or critiquing extravagance and debt? The rise of neoliberal genre modification in contemporary South Korean cinema
• Giving Form to Finance Culture: Neoliberal Denizens in Wall Street (1987), Boiler Room (2000), and Margin Call (2011)
• District 9, race and neoliberalism in post-apartheid Johannesburg
• Globalizing Discourses: Literature and Film in the Age of Google
• Isci Filmleri, Oteki "Sinemalar"
• Historicizing labor cinema: recovering class and lost work on screen
• China's iGeneration Cinema and Moving Image Culture for the Twenty-First Century
• 저항적 초국가주의와 반-인종차별주의: 블랙 오디오 필름 컬렉티브의 <핸즈워드 노래들>을 통해서 나타난《도큐멘타 11》의 정치적-미학적인 변형에 관하여