ScholarWorks@Hongik: Kim, Joo Yun

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Kim, Joo Yun (김주연)

Fine Arts (Industrial Design)

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공공디자인:47||Public Design:31||공공공간:18||Public design:17||장소성:15||Public Space:13||유니버설디자인:12||Universal Design:11||Sustainability:10||Space:10||Placeness:10||AIP:10||공간:10||공간디자인:10||Museum:10||공공미술:10||Urban Regeneration:9||지속가능성:9||Flagship Store:9||Public Art:8||도시재생:8||Children&apos:8||박물관:7||고령화:7||Spatial Design:7||협력적 거버넌스:7||Public space:7||Community:7||CPTED:6||Place:6||뇌파:6||EEG:6||복합문화공간:6||도시디자인:6||Place Branding:6||공간구성:6||건축:5||Experience:5||공간 디자인:5||공간마케팅:5||특성:5||스페이스 브랜딩:5||장소:5||치유:5||플래그쉽 스토어:5||Text mining:5||Relationship:5||장소 브랜딩:5||평가지표:5||공공성:5||Virtual space:5||전시공간:5||Characteristics:5||공동주택:5||Aging Society:4||Architecture:4||색채:4||Space Design:4||유휴공간:4||Social value:4||어린이:4||CVR:4||공간특성:4||Chanel&apos:4||텍스트 마이닝:4||텍스트마이닝:4||Healing Environment:4||브랜드:4||관계성:4||거버넌스:4||색채특성:4||가상공간:4||공공시설물:4||주거공간:4||시지각:4||어포던스 디자인:4||Exhibition Space:4||Communication:4||Publicness:4||공간 특성:4||Categorization:4||Complex Cultural Space:4||라이프스타일:4||인터랙티브 디자인:4||GIS:4||Lifestyle:4||Spatial Characteristics:4||상호작용:4||사회적가치:4||범주화:4||공간인지:4||Spatial Furniture:4||Space Branding:4||체험:4||Interactive Design:4||공간적 가구:4||Brand:4||storytelling:4||복합상업시설:4||Urban Design:4||Healing:4||서비스디자인:4||Governance:4||공공디자인 확장:3||Correlation:3||체험마케팅:3||가변성:3||spatial design:3||상관성:3||전시환경:3||EyeTracking:3||공간구문론:3||전통건축:3||공공사업:3||치유환경:3||도시 재생:3||Healing Space:3||Healthy Streets:3||커뮤니케이션:3||Color:3||Exhibition:3||보행환경:3||개방성:3||조도:3||은사(隐士):3||어린이 도서관:3||공용공간:3||Korean Gallery:3||Public Facilities:3||공유가치:3||서예:3||Cultural space:3||China:3||Design Elements:3||브랜드 공간:3||Children:3||리버빌리티:3||Public Projects:3||European Prize for Urban Public Space:3||Traditional Architecture:3||가이드라인:3||공간인식:3||건강 거리:3||Public Spaces:3||브랜드 커뮤니케이션:3||Public Value:3||공간재생:3||Color characteristics:3||Wayfinding:3||Convergence:3||준공공공간:3||중국:3||도시 브랜딩:3||군집 분석:3||Affordance design:3||극 공간디자인:3||Shared Value:3||유니버설디자인 적용:3||Space Marketing:3||중국 전통:3||Evaluation Index:3||스토리텔링:3||마케팅:3||Marketing:3||Evaluation Indicators:3||인식:3||Place Making:3||반응:3||Calligraphy:3||Interaction:3||공공가치:3||Place branding:3||Brand Space:3||공공건축:3||동향 분석:3||지역사회:3||노인:3||시선추적:3||Collaborative Governance:3||공공디자인 사업:3||Brand Communication:3||진흥계획:3||Aging:3||농촌:3||AHP Analysis:3||전시:3||사회적 처방:3||Metaverse:3||공공문화 서비스:3||메타버스:3||Biophilia:3||전시디자인:3||브랜드 아이덴티티:2||Gestalt:2||브랜드 이미지:2||Urban Branding:2||브랜드 전략:2||Urban Entertainment Center:2||공간적 특성:2||비영리:2||비영리섹터:2||비일상성:2||공간조형:2||Management strategy:2||공간특징:2||빛:2||Sharing:2||지속 가능성:2||Signage:2||Urban expression:2||Evaluation Methods:2||Promotion Plan:2||지역 공공디자인 진흥 조례:2||Anthroposophy:2||Urban regeneration:2||Evaluation Tools:2||지역문화:2||Carlo Scarpa:2||지역성:2||Cooperative Governance:2||AHP:2||HSCD:2||지하철역사:2||Corporate image:2||Color temperature:2||사회문제해결:2||사회문화적:2||공공디자인거버넌스:2||사회적 가치:2||Usercentered design:2||Exchange:2||Memory:2||Apartment:2||VMD:2||Public Cultural Facilities:2||철학:2||산업유산:2||Public Cultural Service:2||공공미디어:2||체험요소:2||Public Cultural Services:2||공공미술 제도:2||Exhibit Design:2||초고령사회:2||초등학교:2||상징물:2||공공박물관:2||치유공간:2||Social Prescribing:2||색온도:2||Public Design Extension:2||Disaster Response Facilities:2||색채환경:2||공공장소:2||MixedUse Development:2||MixedUse Space:2||Discrimination:2||생태요소:2||Exhibition Design:2||공동체:2||코스메틱:2||공연시설:2||Public Design governance:2||Public Design(공공디자인):2||공유:2||Social venture:2||Visitors:2||CiteSpace:2||테마파크:2||Cosmetic:2||Visual Merchandising:2||관계:2||통학로:2||Sociocultural:2||Cosmetics:2||Commercial Space:2||Visual Percetion:2||관람객:2||Soswaewon:2||광역버스:2||Sound Environment:2||Soundscape:2||설치미술:2||성과평가:2||Exhibition situation:2||교실색채:2||Exhibition space:2||Walking Environment:2||Modern life style:2||Waterfront:2||구축성:2||Welfare:2||Space Characteristics:2||Public architecture:2||평가:2||소셜벤처:2||소쇄원:2||Public art:2||소통:2||평가체계:2||Existence:2||Space Identity:2||근린공원:2||Hotel business center:2||Motive analysis:2||business organization:2||기억:2||children&apos:2||스페이스 마케팅:2||chinese tradition:2||Chanel:2||Experience Marketing:2||Space Syntax:2||플래그십 스토어:2||플레이스 브랜딩:2||Space Upcycling:2||Experience Space:2||Multidimensional Scaling:2||cosmetic brand shop:2||decoration:2||한국실:2||기획전시:2||design caracteristics:2||digital media:2||Space composition:2||ecology황 용섭Youngseup Hwang김 주연Jooyun Kim국립한국재활복지대학 인테리어디자인과 전임강사Korea National College of Rehabilitation &:2||네트워크 분석:2||Space design:2||현대미술:2||현상:2||Space marketing:2||시퀀스:2||Experiential Marketing:2||Brand Strategy:2||NCS:2||SpaceFurniture:2||Idle Space:2||Narrative:2||hermit:2||hermit culture:2||화장품:2||환경:2||Idle space:2||실내색채:2||환경색채:2||Critical Regionalism:2||interaction:2||환승:2||Spatial Characteristic:2||interactivity:2||Spatial Composition:2||실험연구:2||Rank:2||Rapid Bus:2||효과성:2||다차원척도법:2||Spatial Marketing:2||아이트래킹:2||narrative design:2||natural living space:2||network:2||아파트:2||Spatial Model:2||Illusion Space:2||City image:2||안전디자인:2||도시 공공장소:2||도시 이미지:2||안전환경:2||philosophies:2||F&:2||playground:2||도시공간:2||도시공원:2||Network analysis:2||Network communication:2||Regeneration:2||Cultural facility:2||도시이미지:2||Application of Universal Design:2||Indoor Rest Space:2||Spatial cognition:2||F&B공간:2||s Library:2||어린이보호구역:2||도심 가로:2||어린이집:2||Spatial environment:2||언어:2||s Philosophy of Design:2||s Spatial:2||Industrial Design Dept.:2||동기 분석:2||Industrial heritage:2||Noneverydayness:2||Nonprofit organization:2||Nonprofit sector:2||FGI:2||Body:2||OLED:2||Speculation:2||Awareness:2||디자인 요소:2||Inflow of Natural Light:2||Bus Shelter:2||연구 동향:2||space:2||Research Trend:2||디자인관리체계:2||Stage Design:2||Installation Art:2||연출요소:2||Office space:2||Factor Analysis:2||Ecological architecture:2||Open Space:2||Openess:2||sustainability:2||Openness:2||symbolicplay:2||Ecological element:2||Strategic Model:2||Ecological restoration:2||디지털매체:2||Interactive:2||web:2||Streets of the City:2||가구디자인:2||랜드마크:2||외부공간:2||Ecologically sustainable element:2||Child Protection Zone:2||Subway Station:2||Interior Color:2||루돌프 슈타이너:2||Cluster analysis:2||Interior Design Dept.홍익대학교 미술대학 산업디자인과 부교수Hongik University:2||Co‐housing:2||Complex Community Space:2||Sustainable:2||Effectiveness:2||감각성:2||유아 발달:2||Overseas Museums:2||유아보육시설:2||감성:2||유치원:2||BI:2||Flexible Partition:2||Symbols:2||유형화:2||메타버스 브랜드 공간:2||Kindergarten:2||TOD:2||Tadao Ando:2||CI:2||Rural:2||은일(隐逸) 문화:2||Participatory Design:2||이미지:2||Tectonics:2||몸:2||Elementary School:2||건축공간:2||인간중심:2||Cognition:2||Temporary Exhibition:2||COVID19:2||Territoriality:2||SPA:2||Foreign:2||Connected:2||문화 공간:2||인지성:2||문화공간:2||Delphi Method:2||인지학:2||문화예술:2||Safety Design:2||Safety Environment:2||Brainwaves:2||Performance Evaluation:2||Theater:2||Children’s Museum:2||Persona:2||고령자:2||Lifecentered design:2||Theme Park:2||미디어:2||Function of Integration:2||Phenomenon:2||Light:2||미래유산:2||자연적 생활공간:2||Lighting:2||자전거도로:2||공간 분위기:2||Design Management System:2||장소 활성화:2||장소감:2||장소기억:2||장소마케팅:2||바이오필리아:2||장소브랜딩:2||공간 아이덴티티:2||장소정체성:2||바이오필릭 디자인:2||SemiPublic Space:2||Design Policy:2||재생:2||재생공간:2||Place identity:2||발도르프학교:2||Transfer:2||Lighting environment:2||Environmental Color:2||백화점:2||전략 모델:2||GPCI:2||Sensation:2||전문인력:2||전시 공간:2||Literati:2||전시연출:2||GRC:2||Livability:2||Approach:2||Local Culture:2||Types of Housing:2||Typification:2||보행:2||접근성:2||Local Public Design Promotion Ordinance:2||Calligraphy aesthetics:2||Gaze pursuit:2||Locality:2||조망:2||조명:2||Unique Space Proposition:2||공간변화:2||Brand Experience:2||복합커뮤니티공간:2||Calligraphy works:2||Service design:2||Louis I. Kahn:2||조형성:2||브랜드 경험:2||A visible change:2||존재:2||AHP 분석:2||Metaverse Space:1||Metaverse brand space:1||Metaverse in the Public Sector:1||Metaverse university campus:1||Meteorology:1||Micro House:1||Mindon exhibition:1||Minimal:1||Mixeduse Complex Context:1||Mobile Office:1||Model House:1||Modeling:1||Modeling Attributes:1||Modern Architectureal Space(근대 건축 공간):1||Modern Art:1||Modern Industrial Heritage:1||Modern application:1||Modern physics:1||Modern work space:1||Module system:1||Monism:1||Monuments:1||Moving Image:1||Muji:1||Muji hotel:1||MultiSensory Stimulation:1||Multiple Linear Regression:1||Multisensory:1||Museum Program:1||Museum.:1||Musical Aida:1||Name Notation:1||Narrative Resources:1||Narrative Subject:1||National Garden:1||National Museum:1||Natural History:1||Natural light:1||Natural lighting:1||Natural lighting design element:1||Neighborhood Park:1||Neighborhood park:1||Network governance:1||New Chinese Style:1||New Deal:1||New Hanok:1||New contents:1||Night View:1||Night lighting:1||Ningshou Palace:1||NonPermanent Stage:1||Northern Seoul:1||Nuance:1||Office:1||Office building:1||Office building low level:1||Office design:1||Office furniture design:1||Old People:1||Online:1||Opera House:1||Ordinance:1||Organic:1||Organic relationship:1||Organizational Communication:1||Oriental thought:1||Out &:1||Outdoor:1||Outdoor Advertisement:1||Outdoor Rest Environment:1||Outdoor Space:1||Outdoor Space of Apartment Complex:1||Outdoor space:1||Overseas public building system:1||Package Design:1||Pandemic:1||Panel Design:1||Paper:1||Participation:1||Participation Type:1||Party marketing:1||Party space display:1||Patient&apos:1||Pedestrian Environment:1||Pedestrian Friendly:1||Pedestrian intimacy:1||People’s memorial hall:1||Perception:1||Perception survey:1||Perceptual characteristic:1||Performing art center:1||Personal mobility:1||Personal mobility device:1||Peter Zumthor:1||Peter Zumtor&apos:1||Physical factor:1||Physiological:1||Physiological experiment:1||Piaget's Cognitive Development Theory:1||Pine and Gilmore:1||Place Activation:1||Place Memories:1||Place Memory:1||Place marketing:1||Place utilization:1||Place value:1||PlaceMaking:1||PlaceSpecific:1||Playground:1||Policy:1||Policy System:1||Popup Store:1||Population Aging:1||PositionalDistinction:1||PostAged Society:1||PostCOVID:1||PreEvaluation Elements:1||Preceding Study:1||Preference:1||Preference Space:1||Presentation factor:1||Prevention of Child Abuse:1||Prevention of School Violence:1||Principle of color:1||Pritzker Price Winners:1||Private Economy:1||Private Gardens:1||Process:1||Process of Building:1||Professional Manpower:1||Professional manpower:1||Professionalism:1||Project:1||Projectbased Public Art:1||Promotion Policy:1||Promotional Plan:1||Prospect:1||Protocol:1||Psychological evaluation:1||Psychological(심리적):1||Pubic Design:1||Pubic art:1||Public Architecture:1||Public Art Policy:1||Public Art Project:1||Public Building:1||Public Cultural:1||Public Cultural Service Guarantee Law:1||Public Cultural Service System:1||Public Cultural Services Safeguard Regulations:1||Public Data:1||Public Design Business:1||Public Design Extend:1||Public Design Guidelines:1||Public Design Policy:1||Public Design Projects:1||Public Design Promotion Act:1||Public Design Review System:1||Public Design Trand:1||Public Floor:1||Public Garden:1||Public Media:1||Public Place:1||Public Service:1||Public Service Design:1||Public Symbols:1||Public Value(공공가치):1||Public art policy:1||Public building project:1||Public design Area:1||Public design Law:1||Public design business:1||Public design related business:1||Public facility:1||Public media:1||Public places:1||Public sculptures:1||Public service:1||Public service design:1||Public spaces:1||Public value creation:1||Public values:1||PublicPrivate Cooperation System:1||Publicprivate partnership:1||Publicity:1||Publicness assessment criteria:1||Pugh Matrix:1||Punctuated Equilibrium:1||Purchase:1||Python:1||Quadrant:1||Raumkunst:1||Reaction:1||Realistic content:1||Realistic media:1||Reciprocal Determinism:1||Recycling:1||Redesign:1||Refuse:1||Regenerated Hotel Designs in Amsterdam:1||Regeneration (재생화):1||Regeneration space:1||Regenerative Architecture:1||Regenerative Space:1||Reggio Emilia:1||Regional:1||Regional Coexistence:1||Regional Development Project:1||Regional community:1||Regional revitalization:1||Regionalism:1||Relation orientation:1||Relational:1||Relationships:1||ReliableExperience:1||Rendering:1||Representation:1||Research trend(연구 동향):1||Research trends:1||Research type:1||Researchtendency analysis:1||Resident Participation:1||Resident participation:1||Resident styles:1||Residential Complexes:1||Residential Environment:1||Residential Space:1||Residential areas:1||Residential environment.:1||Resistance factors:1||Resource Circulation:1||Response:1||Response Characteristics:1||Restaurant Brands:1||Resting Place:1||Revisit Intention:1||Revitalization:1||Rhizome:1||Ride Attraction:1||Road environment design:1||Robert Wilson:1||Romantic Comedy:1||Roof Garden:1||Roudolf Steiner:1||Rudolf Steiner:1||Rural Area:1||Rural area:1||Rural community:1||SD Method:1||SD척도법:1||SEM:1||SF 영화:1||SWOT Analysis:1||SWOT 분석:1||Safeguard Measures:1||Safety:1||Safety color:1||Safety pursuit type:1||Safety signal:1||Satisfaction. Place Activation:1||Scale:1||Scenario:1||Scenography:1||Schema:1||School Commuting Roads:1||School Routes:1||Scondhand smoke:1||Seclusion:1||Self transpersonal:1||SelfOrganization:1||Selforganization:1||Selfresonance:1||Semantic factor:1||Semifinished Product:1||Semipublic Space:1||Semiotics:1||Senior:1||Senior Citizens:1||Senior Community Housing:1||Senior Complex Cultural Space:1||Senior Housing:1||Senior Leisure:1||Senior Playground:1||Senior Singleperson Households:1||Seniors&apos:1||Sense:1||Sense of Place:1||Sense of place:1||Sensibility:1||Sensory Stimuli Element:1||Sensory elements:1||Seoul:1||Seoul Metropolitan Government:1||Seoul Subway Station:1||Seoungsudong:1||Sequence:1||Service Design:1||Services for the senior:1||Servicescape:1||Shade:1||Shadeforming Facilities:1||Shakespeare:1||Shared Business Space:1||Shared Housing:1||Shared Reality:1||Shared Value Creation:1||Sharehouse:1||Shopping center:1||Sidewalk:1||Signature:1||Signboard:1||SiheungCity:1||Silver:1||Silver Town:1||Single Household:1||Single Person Housing:1||SinglePerson Dwelling Space:1||Situation Imagery:1||Small House:1||Small and Mediumsized City:1||Small households:1||Smart City:1||Smart Home:1||Smart system:1||Smokers:1||Smoking location:1||Smoking space:1||Social Big Date:1||Social Connection:1||Social Design:1||Social Environment:1||Social Expansion:1||Social Living:1||Social Prescribing Design:1||Social Residence:1||Social Space:1||Social Value:1||Social Value(사회적가치):1||Social Venture(소셜벤처):1||Social prescription:1||Social problem solving institutions:1||Social problem solving policies:1||Social problem solving projects:1||Social problemsolving:1||Social problems:1||Sociality:1||Socialization of space:1||Software:1||Solving social problem:1||Songpagu:1||Sou Fujimoto:1||Space Activation:1||Space Appropriation:1||Space Artistic Conception:1||Space Brand Identity:1||Space Building:1||Space Change:1||Space Charicteristics:1||Space Cogitation:1||Space Cognition:1||Space Communication:1||Space Design Marketing:1||Space Functions:1||Space Imagery:1||Space Production:1||Space Recognition:1||Space Revitalization:1||Space Specialization:1||Space Structural Elements:1||Space Utilization:1||Space analysis:1||Space artification:1||Space atmosphere:1||Space branding:1||Space layout:1||Space recognition:1||Space regeneration:1||Space surface:1||Space syntax:1||Space type:1||Spacial Component Elements:1||Spatial:1||Spatial Accessibility:1||Spatial Atmosphere.:1||Spatial Branding:1||Spatial Dialectic:1||Spatial Elements:1||Spatial Expansion:1||Spatial Experience:1||Spatial Paradigm:1||Spatial Planning:1||Spatial Planning.:1||Spatial Program Characteristic:1||Spatial Reasoning:1||Spatial Syntax:1||Spatial Tectonic:1||Spatial Thinking:1||Spatial approach:1||Spatial atmosphere:1||Spatial changes:1||Spatial characteristic:1||Spatial characteristics:1||Spatial composition:1||Spatial experience:1||Spatial perception:1||Spatial preference:1||Spatial reasoning:1||Spatial recognition:1||Spatial regeneration:1||Spatial role:1||Spatial theory:1||Spatical Design BM:1||Specialized design:1||Spirit:1||Sport Brand:1||Square:1||Square Characteristics:1||Stability:1||Stage Space:1||Stage design:1||Stage lighting:1||State lighting directing:1||Story:1||Storytelling:1||Strategic Factors:1||Strategic Factors of Space Design Marketing:1||Strategic element:1||Strategy:1||Street Environment:1||Structure of Comedy:1||Structured &:1||Substance:1||Subway Station Inner Space:1||Subway transit station:1||SuperAged Society:1||Supporting Housing:1||Surveillance enhancement:1||Sustainable Content:1||Sustainable Design:1||Sustainable Utilization:1||Suzhou Museum:1||Symbol:1||Symbolic information:1||System of symbol:1||Taehwa River National Garden:1||Tang dynasty:1||Task process:1||Technology:1||Tectonic:1||Temple:1||Temporality:1||Tendency of previous research:1||Terminal Cancer Patient:1||Territory:1||Text Mining:1||Text Mining(텍스트마이닝):1||Textmining:1||Textmininig:1||The attraction effect:1||The elderly:1||The lower part of apartment:1||The time of experience:1||Theatre Semiotics:1||Theatrical Language:1||Thematic Event:1||Theme Exploration:1||Time Effect:1||Time and Distance:1||Topological form:1||Topology:1||Tourism:1||Tourism Metaverse:1||Tourism Metaverse Content:1||Tourism cities:1||Toyo Ito:1||Traditional Chinese aesthetics:1||Traditional architecture:1||Traditional garden:1||Traditional multicolor Sensibility:1||Traditional symbols:1||Traditional windows:1||Traffic Safety Facilities:1||Trans Media:1||Transforming Furniture:1||Translation Elements:1||Transmission:1||Transparent Display:1||Travel Behavior:1||Trend Analysis:1||Trend analysis:1||Trend study:1||Trends:1||Tunnel Lighting:1||Turnover:1||Twelve Senses:1||Type Characteristics:1||Typography:1||Typology:1||USP전략:1||Underground Complex:1||Underground Pedestrian Passages:1||Unite d’Habitation:1||Universal:1||Universal design:1||Unstructured:1||Untact Community:1||Untact Design:1||Upcycling:1||Urban Art:1||Urban Branding (도시 브랜딩):1||Urban Context:1||Urban Events:1||Urban Public Places:1||Urban Regeneration Planning:1||Urban Regeneration Types:1||Urban Space:1||Urban Underground Space:1||Urban branding:1||Urban design.:1||Urban identity:1||Urban images:1||Urban park:1||Urban regeneration type:1||Urban to rural returner:1||Urbanization:1||Usability enhancement:1||Usage Behavior:1||User Behavior:1||User experience(UX):1||User immersion:1||Usercentered:1||Usercentered environment:1||Utilization:1||VALS2 Model:1||VALS2 모델:1||VMD communication:1||VMD 커뮤니케이션:1||VMD(Visual Merchandising):1||VR:1||VR experiment:1||VR 실험:1||VR(Virtual Reality):1||VR(가상현실):1||Valla Tugendhat:1||Value:1||Value Cocreation:1||Value Factor:1||Value obtained from Space Communication:1||Value of Experience:1||Value system:1||Variability:1||Variable Living Space Design:1||Verbal image:1||Vietnam:1||View:1||Virtual educational environment:1||Visibility:1||Visitor Satisfaction:1||Visual Adaptation:1||Visual Attention:1||Visual Narrative:1||Visual Perception:1||Visual Perception Characteristic:1||Visual Tactility:1||Visual environment:1||Visual identity components:1||Visual media:1||Visual perception:1||Waldorf:1||Waldorf School:1||Waldorf schools:1||Waldorf&apos:1||Walk:1||Walking Environment Evaluation:1||Walkway:1||WaterFriendly:1||Whale Museum:1||Wind:1||Work Environment:1||Work environment improvement:1||Work method:1||architecture situation:1||authenticity:1||authoring personality rights:1||background of space:1||being:1||bicycle road:1||brand Identity:1||brand communication:1||cognitive process:1||community:1||construction of space:1||consumer behavior:1||consumption space:1||contextual characteristics:1||contextual structure:1||dematerialization:1||digital 3D image media:1||digital game:1||distribution space:1||environment:1||event:1||existence:1||experience:1||experientiallybased understanding of place:1||experimental study:1||exploratory factor analysis:1||extinction standards:1||factor:1||fashion brand store:1||fashion marketing:1||historicity:1||hologram:1||industrial heritage:1||interactive design:1||interactive design factors:1||intersect:1||kids cafe:1||kindergarten:1||life cycle:1||material:1||maximalism:1||mixed reality:1||modularity:1||observation Scope:1||offline space:1||optical illusion:1||optical illusion type:1||patchwork:1||play:1||psychology:1||public art policy:1||pure color:1||recognition:1||reproduction space:1||response:1||s Development:1||s Development and Behavior Characteristic:1||s Experience Space:1||s Image:1||s Museum:1||s architecture:1||s development:1||s education:1||s hospital:1||s play space:1||s room:1||s therapeutic space:1||sales strategy:1||sense of place:1||sequence:1||service design:1||sight amusement:1||sliver house:1||social value:1||space branding:1||space design of brand scaping:1||space program:1||spatial characteristic:1||spatial characteristics:1||spatial composition:1||spatial structure:1||square satisfaction:1||surveys:1||sustainable design:1||the Early Childhood Care Facilities:1||the intercollegiate space:1||total time of transit:1||untact:1||visualization:1||workspace planning:1||가로환경:1||가변적 간막이:1||가변적 실내 공간디자인:1||가상 공간:1||가상 교육 환경:1||가상현실:1||가시성:1||가치:1||가치공동창출:1||가치요인:1||가치체계:1||간접흡연:1||감각자극요소:1||감각적 요소:1||감성 트렌드:1||감성공간:1||감성충전:1||감성측정:1||감시강화:1||감응:1||감정인식:1||강남사가원림:1||개선제안:1||개인 성격:1||개인형 이동수단:1||거주실태:1||거주자 유형:1||건강 거리 실행:1||건축공간 구성요소:1||건축기획:1||게슈탈트 시지각:1||게슈탈트 시지각 특성:1||견본주택:1||경관:1||경관디자인:1||경관조명:1||경로당:1||경영전략:1||경제 변화:1||경향 분석:1||경향분석:1||경험:1||경험교육:1||경험론적 공간:1||고궁(故宫):1||고래전시관:1||고령 사회:1||고령자 공간특성:1||고령자 서비스:1||고속도로 휴게소:1||고속도로휴게소:1||고속도로휴게소 화장실:1||고층아파트:1||공간 경험:1||공간 계획:1||공간 구성:1||공간 기능:1||공간 브랜드 정체성:1||공간 브랜딩:1||공간 사용률:1||공간 사유:1||공간 업사이클링:1||공간 역할:1||공간 예술화:1||공간 의경:1||공간 의상:1||공간 인식:1||공간 인지:1||공간 전유:1||공간 접근법:1||공간 체험:1||공간 패러다임:1||공간 표현 유:1||공간 표현 특성:1||공간 프로그램:1||공간 프로그램 특성:1||공간 환경:1||공간 활성화:1||공간경험:1||공간계획.:1||공간구성요소:1||공간구조:1||공간구조요소:1||공간디자인 BM:1||공간디자인 마케팅:1||공간디자인 특성:1||공간디자인마케팅의 전략적 요인:1||공간방법론:1||공간변증법:1||공간분석:1||공간브랜딩:1||공간선호도:1||공간예술:1||공간요소:1||공간유형:1||공간의 사회화:1||공간의 진화:1||공간의 확장성:1||공간의생산:1||공간적 구축성:1||공간적 분위기:1||공간적 사고:1||공간적 접근성:1||공간적 확장:1||공간정보:1||공간척도:1||공간체험:1||공간태도:1||공간특화:1||공간표피:1||공간환경:1||공감성:1||공개공지:1||공공 가치:1||공공 공간:1||공공 서비스:1||공공가치창출:1||공공건축 프로젝트:1||공공데이터:1||공공디자인 동향:1||공공디자인 심의제도:1||공공디자인 영역:1||공공디자인 정책:1||공공디자인 진흥에 관한 법률:1||공공디자인 진흥종합계획:1||공공디자인관련 법제도:1||공공디자인관련 사업:1||공공디자인법:1||공공디자인의 진흥에 관한 법률:1||공공문화:1||공공문화 서비스 보장법규:1||공공문화 서비스체계:1||공공문화 시설:1||공공문화서비스:1||공공문화서비스 보장법:1||공공문화시설:1||공공미술 정책:1||공공미술. 유기적 관계:1||공공미술의 정의:1||공공분야 메타버스:1||공공상징:1||공공서비스:1||공공서비스 디자인:1||공공서비스디자인:1||공공성 평가항목:1||공공예술:1||공공정원:1||공공조형물:1||공공층:1||공동주택 저층부:1||공용 공간:1||공용공간 활성화:1||공유 비즈니스 공간:1||공유가치창출:1||공유성:1||공유주거:1||공유현실:1||공적공간:1||공진화:1||과잉공간. 해커스페이스. 향유:1||관계지향성:1||관광:1||관광 메타버스:1||관광 메타버스 콘텐츠:1||관광도시:1||관리체계:1||관중(關中)지역:1||광의의 공공디자인:1||광장:1||광장 만족도:1||광장 특성:1||교류성:1||교육:1||교육 공간:1||교통안전 시설물:1||구매:1||구성요소:1||구조 방정식 모형:1||구조적 &:1||구축전략:1||국가정원:1||국립박물관:1||국외:1||권초문:1||귀농인:1||그늘:1||그늘 형성 시설물:1||그린웨이 네트워크:1||근거이론:1||근거중심디자인:1||근대 산업유산:1||기:1||기능의 통합:1||기상학:1||기술:1||기업경영전략:1||기업사옥:1||기업의 사회공헌:1||기업이미지:1||기업조직:1||기업주도형 사업:1||기업특화형:1||기업파티:1||기호:1||기호체계:1||기호학:1||길찾기:1||까를로 스까르빠:1||낭만희극:1||내러티브:1||내러티브 디자인:1||내밀한 공간:1||네트워크 거버넌스:1||네트워크 커뮤니케이션:1||노인 1인 가구:1||노인 놀이터:1||노인 주거:1||노인공동체 주거:1||노인복합문화공간:1||노인생애:1||노인심리:1||노인주택:1||논문 분석:1||놀이:1||놀이 공간:1||놀이터:1||농산어촌:1||농촌 커뮤니티:1||뇌전도:1||뉘앙스:1||뉴 컨텐츠:1||뉴딜:1||닝수궁(寧壽宮):1||다감각:1||다감각자극:1||다목적성:1||다원적 디자인:1||다차원 선형회귀:1||단속평형성:1||단속평형적 진화:1||단청:1||당조시대:1||대지미술:1||델파이:1||델파이 조사:1||도로환경디자인:1||도시:1||도시 마케팅:1||도시 아이덴티티:1||도시 정체성:1||도시 지하공간:1||도시 활성화:1||도시문맥:1||도시브랜드:1||도시브랜딩:1||도시사건:1||도시예술:1||도시재생 사업유형:1||도시재생형:1||도시재생활성화계획:1||도시적 표현:1||도시화:1||도식:1||도요 이토:1||도킹서울:1||독립형 호스피스:1||돌봄:1||동서양:1||동양사상:1||동적 시스템:1||동주민센터:1||드럭스토어:1||디스플레이:1||디자이너 건강 거리 점검:1||디자이너를 위한 건강거리 점검:1||디자인 방법론:1||디자인 액티비즘:1||디자인 영역:1||디자인 정책:1||디자인 주체:1||디자인 특성:1||디자인 호텔:1||디자인거버넌스:1||디자인방법론:1||디자인씽킹:1||디자인요소:1||디자인전략:1||디자인정책:1||디자인툴킷:1||디자인평가:1||디자인품질:1||디지털 게임:1||디지털 기술:1||디지털 네이티브:1||디지털 매체:1||디지털 브랜딩 전략:1||디지털 입체 영상 미디어:1||디지털게임:1||디지털공간:1||디지털쇼:1||라이드어트랙션:1||라이프 스타일:1||라이프스타일 트렌드:1||럭셔리 브랜드:1||럭셔리 패션무대:1||럭셔리 호텔:1||럭셔리 호텔 F&B 공간:1||레지오 에밀리아:1||렌더링:1||로버트 윌슨:1||루이스 칸:1||리디자인:1||리좀:1||링난(嶺南)지역:1||마이크로 하우스:1||마케팅 전략:1||만족도:1||말기 암환자:1||매체 활용:1||맥락:1||맥락적 구조:1||맥락적 특성:1||맥시멀리즘:1||메가 스토어:1||메타버스 공간:1||메타버스 대학 캠퍼스:1||명료성 강화:1||명상:1||명상 공간:1||명순응:1||명칭 표기:1||모뉴먼트:1||모델링:1||모듈시스템:1||모듈화:1||모빌오피스:1||모서리:1||몰링:1||무대 공간:1||무대디자인:1||무대조명:1||무대조명연출:1||무용:1||무인양품:1||무지호텔:1||무채색:1||문여융합:1||문헌 연구:1||문화:1||문화가치형:1||문화도시:1||문화시설:1||문화예술어메니티:1||문화자원:1||문화재생:1||문화적 관점:1||문화적 요인:1||문화콘텐츠:1||물리적요인:1||물질:1||물질성:1||뮤지엄:1||뮤지엄 프로그램:1||뮤지컬 아이다:1||미:1||미디어공공성:1||미디어적 감성:1||미디어특성요소:1||미래교육:1||미래오피스환경:1||미래의 숲:1||미술관:1||미술전시:1||미술치료:1||미학:1||민간전문가:1||민관협력:1||민관협력체계:1||바르셀로나 독일관:1||바이오필릭:1||바이오필릭 디자인 특성:1||바일머메이르:1||반응특성:1||반제품:1||발도르프:1||발도르프 교육:1||발전 동향:1||발전지수:1||방문객 만족도:1||방파제:1||방향성:1||배색:1||버스 환승공간:1||번 슈미트:1||범죄예방:1||범죄예방디자인:1||법적 책임:1||베트남:1||변수영역:1||변화 연구:1||변화요인:1||병실:1||보상화문:1||보육공간:1||보장조치:1||보행 친화성:1||보행로:1||보행친화:1||보행행위 요소:1||보행환경 평가:1||복잡성:1||복합공간:1||복합시설:1||복합용도개발:1||복합용도공간:1||부대시설:1||부훌렉 디자인:1||분류체계:1||분위기:1||브랜드 로드 숍:1||브랜드 메타버스 공간:1||브랜드 스케이핑:1||브랜드 아파트:1||브랜드 이미지 차별화 전략:1||브랜드 이미지 표현:1||브랜드 효과:1||브랜드스케이핑 공간 디자인:1||브랜드커뮤니케이션:1||브랜딩:1||비교 연구:1||비구조적:1||비대면 커뮤니티:1||비물질화:1||비상설무대:1||비주얼머천다이징:1||비즈니스 확장:1||비판적 지역주의:1||빅데이터:1||빅블러:1||빅블러현상:1||빈집:1||빛 공해:1||빛과 그림자:1||빛의 유입:1||사건:1||사례연구:1||사무가구 디자인:1||사무공간 계획:1||사무공간 디자인:1||사상한:1||사색 공간:1||사옥 저층부:1||사용자 경험(UX):1||사용자 몰입감:1||사용자 중심 설계:1||사용자 중심 환경:1||사운드스케이프:1||사이:1||사전평가 요소:1||사찰:1||사회문제:1||사회문제 해결 사업:1||사회문제 해결 정책:1||사회문제 해결 제도:1||사회성:1||사회적 공간:1||사회적 디자인:1||사회적 연결:1||사회적 주거:1||사회적 처방 디자인:1||사회적 확장:1||사회환경:1||산업디자인:1||산업디자인교육:1||산업유산시설:1||산책로:1||상공간:1||상관관계:1||상관관계 분석:1||상업 공간:1||상업시설:1||상징놀이:1||상징정보:1||상호결정론:1||상호교차:1||상호작용 학습:1||상호작용성:1||색채계획:1||색채반응:1||색채원리:1||색채자극:1||색채표준가이드:1||생리적:1||생리적 실험:1||생성적 질서:1||생애주기:1||생태건축:1||생태복원:1||생태유아교육:1||생태적으로 지속가능한 요소:1||생태환경:1||샤넬:1||샤넬의 공간:1||샤넬의 디자인철학:1||서비스스케이프:1||서사:1||서사적:1||서사적 디자인:1||서사적 자원:1||서양현대철학:1||서예 미학:1||서예 미학적 공간:1||서예 심미각도:1||서예 원칙:1||서예미학:1||서예작품:1||서예작픔:1||서울 강북:1||서울시:1||서울지하철:1||서울특별시:1||선비:1||선비(士人):1||선행연구:1||선행연구경향:1||선형 수변공원:1||선호:1||선호공간:1||설문조사:1||성수동:1||세트디자인:1||셰어하우스:1||셰익스피어:1||소규모 가구:1||소리환경:1||소비가치:1||소비공간:1||소비위험:1||소비자 라이프스타일:1||소비자 유형화:1||소비자 행동:1||소비자행동:1||소셜 빅데이터:1||소셜리빙:1||소우 후지모토:1||소주박물관:1||소통. 경계:1||소통의 매개:1||소프트웨어:1||소형주택:1||송파구:1||쇼핑센터:1||수변 공간:1||수용자:1||순색:1||순환경제:1||순환도시:1||숲 체험 활동:1||스마트도시:1||스마트시스템:1||스마트홈:1||스페이스 신택스(Space Syntax):1||스페이스퍼니쳐:1||스포츠 브랜드:1||시 지각성:1||시각 아이덴티티 구성 요소:1||시각적 내러티브:1||시각적 변화:1||시각적 유희:1||시각적 적용:1||시각적 촉감:1||시각적 환경:1||시각화:1||시간과 거리:1||시간적 효과:1||시그니처:1||시나리오:1||시노그래피:1||시대변화:1||시력감소:1||시민참여:1||시범지구:1||시설물:1||시카고 공공미술:1||시흥시:1||식음공간:1||신도시:1||신중식 스타일:1||신체반응:1||신한옥:1||실감 미디어:1||실감 콘텐츠:1||실내 공간:1||실내 디자인:1||실내 휴게공간:1||실내 휴식 공간:1||실내공간:1||실버타운:1||실버타운 공간:1||실버하우스:1||실외 휴게환경:1||실존:1||실패사례:1||실험:1||심리평가:1||심미성:1||심상:1||아동범죄:1||아동친화도시:1||아동학대예방:1||아방가르드:1||아이덴티티:1||아이트래커:1||아트 파빌리온:1||아트케어 공간:1||아파트단지 외부공간:1||안내사인:1||안도 타다오:1||안전색채:1||안전성:1||안전성 요소:1||안전추구형:1||안전취약계층 배려:1||안전표지물:1||안정성:1||알파룸:1||암순응:1||암스테르담 재생디자인 호텔:1||액티브시니어:1||야간 경관:1||야간 조명:1||어린이 공공 도서관:1||어린이 뮤지엄:1||어린이 박물관:1||어린이 발달:1||어린이 발달과 행태 특성:1||어린이 보호구역:1||어린이 체험공간:1||어린이 치유공간:1||어린이공원:1||어린이놀이공간:1||어린이박물관:1||어린이병원:1||어린이와 보육교사:1||어메니티:1||언어심상:1||언택트:1||언택트 디자인:1||업무 방식:1||업무 스트레스:1||업무환경:1||업무환경개선:1||업사이클링:1||에이스호텔:1||에코뮤지엄:1||엔트로피 법:1||여성성:1||역동성:1||역량강화:1||역사 도시:1||역사문화거리:1||역사문화광장:1||역사성:1||연계성:1||연구경향:1||연구유형):1||연극기호학:1||연극언어:1||연색성:1||연출기법:1||연출특성:1||영・유아:1||영상미디어:1||영상효과:1||영역:1||영역구축:1||영역성:1||영역특성:1||영유아 발달:1||영향도:1||영향요인:1||예술:1||예술창의공간:1||예술화 특성:1||오페라하우스:1||오프라인공간:1||오픈스페이스:1||오피스:1||오피스 공간:1||옥상정원:1||옥외광고물:1||옥외광고물등의 관리와 옥외광고산업 진흥에 관한법률:1||온라인:1||외식 브랜드:1||외장색채:1||요소:1||요인:1||요인분석:1||우울감:1||운전자 인지부하:1||움직임:1||웨이파인딩:1||위계성:1||위상적 형식:1||유기적:1||유니테 다비타시옹:1||유동적 공간:1||유럽 도시 공공공간상 공공디자인:1||유리:1||유아:1||유아기:1||유아의 감각인지발달:1||유연성:1||유지관리:1||유통공간:1||유형별 매체 분석:1||유형별 특성:1||유형학:1||유휴 공간:1||융복합:1||융합:1||융합디자인:1||융합성:1||은거(隱居):1||은사(隱士) 문화:1||은신처:1||은평한옥마을:1||의료기관 인증기준:1||의미적 요인:1||이미지연극:1||이야기:1||이용자 행태:1||이용자중심:1||이용행태:1||이중차분법:1||인간행태:1||인물기념관:1||인물성격 5요인:1||인식조사:1||인자 분석:1||인지:1||인지건강디자인:1||인지과정:1||인지도:1||인지복잡성:1||인지속성:1||인지심리:1||인지적 어포던스:1||인터랙션:1||인터랙티브:1||인터랙티브 디자인 요인:1||인터렉티브:1||인터렉티브 디자인:1||인테리어 데코레이션:1||인테리어 트렌드:1||일관성:1||일반근린형 도시재생:1||일본건축:1||일시성:1||일원론:1||읽기 쉬운 도시이미지:1||임시성:1||자기공진:1||자기조직:1||자기조직화:1||자기초월:1||자동차 브랜드:1||자연광:1||자연사:1||자연채광:1||자연채광 디자인 요소:1||자원순환:1||자율주행차량:1||장대 터널:1||장소 만들기:1||장소 인지:1||장소 조성:1||장소 활용:1||장소만들기:1||장소적 가치:1||장소특정적:1||장식적 요소:1||장이론:1||재난대응시설:1||재난대응시설물:1||재료:1||재방문의도:1||재생 공간:1||재현 공간:1||저작인격권:1||저항요소:1||적용 방법:1||적용 수법:1||적합적 확충성:1||전기차:1||전담부서:1||전담조직:1||전략:1||전략적 CSR:1||전략적 요인:1||전문성:1||전시 파빌리온:1||전시만족도:1||전시유형:1||전시평가:1||전시회:1||전유의 시간:1||전일적 공간:1||전통 건축:1||전통 창호:1||전통기호:1||전형적 시각성:1||접점:1||정경 의상:1||정서 침술:1||정신:1||정원:1||정원문화:1||정책:1||정책 시스템:1||조례:1||조명 연출:1||조명 요인:1||조명 특성:1||조명 환경:1||조명계획:1||조명설계:1||조명환경:1||조명효과:1||조성과정:1||조직 커뮤니케이션:1||조형적 요소:1||조형적 표현특성:1||존 듀이:1||주거 유형:1||주거공간의 변화:1||주거선호:1||주거환경:1||주거환경.:1||주목성:1||주민 참여:1||주민공동시설:1||주민참여:1||주민참여 요소:1||주시비중:1||주시영역:1||주제 탐색:1||주제형 사건:1||주택 유형:1||중국 강남수향 공공공간:1||중국 건축공간:1||중국 건축디자인:1||중국 공공건축 디자인요소:1||중국 공공예술디자인:1||중국 서예:1||중국 서예공간:1||중국 서예미학:1||중국 서예미학적 공공공간:1||중국광장:1||중국전통미학:1||중역요소:1||중요도 분석:1||지각특성:1||지방자치단체:1||지방중소도시:1||지속 가능 디자인:1||지속 가능한 활용:1||지속가능한:1||지속가능한 디자인:1||지속가능한 콘텐츠:1||지역 공공디자인위원회:1||지역 문화:1||지역 활성화:1||지역개발사업:1||지역공동체:1||지역문화활성화:1||지역상생:1||지역주의:1||지원주택:1||지하보도:1||지하복합공간:1||지하철 역사 내부 공간:1||진로융합교육:1||진정성:1||진화심리:1||집객효과:1||집중형 전시:1||차별성:1||착시:1||착시공간:1||착시유형:1||참여:1||참여 디자인:1||참여디자인:1||참여유형:1||창살:1||창의성:1||창의적 체험활동:1||창호지:1||천장높이:1||철거기준:1||체험 마케팅:1||체험경제론:1||체험공간:1||체험된 시간성:1||체험매장:1||체험성:1||체험적 경험가치:1||체험형 사건:1||체험형 전시:1||체화된 인지:1||총괄건축가제도:1||출행행위:1||충전네트워크:1||충전스테이션:1||치유 공간:1||치유 환경:1||치유색채:1||친수성:1||친환경 공간:1||친환경 디자인:1||친환경 화장품:1||카운터 모뉴먼트:1||커뮤니티:1||커뮤니티 공간:1||커뮤니티 구성요소:1||커뮤니티 구축:1||커뮤니티 상업:1||커뮤니티 활성화:1||커뮤니티시설:1||커뮤니티케어:1||커뮤니티케어공간:1||커뮤니티형 쇼핑센터:1||컨버전디자인:1||컨버전스:1||컨벤션 무대:1||코로나 19:1||코스메틱 브랜드 숍:1||코크리에이션:1||코하우징:1||키네티시즘:1||키네틱아트:1||키워드 네트워크:1||키즈 카페:1||타이포그라피:1||타임 슬립:1||탈 경계:1||탐색적 요인분석:1||태스크 프로세스:1||태화강 국가정원:1||터널 조명:1||토겐하르트 주택:1||토포필리아:1||토폴로지:1||통제 혁명:1||통합디자인:1||통합적 마케팅 전략:1||투과성:1||투명 디스플레이:1||트랜스미디어:1||트랜스포밍 가구:1||특성 요소:1||특성도출:1||특화디자인:1||파사드:1||파사드 디자인 유형:1||파이썬:1||파인과 길모어:1||파티 공간연출:1||파티마케팅:1||판매 전략:1||팝업스토어:1||패션마케팅:1||패션브랜드 매장:1||패션쇼:1||패치워크:1||패키지디자인:1||팬데믹:1||퍼스널 모빌리티:1||퍼포먼스:1||페르소나:1||페터 춤토르 건축:1||편리성，요소의 범주화:1||편안함:1||평가 기준:1||평가 지표:1||평가도구:1||평가방식:1||평가요소:1||폐쇄시설:1||포스트코로나:1||폴링워터:1||표리적:1||표상:1||표적집단심층면접:1||표지판:1||표현 특성:1||푸 매트릭스:1||품질관리시스템:1||풍수:1||퓨쳐시스템스:1||프라이빗 이코노미:1||프레임워크:1||프로덕션디자인:1||프로덕션디자인 공간:1||프로세스:1||프로젝트:1||프로젝트성 공공미술:1||프로토콜:1||프리츠커상 수상자:1||플래그 쉽 스토어:1||플래그쉽스토어:1||피아제 인지 발달 이론:1||피터줌터:1||하드웨어:1||학교폭력예방:1||한국 공공건축 디자인요소:1||한여름 밤의 꿈:1||한옥:1||한옥접근성:1||해양친수공간:1||해외 공공건축제도:1||해외박물관:1||행태특성:1||헤드마운트디스플레이:1||현대 라이프스타일:1||현대 사무공간:1||현대건축 표현양상:1||현대광장:1||현대물리학:1||현대적 적용:1||현황 및 전략:1||혐연자:1||협업:1||협업적 경험:1||형성구조:1||호텔:1||호텔 마케팅:1||호텔 브랜드 경험:1||호텔 비즈니스센터:1||혼합현실:1||홀로그램:1||홀로닉 구조:1||홈페이지:1||화재:1||환경개선:1||환경디자인:1||환경조형물:1||환경특성:1||환대:1||환승역사:1||환승정류장:1||환영성:1||활동적 노화:1||활성화:1||활성화 요소:1||활용:1||활용성 강화:1||회전율:1||휴게공간:1||흡연공간:1||흡연위치:1||흡연자:1||12감각론:1||희극구조:1||1인 가구:1||1인 주거:1||1인 주거 공간:1||A Highrise Apartment:1||A Midsummer Night’s Dream:1||A Study on the Production Design Production design:1||A brand apartment:1||A new town:1||AHP method:1||AHP방법:1||AHP분석:1||Accessibility:1||Ace hotel:1||Achromatic color:1||Act on Management of Outdoor Advertising Materials and Promotion of Outdoor Advertising Industry:1||Activate regional culture:1||Activation element:1||Active Aging:1||Active Seniors:1||Activities to Experience 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Urban Space:1||Lifestyle Trend:1||Light Adaptation:1||Light and Shadow:1||Light pollution:1||Lighting Design:1||Lighting characteristic:1||Lighting direction:1||Lighting effect:1||Lighting factor:1||Lighting plan:1||Linear Waterfront Park:1||Lingnan(嶺南) Region:1||Literature Research:1||Liveability:1||Local Public Design:1||Local culture:1||Local government:1||Location:1||Long tunnel:1||Luxury Brand:1||Luxury Hotel:1||Luxury fashion stage:1||MOT (브랜드 접점):1||MZ generation:1||MZ 세대:1||Maintenance:1||Malling:1||Marketing Strategy:1||Material:1||Media:1||Media Characteristics:1||Media Publicity:1||Media Sensibility:1||Media Types Analysis:1||Media Utilization:1||Media application factors:1||Meditation:1||Meditation Space:1||Mega Store:1||Metaverse Brand Space:1||

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