ScholarWorks@Hongik: Ahn, Byung hak

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Ahn, Byung hak (안병학)

College of Fine Arts (Visual Communication Design)

Research Area: 타이포그라피

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Hangeul:7||한글:7||타이포그래피:5||바탕체:4||Font:3||글꼴 디자인:3||typography:3||Typography:3||가로짜기:3||typeface design:2||활자:2||Typesetting:2||훈민정음:2||Horizontal typesetting:2||Hangul:2||한글 글꼴분류체계:2||Hunminjeongeum:2||Vertical typesetting:2||Korean Font Classification System:2||문자 추상:2||옛한글:2||1960s and 1970s:2||서체 추상:2||mixed typesetting:2||세로짜기:2||글꼴:2||Batang typeface:2||Digitization of Hangeul:1||Diversity:1||Finance:1||Flexibility:1||Flexible identity design:1||Font Classification System:1||Font Design:1||Font Discriminability:1||Font Search Service:1||Food Package Design:1||Gungche:1||Gungseo typeface:1||Handwriting Abstract:1||Hangeul Combination Structure:1||Hangeul Cursive Typrface:1||Hangeul Font Classification System of Network Structure:1||Hangeul Haeseo typeface:1||Hangeul Slanted Cursive Typrface:1||Hangeul Slanted Typrface:1||Hangeul design:1||Hangul Calligraphy:1||Hangul Discriminability:1||Hangul Font Similarity:1||Hangul Shape Elements:1||Horizontal Typesetting:1||HorizontalVertical Mixed Typesetting:1||Horizontalvertical:1||Horizontalvertical mixed typesetting:1||Icon:1||Illustration:1||Index:1||Inoue Yuichi:1||Interdisciplinary:1||Japanese typography:1||Korean Font Distinguishing Feature:1||Lee Ungno:1||Legibility:1||Legibility Environmental Factor:1||Legibility Specification(판독성 표기):1||Legibility Standard(판독성 표준):1||Legibility(판독성):1||Letter:1||Letters Abstract:1||Letters Arts:1||Lexicography:1||Magazine “Design 360°”(매거진「Design360°」):1||Mongolian:1||Mongolian typography:1||Myeongjo typeface:1||Narrative:1||Natural Language Processing:1||Network Structure:1||Old Hangeul:1||Petty Bourgeoisie(소자무드):1||Rank Correlation Coefficient:1||Readability:1||Readability(가독성):1||Rhee Sangchol:1||Rhizome:1||Rudolf Arnheim:1||Selfinitiated design:1||Semi Gipeun Mool Font:1||Spiral thinking:1||Stroke Element Influence Calculation Model:1||Stroke Element Influence by Character Size:1||Symbol:1||Syneticstechniques:1||Techfin:1||Text Mining:1||The Aesthetics Of The Chinese Public(중국 대중의심미):1||Typeface:1||Typeface similarity assessment:1||Typeface stroke weight similarity criteria:1||Unhaebonche:1||Vertical Typesetting:1||Weight:1||YinYang and the Five Elements:1||Zhu Ducun:1||abstract graphics:1||anticounterfeit:1||avantgarde calligraphy:1||banknote design:1||book cover design:1||book design:1||calligraphy:1||character abstraction:1||content emotion analysis:1||craftdesign collaboration:1||cursive:1||document design:1||emotion calculation models:1||emotionbased font recommendation:1||epitext:1||experimentation:1||font:1||font recommendation system:1||hideandseek:1||horizontal typesetting:1||intangible cultural heritage (ICH) crafts:1||intertextuality:1||italic:1||knowledge sharing:1||letter:1||memory:1||memory and experience:1||mimesis:1||nonvisible space:1||nonlinear:1||old hangeul:1||paratext:1||peritext:1||potential:1||san serif:1||san serif italic:1||security pattern:1||security:1||semantic structure:1||social meaning:1||social memory:1||sustainability:1||symbol:1||symbolic expression:1||symbolism:1||tacit knowledge:1||the materiality of a book:1||the statue of peace:1||time and space:1||touchtext:1||transaction:1||transcendental experience:1||type:1||typeface abstraction:1||usability evaluation:1||vertical writing:1||visual culture:1||visual perception patterns:1||가독성:1||가로·세로짜기 혼용:1||굵기:1||궁서체:1||궁체:1||글꼴 변별:1||글꼴분류체계:1||글씨:1||글자:1||글자체:1||금융:1||기억:1||기억과 경험:1||나선형 사고:1||돋움 흘림체:1||돋움체:1||디자인 교육:1||디자인 말뭉치:1||디자인 방법론:1||디자인 연구:1||디자인 용어:1||디자인사전:1||디자인용어:1||디자인지식:1||루돌프 아른하임:1||멋글씨:1||명조체:1||몽골 문자:1||몽골어 타이포그래피:1||문단짜기:1||문단짜기 혼용:1||미메시스:1||보안 문서 디자인:1||보안 패턴:1||북 디자인:1||브랜드:1||브랜드 경험:1||비가시적 공간:1||비선형:1||사전편찬학:1||사회적 기억:1||사회적 의미:1||상징:1||상징성:1||상징적 표현:1||상호텍스트성:1||샘이깊은물체:1||서사:1||서예:1||서체:1||서체 검색 서비스:1||서체 유사도 판별:1||서체 획 굵기 유사도 판별 기준:1||섞어 짜기:1||세로쓰기:1||숨바꼭질:1||시각 문화:1||시간과 공간:1||시네틱스 기법:1||시지각 패턴:1||식품패키지 디자인:1||실험:1||언해본체:1||에피텍스트:1||연결망 구조:1||연결망 구조의 한글 글꼴분류체계:1||외래어:1||위조방지:1||은행권 디자인:1||음양오행:1||의미구조:1||이노우에 유이치:1||이상철:1||이응노:1||일러스트레이션:1||일본어 타이포그래피:1||자기 주도적 디자인:1||자동 글꼴 추천 시스템:1||자연어처리:1||잠재성:1||전위서:1||주더췬:1||책 표지 디자인:1||책의 물성:1||초험적 경험:1||최정호:1||추상 그래픽:1||추상문자 예술:1||캘리그라피:1||캘리그래피:1||타이포그라피:1||탈네모틀 글자꼴:1||터치텍스트:1||테크핀:1||텍스트마이닝:1||트랜스액션:1||파라텍스트:1||판독성:1||판독성 환경요인:1||페리텍스트:1||평화의 소녀상:1||필법:1||한글 글꼴 변별요소:1||한글 디자인:1||한글 디지털화:1||한글 모임 구조:1||한글 변별성:1||한글 해서체:1||한글 형태소:1||한글서법:1||화양절충:1||흘림체:1||1960~70년대:1||AntiCounterfeit:1||Automatic font recommendation system:1||Banknote Design:1||Batang font:1||Batangche:1||Brand:1||Brand Experience:1||Calligrapher Abstract:1||Calligraphic technique:1||Calligraphy:1||Chinese Subvisual Culture(중국 하위시각문화):1||Chinese Traditional Handicraft:1||Choi Jeongho:1||Collaborative Design Intervention:1||Compromise of Japanese and Western styles:1||Cultural Sustainability:1||Desquared letterform:1||Design Corpus:1||Design Research:1||Design Terminology:1||Design dictionary:1||Design education:1||Design knowledge:1||Design methodology:1||Design terminology:1||

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