The return of the prodigal B-boy: from marginalised subculture to protected Korean cultural institution
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Chang, WoongJo | - |
dc.contributor.author | Lee, June | - |
dc.date.accessioned | 2022-05-23T04:48:41Z | - |
dc.date.available | 2022-05-23T04:48:41Z | - |
dc.date.created | 2022-05-23 | - |
dc.date.issued | 2023-01-01 | - |
dc.identifier.issn | 0954-8963 | - |
dc.identifier.uri | https://scholarworks.bwise.kr/hongik/handle/2020.sw.hongik/27806 | - |
dc.description.abstract | When the forces of globalisation brought B-boying (or breakdancing) to Korea, the traditionally conservative mainstream society looked askance at the practice. The government, concerned with building a strong national culture, set restrictive policies to protect Korean society from what it saw as a disruptive foreign influence. Nevertheless, a marginalised Korean B-boy subculture developed; rejected locally, Korean crews began competing globally. When they swept major international competitions, B-boying exploded in Korea and the government began to support and deploy it as iconic of Korea's youthful and dynamic art world. Thus, B-boying in Korea has undergone two major cycles of globalisation and Korean government intervention since the 1980s. In this paper, we trace how a marginalised subculture came to be institutionalised as a point of national pride by the government and the role that glocalisation has played in this dramatic reversal of the fortunes of the B-boys in Korea. | - |
dc.language | 영어 | - |
dc.language.iso | en | - |
dc.publisher | ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD | - |
dc.subject | HIP-HOP CULTURE | - |
dc.subject | RAP MUSIC | - |
dc.subject | YOUTH | - |
dc.subject | STYLE | - |
dc.title | The return of the prodigal B-boy: from marginalised subculture to protected Korean cultural institution | - |
dc.type | Article | - |
dc.contributor.affiliatedAuthor | Chang, WoongJo | - |
dc.identifier.doi | 10.1080/09548963.2022.2070724 | - |
dc.identifier.scopusid | 2-s2.0-85129264819 | - |
dc.identifier.wosid | 000789733200001 | - |
dc.identifier.bibliographicCitation | CULTURAL TRENDS, v.32, no.2, pp.140 - 154 | - |
dc.relation.isPartOf | CULTURAL TRENDS | - |
dc.citation.title | CULTURAL TRENDS | - |
dc.citation.volume | 32 | - |
dc.citation.number | 2 | - |
dc.citation.startPage | 140 | - |
dc.citation.endPage | 154 | - |
dc.type.rims | ART | - |
dc.type.docType | Article | - |
dc.description.journalClass | 1 | - |
dc.description.journalRegisteredClass | ssci | - |
dc.description.journalRegisteredClass | ahci | - |
dc.description.journalRegisteredClass | scopus | - |
dc.relation.journalResearchArea | Arts & Humanities - Other Topics | - |
dc.relation.journalResearchArea | Cultural Studies | - |
dc.relation.journalResearchArea | Social Sciences - Other Topics | - |
dc.relation.journalWebOfScienceCategory | Humanities, Multidisciplinary | - |
dc.relation.journalWebOfScienceCategory | Cultural Studies | - |
dc.relation.journalWebOfScienceCategory | Social Sciences, Interdisciplinary | - |
dc.subject.keywordPlus | HIP-HOP CULTURE | - |
dc.subject.keywordPlus | RAP MUSIC | - |
dc.subject.keywordPlus | YOUTH | - |
dc.subject.keywordPlus | STYLE | - |
dc.subject.keywordAuthor | Korean B-bo | - |
dc.subject.keywordAuthor | Marginalisation | - |
dc.subject.keywordAuthor | resistance | - |
dc.subject.keywordAuthor | glocalisation | - |
dc.subject.keywordAuthor | institutionalisation | - |
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