photographies seeks to construct a new agenda for theorising photography as a heterogeneous medium that is changing in an ever more dynamic relation to all aspects of contemporary culture.
photographies aims to further develop the history and theory of photography, considering new frameworks for thinking and addressing questions arising from the present context of technological, economic, political and cultural change.
photographies investigates the contemporary condition and currency of the photographic within local and global contexts. The editors seek research papers and innovative visual essays, shorter papers engaging new debates, review essays evaluating publications, cultural events, key developments, exhibitions and conferences.
photographies aims to:
/// establish a sustained and dynamic forum for the development of the history and theory of photography,
/// consider new frameworks for thinking and addressing questions arising from digital
technologies and economic, political and cultural change,
/// examine contemporary uses and currencies of the photographic within local and global contexts,
/// identify, develop and discuss emergent critical debates and practices,
/// publish work in the humanities and social sciences which has a bearing upon our
understanding of photography thereby locating debate within a wider community.