이상의 <지주회시(鼅鼄會豕)>연구
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 김미영 | - |
dc.date.accessioned | 2021-12-15T03:43:40Z | - |
dc.date.available | 2021-12-15T03:43:40Z | - |
dc.date.created | 2021-12-10 | - |
dc.date.issued | 2011 | - |
dc.identifier.issn | 1598-3021 | - |
dc.identifier.uri | https://scholarworks.bwise.kr/hongik/handle/2020.sw.hongik/20257 | - |
dc.description.abstract | The purpose of this article is to reveal the specialities of the Ji-Ju-Whoe-Shi (鼅鼄會豕) written by Lee Sang (李箱) in 1936. The meaning of the title “Ji-Ju-Whoe-Shi” (鼅鼄會豕) is of two spiders that met a pig, and is symbolic of the life-and-death struggle of the mid 1930’s in Seoul. The main assumption of this article is that the Ji-Ju-Whoe-Shi (鼅鼄會豕) is a kind of love story and novel about the surplus person as a main character. Also, the Ji-Ju-Whoe-Shi (鼅鼄會豕) written by Lee Sang (李箱)in 1936 is a novel of the mode of life in the mid 1930’s in Seoul. Lee Sang used the animals as symbols. The spider means a thin person and the pig symbolizes a fat person. Spiders need the blood of other insects to live. The pig symbols a greedy and worldly person. On the other hand, the Ji-Ju-Whoe-Shi (鼅鼄會豕) shows us that the various experimentations of the formative arts, such as architecture or painting, can be applicable to the writing of novels. For example, Lee Sang represented the point of view like Picasso’s cubist paintings. And the composition of time is also based on the technique of collage of cubist paintings. The construction of the Ji-Ju-Whoe-Shi (鼅鼄會豕) is based on a triangle of circulations of spiders and pigs as a life-and-death struggle. Those characters allowed the novels written by Lee Sang to be so modern. | - |
dc.language | 한국어 | - |
dc.language.iso | ko | - |
dc.publisher | 서울대학교 인문학연구원 | - |
dc.title | 이상의 <지주회시(鼅鼄會豕)>연구 | - |
dc.title.alternative | A Study on the Ji-Ju-Whoe-Shi (鼅鼄會豕) Written by Lee Sang (李箱) | - |
dc.type | Article | - |
dc.contributor.affiliatedAuthor | 김미영 | - |
dc.identifier.doi | 10.17326/jhsnu..65.201106.385 | - |
dc.identifier.bibliographicCitation | 인문논총, no.65, pp.385 - 418 | - |
dc.relation.isPartOf | 인문논총 | - |
dc.citation.title | 인문논총 | - |
dc.citation.number | 65 | - |
dc.citation.startPage | 385 | - |
dc.citation.endPage | 418 | - |
dc.type.rims | ART | - |
dc.identifier.kciid | ART001565034 | - |
dc.description.journalClass | 2 | - |
dc.description.journalRegisteredClass | kci | - |
dc.subject.keywordAuthor | 잉여인간 | - |
dc.subject.keywordAuthor | 캐릭터소설 | - |
dc.subject.keywordAuthor | 풍자 | - |
dc.subject.keywordAuthor | 세태소설 | - |
dc.subject.keywordAuthor | 연애소설 | - |
dc.subject.keywordAuthor | 동물상징 | - |
dc.subject.keywordAuthor | 큐비즘 | - |
dc.subject.keywordAuthor | 꼴라쥬 | - |
dc.subject.keywordAuthor | surplus person | - |
dc.subject.keywordAuthor | novel of character | - |
dc.subject.keywordAuthor | satire | - |
dc.subject.keywordAuthor | novel about mode of life | - |
dc.subject.keywordAuthor | love story | - |
dc.subject.keywordAuthor | symbol of animal | - |
dc.subject.keywordAuthor | cubism | - |
dc.subject.keywordAuthor | collage | - |
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