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픽셀화 이미지의 조형 특성을 활용한 패션디자인 개발Developing Fashion Design Utilizing the Formative Characteristics of Pixelation Image

Other Titles
Developing Fashion Design Utilizing the Formative Characteristics of Pixelation Image
Authors
김진영
Issue Date
2019
Publisher
한국패션비즈니스학회
Keywords
pixel; pixelation image; formative characteristics; fashion design development; 픽셀; 픽셀화 이미지; 조형 특성; 패션 디자인 개발
Citation
패션 비즈니스, v.23, no.4, pp.13 - 23
Journal Title
패션 비즈니스
Volume
23
Number
4
Start Page
13
End Page
23
URI
https://scholarworks.bwise.kr/hongik/handle/2020.sw.hongik/2272
ISSN
1229-3350
Abstract
This study aims to understand the concept of pixel, the most important factor in constituting a digital image, draw the formative characteristics of pixelation image expressed through non-digital media, and develop fashion design reflecting the characteristics. As a research method, the literature review was conducted in the present study by involving domestic and foreign publications, related academic journals, and theses and dissertations on the pixel and pixelation image based on a qualitative research process. In addition, through an analysis of the cases that borrowed pixelation images in non-digital media like contemporary art and design, etc., an attempt was made to draw the formative characteristics of the pixelation image. Apparently, six fashion design looks are presented in the present study. The formative characteristics of the pixelation image include: first, the repeatability that repeats the minimum unit; second, the incompleteness of the shape appearing through the phenomenon of aliasing due to the characteristics of the pixel; and third, the combination that completes the shape through the combination of individual independent pixels. The results of the expression through reflecting them in fashion design are as follows: first, this study chose one small geometric formative element and presented repeatability by repetitively expressing that element in a textile pattern; second, for incompleteness, this study expressed an incomplete form, handling the edge part of the shape with the method of disentangling the strand; and third, the combination by completing a single look through overlapping of independent textiles and the combination of different independent individuals is expressed.
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