판화에서 차이와 흔적에 관한 미학적 연구
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 김승연 | - |
dc.contributor.author | 민경아 | - |
dc.date.accessioned | 2022-01-13T07:44:04Z | - |
dc.date.available | 2022-01-13T07:44:04Z | - |
dc.date.created | 2022-01-04 | - |
dc.date.issued | 2008 | - |
dc.identifier.issn | 1598-8635 | - |
dc.identifier.uri | https://scholarworks.bwise.kr/hongik/handle/2020.sw.hongik/23122 | - |
dc.description.abstract | In the art of today, the form has become the substance, the media a philosophical topic, and likewise "art" itself, a product of both media and philosophy.In the past, a philosophical meaning was bestowed to an artwork after it was finished. However, that procedure has now changed; the creator of the artwork or an art critic will integrate a meaning to the work as it is being made. This is why art and philosophy today have a strong complementary relationship.The introduction of a trend-following medium creates yet another course of art with new philosophical significance. Thus, to fully understand contemporary art, one needs to fathom the philosophical analysis of "medium."Print Making, a form of art known for its convenience in communication and multiple production, has changed the theory of art significantly. This research studies Print Making as a medium, Difference and Trace as a philosophy, and Andy Warhol' prints. Thus, this paper intends to address the strengths of Print Making in relation to the Post-Modern age. | - |
dc.language | 한국어 | - |
dc.language.iso | ko | - |
dc.publisher | 한국기초조형학회 | - |
dc.title | 판화에서 차이와 흔적에 관한 미학적 연구 | - |
dc.title.alternative | A Study of on Diffrence and Trace of the Print | - |
dc.type | Article | - |
dc.contributor.affiliatedAuthor | 김승연 | - |
dc.identifier.bibliographicCitation | 기초조형학연구, v.9, no.3, pp.39 - 49 | - |
dc.relation.isPartOf | 기초조형학연구 | - |
dc.citation.title | 기초조형학연구 | - |
dc.citation.volume | 9 | - |
dc.citation.number | 3 | - |
dc.citation.startPage | 39 | - |
dc.citation.endPage | 49 | - |
dc.type.rims | ART | - |
dc.identifier.kciid | ART001265324 | - |
dc.description.journalClass | 2 | - |
dc.description.journalRegisteredClass | kci | - |
dc.subject.keywordAuthor | Printmaking | - |
dc.subject.keywordAuthor | Mrdia | - |
dc.subject.keywordAuthor | difference | - |
dc.subject.keywordAuthor | trace | - |
dc.subject.keywordAuthor | reproduction | - |
dc.subject.keywordAuthor | dirrerance | - |
dc.subject.keywordAuthor | Derrida | - |
dc.subject.keywordAuthor | Deleuze | - |
dc.subject.keywordAuthor | 판화 | - |
dc.subject.keywordAuthor | 매체 | - |
dc.subject.keywordAuthor | 차이 | - |
dc.subject.keywordAuthor | 흔적 | - |
dc.subject.keywordAuthor | 복제 | - |
dc.subject.keywordAuthor | 차연 | - |
dc.subject.keywordAuthor | 데리다 | - |
dc.subject.keywordAuthor | 들뢰즈 | - |
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