Isang Yun in Korea und seine Neupositionierung in Deutschland
- Authors
- Kim, Jin-Ah
- Issue Date
- Dec-2021
- Publisher
- FRANZ STEINER VERLAG GMBH
- Keywords
- new music; Korean music; twelve tone music; foreign music
- Citation
- ARCHIV FUR MUSIKWISSENSCHAFT, v.78, no.4, pp.254 - 275
- Journal Title
- ARCHIV FUR MUSIKWISSENSCHAFT
- Volume
- 78
- Number
- 4
- Start Page
- 254
- End Page
- 275
- URI
- https://scholarworks.bwise.kr/hongik/handle/2020.sw.hongik/27808
- DOI
- 10.25162/afmw-2021-0014
- ISSN
- 0003-9292
- Abstract
- This article examines social and cultural aspects of Isang Yun's musical activity during his time in Korea and Germany up to the 1960s, specifically, his actions as a protagonist in the dynamic framework of music creation and the assessment of his standpoints with respect to each locality. In Korea, Yun was part of a group of composers who opposed the suppression of their national, i. e. traditional music and who sought to create a specific Korean music. Upon his arrival in Germany, however, he repositioned himself with respect to the social expectations that confronted him and created a unique musical style grounded in East Asian philosophical traditions and musical elements informed by the idea of "foreign music.
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