미술관 건축의 은유적 표현특성에 관한 연구- 1960-70년대 한국 추상 회화작가 중심으로 -

Abstract

Recently, the establishment of museums for private artists has become a trend. Domestic administrative agencies are actively planning to attract artists from internal famous artists. It is very important to consider the relationship between the artist's thinking of works and planning of the museum's architecture. The role of museum architecture includes not only the function of exhibition, archive and education, but also the architectural sign of art. An individual artist's museum is a space symbolizing the artist. In this thesis, the metaphorical structure in rhetoric and the metaphorical theory of Antoniades that applied to architecture was examined. And then, 'metaphorical' structure, which enriches the space in the museum architecture, as a methodology was adopted. By analyzing five art museum examples of how the artist 's thinking of works is expressed metaphorically in Korean abstract painting artists' paintings of the 1960s and 1970s, the metaphorical features of individual artist-centered museum architecture will be intend to deduced. As a result of analyzing each museum, tangible metaphor was expressed by adapting traditional elements to modern image, and the intangible metaphor was expressed in Emptiness and oriental thought in the Courtyard. The combined metaphor is often seen as an inner-outer crossing walk that explores the architectural space as a movement line that allows the artist to experience the artist's view. The method of metaphorical expression of the museum is a way of not only visual recognition through the architectural form of the artist 's view, but also the architectural experience by which the viewer experiences and also can feels the space.