ScholarWorks@Hongik: Kim, Joo Yun

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Kim, Joo Yun (김주연)

College of Fine Arts (Industrial Design)

Research Area: 공간디자인

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공공디자인:41||Public Design:25||공공공간:18||Public design:16||장소성:15||Public Space:12||유니버설디자인:12||Universal Design:11||AIP:10||Placeness:10||Flagship Store:9||공공미술:9||공간디자인:9||Museum:9||Space:9||공간:9||Children&apos:8||Urban Regeneration:8||Sustainability:8||도시재생:8||Community:7||Public Art:7||Public space:7||지속가능성:7||박물관:6||Place:6||뇌파:6||Spatial Design:6||협력적 거버넌스:6||EEG:6||공간구성:6||Place Branding:6||Experience:5||공공성:5||전시공간:5||Text mining:5||치유:5||Characteristics:5||고령화:5||평가지표:5||특성:5||장소:5||공간마케팅:5||도시디자인:5||건축:5||공간 디자인:5||Relationship:5||장소 브랜딩:5||플래그쉽 스토어:5||색채특성:4||복합문화공간:4||공공시설물:4||복합상업시설:4||Aging Society:4||서비스디자인:4||브랜드:4||Brand:4||공간인지:4||관계성:4||공간적 가구:4||텍스트마이닝:4||storytelling:4||Communication:4||Healing:4||Architecture:4||어린이:4||Space Design:4||CVR:4||공간특성:4||Chanel&apos:4||공간 특성:4||스페이스 브랜딩:4||Exhibition Space:4||Publicness:4||GIS:4||CPTED:4||시지각:4||라이프스타일:4||Lifestyle:4||사회적가치:4||Spatial Characteristics:4||Spatial Furniture:4||어포던스 디자인:4||상호작용:4||체험:4||유휴공간:4||Virtual space:4||Social value:4||Urban Design:3||스토리텔링:3||인식:3||Public Projects:3||Space Branding:3||Public Spaces:3||공공디자인 사업:3||Calligraphy:3||Place Making:3||Categorization:3||Complex Cultural Space:3||공간재생:3||전시환경:3||Convergence:3||Interaction:3||Evaluation Indicators:3||Marketing:3||공공디자인 확장:3||Color characteristics:3||도시 브랜딩:3||Place branding:3||체험마케팅:3||공간구문론:3||범주화:3||지역사회:3||공간인식:3||시선추적:3||Evaluation Index:3||Exhibition:3||Shared Value:3||Design Elements:3||공유가치:3||공공문화 서비스:3||노인:3||공공사업:3||Affordance design:3||전통건축:3||서예:3||전시:3||진흥계획:3||개방성:3||은사(隐士):3||AHP Analysis:3||색채:3||spatial design:3||가상공간:3||Traditional Architecture:3||Public Facilities:3||어린이 도서관:3||상관성:3||Public Value:3||가이드라인:3||Korean Gallery:3||Space Marketing:3||준공공공간:3||중국:3||China:3||가변성:3||EyeTracking:3||유니버설디자인 적용:3||조도:3||반응:3||마케팅:3||Wayfinding:3||극 공간디자인:3||공공가치:3||주거공간:3||텍스트 마이닝:3||공공건축:3||중국 전통:3||Children:3||Urban Branding:2||Anthroposophy:2||브랜드 공간:2||Signage:2||브랜드 아이덴티티:2||브랜드 이미지:2||조형성:2||Urban Entertainment Center:2||존재:2||Correlation:2||Cosmetic:2||공간적 특성:2||공간조형:2||Disaster Response Facilities:2||비일상성:2||MixedUse Development:2||공간특징:2||MixedUse Space:2||Healing Environment:2||Urban expression:2||빛:2||Healing Space:2||Public Cultural Facilities:2||Public Cultural Service:2||Urban regeneration:2||Healthy Streets:2||Discrimination:2||Public Cultural Services:2||Exhibition situation:2||지속 가능성:2||Cosmetics:2||Usercentered design:2||Modern life style:2||지역 공공디자인 진흥 조례:2||공공디자인거버넌스:2||사회문제해결:2||VMD:2||사회적 가치:2||지역문화:2||Public Design Extension:2||Color temperature:2||지역성:2||A visible change:2||Existence:2||사회적 처방:2||지하철역사:2||Commercial Space:2||Motive analysis:2||산업유산:2||Public Design governance:2||Public Design(공공디자인):2||Carlo Scarpa:2||Experience Marketing:2||상징물:2||공공미술 제도:2||Experience Space:2||철학:2||색온도:2||공공박물관:2||체험요소:2||색채환경:2||초고령사회:2||초등학교:2||Social venture:2||Visitors:2||치유공간:2||Visual Merchandising:2||치유환경:2||생태요소:2||Hotel business center:2||공동주택:2||커뮤니케이션:2||공동체:2||공연시설:2||Visual Percetion:2||공용공간:2||Soswaewon:2||공유:2||Sound Environment:2||코스메틱:2||Soundscape:2||Public architecture:2||Public art:2||관계:2||Experiential Marketing:2||관람객:2||테마파크:2||Space Characteristics:2||Waterfront:2||광역버스:2||통학로:2||설치미술:2||성과평가:2||Welfare:2||NCS:2||교실색채:2||Narrative:2||Critical Regionalism:2||Chanel:2||Space Identity:2||구축성:2||소셜벤처:2||소쇄원:2||business organization:2||소통:2||children&apos:2||chinese tradition:2||군집 분석:2||Idle Space:2||평가:2||Space Syntax:2||Space Upcycling:2||Idle space:2||평가체계:2||F&:2||근린공원:2||cosmetic brand shop:2||decoration:2||스페이스 마케팅:2||Brand Space:2||기억:2||design caracteristics:2||Space composition:2||digital media:2||Space design:2||ecology황 용섭Youngseup Hwang김 주연Jooyun Kim국립한국재활복지대학 인테리어디자인과 전임강사Korea National College of Rehabilitation &:2||Biophilia:2||Space marketing:2||Network analysis:2||Network communication:2||플래그십 스토어:2||플레이스 브랜딩:2||기획전시:2||Illusion Space:2||Cultural facility:2||한국실:2||Rank:2||SpaceFurniture:2||Rapid Bus:2||F&B공간:2||AHP:2||시퀀스:2||네트워크 분석:2||hermit:2||hermit culture:2||현대미술:2||Cultural space:2||현상:2||Spatial Characteristic:2||interaction:2||interactivity:2||Spatial Composition:2||실내색채:2||Body:2||Ecological architecture:2||화장품:2||환경:2||Spatial Marketing:2||환경색채:2||narrative design:2||natural living space:2||환승:2||network:2||Spatial Model:2||Noneverydayness:2||Indoor Rest Space:2||OLED:2||Ecological element:2||효과성:2||아이트래킹:2||philosophies:2||Industrial Design Dept.:2||playground:2||Industrial heritage:2||Ecological restoration:2||Office space:2||안전디자인:2||Ecologically sustainable element:2||도시 공공장소:2||Aging:2||Open Space:2||안전환경:2||도시 이미지:2||도시 재생:2||Openess:2||Spatial cognition:2||Openness:2||도시공간:2||도시공원:2||Spatial environment:2||s Library:2||s Philosophy of Design:2||s Spatial:2||도시이미지:2||Awareness:2||Inflow of Natural Light:2||어린이보호구역:2||City image:2||어린이집:2||언어:2||Research Trend:2||Effectiveness:2||Installation Art:2||Bus Shelter:2||Application of Universal Design:2||동기 분석:2||Speculation:2||Brainwaves:2||Interactive:2||Flexible Partition:2||space:2||Stage Design:2||Overseas Museums:2||Interior Color:2||디자인 요소:2||Elementary School:2||Interior Design Dept.홍익대학교 미술대학 산업디자인과 부교수Hongik University:2||CI:2||디자인관리체계:2||연출요소:2||Child Protection Zone:2||sustainability:2||COVID19:2||symbolicplay:2||Cluster analysis:2||Strategic Model:2||Foreign:2||Kindergarten:2||Co‐housing:2||web:2||가구디자인:2||Connected:2||디지털매체:2||Subway Station:2||Cognition:2||Function of Integration:2||외부공간:2||루돌프 슈타이너:2||Sustainable:2||Performance Evaluation:2||감각성:2||BI:2||SPA:2||감성:2||Persona:2||Symbols:2||유아 발달:2||유아보육시설:2||TOD:2||Tadao Ando:2||유치원:2||Safety Design:2||유형화:2||Safety Environment:2||Light:2||거버넌스:2||Tectonics:2||Phenomenon:2||건강 거리:2||몸:2||Temporary Exhibition:2||은일(隐逸) 문화:2||건축공간:2||이미지:2||Design Management System:2||Environmental Color:2||Territoriality:2||Design Policy:2||인간중심:2||Collaborative Governance:2||문화공간:2||Lighting environment:2||Theater:2||인지성:2||Place identity:2||GRC:2||인지학:2||Children’s Museum:2||고령자:2||Theme Park:2||Color:2||SemiPublic Space:2||Literati:2||Gaze pursuit:2||Local Culture:2||공간 분위기:2||미래유산:2||자연적 생활공간:2||Local Public Design Promotion Ordinance:2||공간 아이덴티티:2||자전거도로:2||Locality:2||Sensation:2||Evaluation Methods:2||장소 활성화:2||Louis I. Kahn:2||장소감:2||장소기억:2||장소마케팅:2||바이오필릭 디자인:2||장소브랜딩:2||장소정체성:2||Transfer:2||Gestalt:2||Evaluation Tools:2||발도르프학교:2||Approach:2||Governance:2||재생공간:2||Calligraphy aesthetics:2||백화점:2||Cooperative Governance:2||Service design:2||전략 모델:2||Types of Housing:2||Typification:2||전문인력:2||Exchange:2||전시디자인:2||Calligraphy works:2||전시연출:2||Exhibit Design:2||보행:2||Unique Space Proposition:2||Corporate image:2||보행환경:2||공간변화:2||접근성:2||Promotion Plan:2||Memory:2||Sharing:2||AHP 분석:2||조망:2||Mobile Office:1||Model House:1||Modeling Attributes:1||Modern Architectureal Space(근대 건축 공간):1||Modern Art:1||Modern application:1||Modern physics:1||Modern work space:1||Module system:1||Monism:1||Monuments:1||Moving Image:1||Muji:1||Muji hotel:1||MultiSensory Stimulation:1||Multidimensional Scaling:1||Multiple Linear Regression:1||Multisensory:1||Museum.:1||Musical Aida:1||Name Notation:1||Narrative Resources:1||Narrative Subject:1||National Garden:1||National Museum:1||Natural History:1||Natural light:1||Natural lighting:1||Natural lighting design element:1||Neighborhood Park:1||Neighborhood park:1||Network governance:1||New Chinese Style:1||New Deal:1||New Hanok:1||New contents:1||Night View:1||Night lighting:1||Ningshou Palace:1||NonPermanent Stage:1||Nuance:1||Office:1||Office building:1||Office building low level:1||Office design:1||Old People:1||Online:1||Opera House:1||Ordinance:1||Organic:1||Organic relationship:1||Organizational Communication:1||Oriental thought:1||Out &:1||Outdoor:1||Outdoor Advertisement:1||Outdoor Rest Environment:1||Outdoor Space:1||Outdoor Space of Apartment Complex:1||Outdoor space:1||Overseas public building system:1||Package Design:1||Pandemic:1||Panel Design:1||Paper:1||Participation:1||Participation Type:1||Participatory Design:1||Party marketing:1||Party space display:1||Patient&apos:1||Pedestrian Environment:1||Pedestrian intimacy:1||People’s memorial hall:1||Perception:1||Perception survey:1||Perceptual characteristic:1||Performing art center:1||Personal mobility:1||Personal mobility device:1||Peter Zumthor:1||Peter Zumtor&apos:1||Physical factor:1||Physiological:1||Physiological experiment:1||Pine and Gilmore:1||Place Activation:1||Place Memories:1||Place Memory:1||Place marketing:1||Place utilization:1||Place value:1||PlaceMaking:1||PlaceSpecific:1||Playground:1||Policy:1||Popup Store:1||PositionalDistinction:1||PostAged Society:1||PostCOVID:1||PreEvaluation Elements:1||Preceding Study:1||Preference:1||Preference Space:1||Presentation factor:1||Prevention of Child Abuse:1||Prevention of School Violence:1||Principle of color:1||Pritzker Price Winners:1||Private Economy:1||Private Gardens:1||Process:1||Process of Building:1||Professional Manpower:1||Professional manpower:1||Professionalism:1||Project:1||Projectbased Public Art:1||Promotion Policy:1||Promotional Plan:1||Prospect:1||Psychological evaluation:1||Psychological(심리적):1||Pubic Design:1||Pubic art:1||Public Architecture:1||Public Art Policy:1||Public Art Project:1||Public Building:1||Public Cultural:1||Public Cultural Service Guarantee Law:1||Public Cultural Service System:1||Public Cultural Services Safeguard Regulations:1||Public Data:1||Public Design Business:1||Public Design Extend:1||Public Design Guidelines:1||Public Design Policy:1||Public Design Projects:1||Public Design Promotion Act:1||Public Design Review System:1||Public Design Trand:1||Public Floor:1||Public Garden:1||Public Media:1||Public Place:1||Public Symbols:1||Public Value(공공가치):1||Public art policy:1||Public building project:1||Public design Area:1||Public design Law:1||Public design business:1||Public design related business:1||Public facility:1||Public sculptures:1||Public service:1||Public service design:1||Public spaces:1||Public value creation:1||Public values:1||PublicPrivate Cooperation System:1||Publicprivate partnership:1||Publicity:1||Publicness assessment criteria:1||Pugh Matrix:1||Purchase:1||Python:1||Quadrant:1||Raumkunst:1||Reaction:1||Recycling:1||Redesign:1||Refuse:1||Regenerated Hotel Designs in Amsterdam:1||Regeneration:1||Regeneration (재생화):1||Regeneration space:1||Regenerative Architecture:1||Regenerative Space:1||Reggio Emilia:1||Regional:1||Regional Coexistence:1||Regional Development Project:1||Regional community:1||Regional revitalization:1||Regionalism:1||Relation orientation:1||Relational:1||Relationships:1||ReliableExperience:1||Representation:1||Research trend(연구 동향):1||Research type:1||Resident Participation:1||Resident participation:1||Resident styles:1||Residential Environment:1||Residential areas:1||Residential environment.:1||Resistance factors:1||Resource Circulation:1||Response:1||Response Characteristics:1||Restaurant Brands:1||Resting Place:1||Revisit Intention:1||Revitalization:1||Rhizome:1||Ride Attraction:1||Road environment design:1||Robert Wilson:1||Romantic Comedy:1||Roof Garden:1||Roudolf Steiner:1||Rudolf Steiner:1||Rural Area:1||Rural area:1||SD Method:1||SD척도법:1||SEM:1||SF 영화:1||SWOT Analysis:1||SWOT 분석:1||Safeguard Measures:1||Safety:1||Safety color:1||Safety pursuit type:1||Safety signal:1||Satisfaction. Place Activation:1||Scale:1||Scenario:1||Scenography:1||Schema:1||School Commuting Roads:1||School Routes:1||Scondhand smoke:1||Seclusion:1||Self transpersonal:1||SelfOrganization:1||Selforganization:1||Selfresonance:1||Semantic factor:1||Semifinished Product:1||Semipublic Space:1||Semiotics:1||Senior:1||Senior Citizens:1||Senior Community Housing:1||Senior Housing:1||Senior Playground:1||Senior Singleperson Households:1||Seniors&apos:1||Sense:1||Sense of Place:1||Sense of place:1||Sensibility:1||Sensory Stimuli Element:1||Sensory elements:1||Seoul:1||Seoul Metropolitan Government:1||Seoul Subway Station:1||Seoungsudong:1||Sequence:1||Service Design:1||Services for the senior:1||Shade:1||Shadeforming Facilities:1||Shakespeare:1||Shared Business Space:1||Shared Housing:1||Shared Value Creation:1||Sharehouse:1||Shopping center:1||Sidewalk:1||Signature:1||Signboard:1||SiheungCity:1||Single Household:1||Single Person Housing:1||SinglePerson Dwelling Space:1||Situation Imagery:1||Small House:1||Small and Mediumsized City:1||Small households:1||Smart City:1||Smart Home:1||Smart system:1||Smokers:1||Smoking location:1||Smoking space:1||Social Big Date:1||Social Connection:1||Social Design:1||Social Environment:1||Social Expansion:1||Social Living:1||Social Prescribing:1||Social Residence:1||Social Space:1||Social Value:1||Social Value(사회적가치):1||Social Venture(소셜벤처):1||Social prescription:1||Social problem solving institutions:1||Social problem solving policies:1||Social problem solving projects:1||Social problemsolving:1||Social problems:1||Sociality:1||Socialization of space:1||Solving social problem:1||Songpagu:1||Sou Fujimoto:1||Space Activation:1||Space Appropriation:1||Space Artistic Conception:1||Space Brand Identity:1||Space Building:1||Space Change:1||Space Charicteristics:1||Space Cogitation:1||Space Cognition:1||Space Communication:1||Space Design Marketing:1||Space Functions:1||Space Imagery:1||Space Production:1||Space Recognition:1||Space Revitalization:1||Space Specialization:1||Space analysis:1||Space artification:1||Space atmosphere:1||Space branding:1||Space layout:1||Space recognition:1||Space regeneration:1||Space surface:1||Space syntax:1||Space type:1||Spacial Component Elements:1||Spatial:1||Spatial Accessibility:1||Spatial Atmosphere.:1||Spatial Branding:1||Spatial Dialectic:1||Spatial Elements:1||Spatial Expansion:1||Spatial Planning:1||Spatial Planning.:1||Spatial Program Characteristic:1||Spatial Reasoning:1||Spatial Syntax:1||Spatial Tectonic:1||Spatial Thinking:1||Spatial approach:1||Spatial atmosphere:1||Spatial changes:1||Spatial characteristic:1||Spatial characteristics:1||Spatial composition:1||Spatial experience:1||Spatial perception:1||Spatial preference:1||Spatial reasoning:1||Spatial recognition:1||Spatial regeneration:1||Spatial role:1||Spatial theory:1||Spatical Design BM:1||Specialized design:1||Spirit:1||Sport Brand:1||Square:1||Square Characteristics:1||Stability:1||Stage Space:1||Stage design:1||Stage lighting:1||State lighting directing:1||Story:1||Storytelling:1||Strategic Factors:1||Strategic Factors of Space Design Marketing:1||Strategy:1||Street Environment:1||Structure of Comedy:1||Structured &:1||Substance:1||Subway Station Inner Space:1||Subway transit station:1||SuperAged Society:1||Supporting Housing:1||Sustainable Content:1||Sustainable Design:1||Suzhou Museum:1||Symbol:1||Symbolic information:1||System of symbol:1||Taehwa River National Garden:1||Tang dynasty:1||Task process:1||Technology:1||Tectonic:1||Temple:1||Tendency of previous research:1||Terminal Cancer Patient:1||Territory:1||Text Mining(텍스트마이닝):1||Textmining:1||Textmininig:1||The attraction effect:1||The elderly:1||The lower part of apartment:1||The time of experience:1||Theatre Semiotics:1||Theatrical Language:1||Thematic Event:1||Theme Exploration:1||Time Effect:1||Time and Distance:1||Topological form:1||Tourism:1||Tourism Metaverse:1||Tourism Metaverse Content:1||Tourism cities:1||Toyo Ito:1||Traditional Chinese aesthetics:1||Traditional architecture:1||Traditional garden:1||Traditional multicolor Sensibility:1||Traditional symbols:1||Traditional windows:1||Traffic Safety Facilities:1||Trans Media:1||Transforming Furniture:1||Translation Elements:1||Transmission:1||Transparent Display:1||Travel Behavior:1||Trend Analysis:1||Trend study:1||Turnover:1||Twelve Senses:1||Type Characteristics:1||Typography:1||Typology:1||USP전략:1||Underground Complex:1||Universal:1||Universal design:1||Unstructured:1||Untact Community:1||Untact Design:1||Upcycling:1||Urban Art:1||Urban Branding (도시 브랜딩):1||Urban Context:1||Urban Events:1||Urban Public Places:1||Urban Regeneration Planning:1||Urban Regeneration Types:1||Urban Space:1||Urban Underground Space:1||Urban branding:1||Urban design.:1||Urban identity:1||Urban images:1||Urban park:1||Urban regeneration type:1||Urban to rural returner:1||Urbanization:1||Usage Behavior:1||User Behavior:1||User experience(UX):1||Usercentered:1||Usercentered environment:1||VMD communication:1||VMD 커뮤니케이션:1||VMD(Visual Merchandising):1||VR:1||Valla Tugendhat:1||Value:1||Value Factor:1||Value obtained from Space Communication:1||Value of Experience:1||Value system:1||Variability:1||Variable Living Space Design:1||Verbal image:1||View:1||Virtual educational environment:1||Visibility:1||Visitor Satisfaction:1||Visual Attention:1||Visual Narrative:1||Visual Perception:1||Visual Perception Characteristic:1||Visual Tactility:1||Visual identity components:1||Visual media:1||Visual perception:1||Waldorf:1||Waldorf School:1||Waldorf schools:1||Waldorf&apos:1||Walk:1||Walking Environment:1||Walking Environment Evaluation:1||Walkway:1||WaterFriendly:1||Whale Museum:1||Wind:1||Work Environment:1||Work environment improvement:1||architecture situation:1||authenticity:1||authoring personality rights:1||background of space:1||being:1||bicycle road:1||brand Identity:1||cognitive process:1||community:1||construction of space:1||consumer behavior:1||consumption space:1||contextual characteristics:1||contextual structure:1||dematerialization:1||digital 3D image media:1||digital game:1||distribution space:1||environment:1||event:1||existence:1||experience:1||experientiallybased understanding of place:1||experimental study:1||exploratory factor analysis:1||extinction standards:1||factor:1||fashion brand store:1||fashion marketing:1||historicity:1||hologram:1||industrial heritage:1||intersect:1||kids cafe:1||kindergarten:1||life cycle:1||material:1||maximalism:1||mixed reality:1||modularity:1||observation Scope:1||offline space:1||optical illusion:1||optical illusion type:1||patchwork:1||play:1||psychology:1||public art policy:1||pure color:1||recognition:1||reproduction space:1||response:1||s Development:1||s Development and Behavior Characteristic:1||s Experience Space:1||s Image:1||s Museum:1||s architecture:1||s development:1||s education:1||s hospital:1||s play space:1||s room:1||s therapeutic space:1||sales strategy:1||sense of place:1||sequence:1||service design:1||sight amusement:1||sliver house:1||social value:1||space branding:1||space design of brand scaping:1||space program:1||spatial characteristics:1||spatial composition:1||spatial structure:1||square satisfaction:1||surveys:1||sustainable design:1||the Early Childhood Care Facilities:1||the intercollegiate space:1||total time of transit:1||untact:1||visualization:1||가로환경:1||가변적 간막이:1||가변적 실내 공간디자인:1||가상 공간:1||가상 교육 환경:1||가상현실:1||가시성:1||가치:1||가치요인:1||가치체계:1||간접흡연:1||감각자극요소:1||감각적 요소:1||감성 트렌드:1||감성공간:1||감성충전:1||감성측정:1||감응:1||감정인식:1||강남사가원림:1||개선제안:1||개인 성격:1||개인형 이동수단:1||거주실태:1||거주자 유형:1||건강 거리 실행:1||건축공간 구성요소:1||건축기획:1||게슈탈트 시지각:1||게슈탈트 시지각 특성:1||견본주택:1||경관:1||경관디자인:1||경관조명:1||경로당:1||경영전략:1||경향분석:1||경험:1||경험교육:1||경험론적 공간:1||고궁(故宫):1||고래전시관:1||고령 사회:1||고령자 서비스:1||고속도로 휴게소:1||고속도로휴게소:1||고속도로휴게소 화장실:1||고층아파트:1||공간 계획:1||공간 구성:1||공간 기능:1||공간 브랜드 정체성:1||공간 브랜딩:1||공간 사유:1||공간 업사이클링:1||공간 역할:1||공간 예술화:1||공간 의경:1||공간 의상:1||공간 인식:1||공간 인지:1||공간 전유:1||공간 접근법:1||공간 체험:1||공간 표현 유:1||공간 표현 특성:1||공간 프로그램:1||공간 프로그램 특성:1||공간 환경:1||공간 활성화:1||공간경험:1||공간계획.:1||공간구성요소:1||공간구조:1||공간디자인 BM:1||공간디자인 마케팅:1||공간디자인 특성:1||공간디자인마케팅의 전략적 요인:1||공간방법론:1||공간변증법:1||공간분석:1||공간브랜딩:1||공간선호도:1||공간예술:1||공간요소:1||공간유형:1||공간의 사회화:1||공간의 진화:1||공간의 확장성:1||공간의생산:1||공간적 구축성:1||공간적 분위기:1||공간적 사고:1||공간적 접근성:1||공간적 확장:1||공간정보:1||공간척도:1||공간체험:1||공간태도:1||공간특화:1||공간표피:1||공간환경:1||공감성:1||공개공지:1||공공 가치:1||공공 서비스:1||공공가치창출:1||공공건축 프로젝트:1||공공데이터:1||공공디자인 동향:1||공공디자인 심의제도:1||공공디자인 영역:1||공공디자인 정책:1||공공디자인 진흥에 관한 법률:1||공공디자인 진흥종합계획:1||공공디자인관련 법제도:1||공공디자인관련 사업:1||공공디자인법:1||공공디자인의 진흥에 관한 법률:1||공공문화:1||공공문화 서비스 보장법규:1||공공문화 서비스체계:1||공공문화 시설:1||공공문화서비스:1||공공문화서비스 보장법:1||공공문화시설:1||공공미디어:1||공공미술 정책:1||공공미술. 유기적 관계:1||공공미술의 정의:1||공공분야 메타버스:1||공공상징:1||공공서비스디자인:1||공공성 평가항목:1||공공예술:1||공공장소:1||공공정원:1||공공조형물:1||공공층:1||공동주택 저층부:1||공용 공간:1||공용공간 활성화:1||공유 비즈니스 공간:1||공유가치창출:1||공유성:1||공유주거:1||공적공간:1||과잉공간. 해커스페이스. 향유:1||관계지향성:1||관광:1||관광 메타버스:1||관광 메타버스 콘텐츠:1||관광도시:1||관리체계:1||관중(關中)지역:1||광의의 공공디자인:1||광장:1||광장 만족도:1||광장 특성:1||교류성:1||교육:1||교육 공간:1||교통안전 시설물:1||구매:1||구성요소:1||구조 방정식 모형:1||구조적 &:1||구축전략:1||국가정원:1||국립박물관:1||국외:1||권초문:1||귀농인:1||그늘:1||그늘 형성 시설물:1||그린웨이 네트워크:1||근거이론:1||근거중심디자인:1||기능의 통합:1||기상학:1||기술:1||기업사옥:1||기업의 사회공헌:1||기업이미지:1||기업조직:1||기업주도형 사업:1||기업특화형:1||기업파티:1||기호:1||기호체계:1||기호학:1||길찾기:1||까를로 스까르빠:1||낭만희극:1||내러티브:1||내러티브 디자인:1||내밀한 공간:1||네트워크 거버넌스:1||네트워크 커뮤니케이션:1||노인 1인 가구:1||노인 놀이터:1||노인 주거:1||노인공동체 주거:1||노인생애:1||노인심리:1||노인주택:1||논문 분석:1||놀이:1||놀이 공간:1||놀이터:1||농산어촌:1||농촌:1||뇌전도:1||뉘앙스:1||뉴 컨텐츠:1||뉴딜:1||닝수궁(寧壽宮):1||다감각:1||다감각자극:1||다목적성:1||다원적 디자인:1||다차원 선형회귀:1||다차원척도법:1||단청:1||당조시대:1||대지미술:1||도로환경디자인:1||도시:1||도시 마케팅:1||도시 아이덴티티:1||도시 정체성:1||도시 지하공간:1||도시 활성화:1||도시문맥:1||도시브랜드:1||도시브랜딩:1||도시사건:1||도시예술:1||도시재생 사업유형:1||도시재생형:1||도시재생활성화계획:1||도시적 표현:1||도시화:1||도식:1||도요 이토:1||독립형 호스피스:1||돌봄:1||동서양:1||동양사상:1||동주민센터:1||동향 분석:1||드럭스토어:1||디스플레이:1||디자이너 건강 거리 점검:1||디자인 방법론:1||디자인 액티비즘:1||디자인 영역:1||디자인 정책:1||디자인 주체:1||디자인 특성:1||디자인 호텔:1||디자인거버넌스:1||디자인방법론:1||디자인씽킹:1||디자인요소:1||디자인전략:1||디자인정책:1||디자인툴킷:1||디자인평가:1||디자인품질:1||디지털 게임:1||디지털 매체:1||디지털 브랜딩 전략:1||디지털 입체 영상 미디어:1||디지털게임:1||디지털공간:1||디지털쇼:1||라이드어트랙션:1||라이프 스타일:1||랜드마크:1||럭셔리 브랜드:1||럭셔리 패션무대:1||레지오 에밀리아:1||로버트 윌슨:1||루이스 칸:1||리디자인:1||리좀:1||링난(嶺南)지역:1||마이크로 하우스:1||마케팅 전략:1||만족도:1||말기 암환자:1||매체 활용:1||맥락:1||맥락적 구조:1||맥락적 특성:1||맥시멀리즘:1||메가 스토어:1||메타버스 대학 캠퍼스:1||명칭 표기:1||모뉴먼트:1||모듈시스템:1||모듈화:1||모빌오피스:1||모서리:1||몰링:1||무대 공간:1||무대디자인:1||무대조명:1||무대조명연출:1||무용:1||무인양품:1||무지호텔:1||무채색:1||문여융합:1||문헌 연구:1||문화:1||문화 공간:1||문화가치형:1||문화도시:1||문화시설:1||문화예술:1||문화예술어메니티:1||문화자원:1||문화재생:1||문화적 관점:1||문화적 요인:1||문화콘텐츠:1||물리적요인:1||물질:1||물질성:1||뮤지엄:1||뮤지컬 아이다:1||미:1||미디어:1||미디어공공성:1||미디어적 감성:1||미디어특성요소:1||미래교육:1||미래오피스환경:1||미래의 숲:1||미술관:1||미술전시:1||미학:1||민간전문가:1||민관협력:1||민관협력체계:1||바르셀로나 독일관:1||바이오필리아:1||바이오필릭 디자인 특성:1||반응특성:1||반제품:1||발도르프:1||발도르프 교육:1||발전 동향:1||발전지수:1||방문객 만족도:1||방파제:1||방향성:1||배색:1||버스 환승공간:1||번 슈미트:1||범죄예방디자인:1||법적 책임:1||변수영역:1||변화 연구:1||변화요인:1||병실:1||보상화문:1||보육공간:1||보장조치:1||보행로:1||보행친화:1||보행행위 요소:1||보행환경 평가:1||복잡성:1||복합시설:1||복합용도개발:1||복합용도공간:1||복합커뮤니티공간:1||부훌렉 디자인:1||분류체계:1||분위기:1||브랜드 경험:1||브랜드 로드 숍:1||브랜드 스케이핑:1||브랜드 아파트:1||브랜드 이미지 차별화 전략:1||브랜드 이미지 표현:1||브랜드 효과:1||브랜드스케이핑 공간 디자인:1||브랜드커뮤니케이션:1||브랜딩:1||비교 연구:1||비구조적:1||비대면 커뮤니티:1||비물질화:1||비상설무대:1||비주얼머천다이징:1||비즈니스 확장:1||비판적 지역주의:1||빅데이터:1||빅블러:1||빅블러현상:1||빈집:1||빛 공해:1||빛과 그림자:1||빛의 유입:1||사건:1||사례연구:1||사무공간 디자인:1||사상한:1||사색 공간:1||사옥 저층부:1||사용자 경험(UX):1||사용자 중심 설계:1||사용자 중심 환경:1||사운드스케이프:1||사이:1||사전평가 요소:1||사찰:1||사회문제:1||사회문제 해결 사업:1||사회문제 해결 정책:1||사회문제 해결 제도:1||사회성:1||사회적 공간:1||사회적 디자인:1||사회적 연결:1||사회적 주거:1||사회적 확장:1||사회환경:1||산업디자인:1||산업디자인교육:1||산업유산시설:1||산책로:1||상공간:1||상업 공간:1||상업시설:1||상징놀이:1||상징정보:1||상호교차:1||상호작용성:1||색채계획:1||색채반응:1||색채원리:1||색채자극:1||색채표준가이드:1||생리적:1||생리적 실험:1||생성적 질서:1||생애주기:1||생태건축:1||생태복원:1||생태유아교육:1||생태적으로 지속가능한 요소:1||생태환경:1||샤넬:1||샤넬의 공간:1||샤넬의 디자인철학:1||서사:1||서사적:1||서사적 디자인:1||서사적 자원:1||서양현대철학:1||서예 미학:1||서예 미학적 공간:1||서예 심미각도:1||서예 원칙:1||서예미학:1||서예작품:1||서예작픔:1||서울시:1||서울지하철:1||서울특별시:1||선비:1||선비(士人):1||선행연구:1||선행연구경향:1||선형 수변공원:1||선호:1||선호공간:1||설문조사:1||성수동:1||세트디자인:1||셰어하우스:1||셰익스피어:1||소규모 가구:1||소리환경:1||소비가치:1||소비공간:1||소비위험:1||소비자 행동:1||소비자행동:1||소셜 빅데이터:1||소셜리빙:1||소우 후지모토:1||소주박물관:1||소통. 경계:1||소통의 매개:1||소형주택:1||송파구:1||쇼핑센터:1||수변 공간:1||수용자:1||순색:1||순환경제:1||순환도시:1||숲 체험 활동:1||스마트도시:1||스마트시스템:1||스마트홈:1||스페이스 신택스(Space Syntax):1||스페이스퍼니쳐:1||스포츠 브랜드:1||시 지각성:1||시각 아이덴티티 구성 요소:1||시각적 내러티브:1||시각적 변화:1||시각적 유희:1||시각적 촉감:1||시각화:1||시간과 거리:1||시간적 효과:1||시그니처:1||시나리오:1||시노그래피:1||시대변화:1||시력감소:1||시범지구:1||시설물:1||시카고 공공미술:1||시흥시:1||식음공간:1||신도시:1||신중식 스타일:1||신체반응:1||신한옥:1||실내 공간:1||실내 디자인:1||실내 휴게공간:1||실내 휴식 공간:1||실내공간:1||실버하우스:1||실외 휴게환경:1||실존:1||실패사례:1||실험:1||실험연구:1||심리평가:1||심미성:1||심상:1||아동범죄:1||아동친화도시:1||아동학대예방:1||아방가르드:1||아이덴티티:1||아이트래커:1||아트 파빌리온:1||아트케어 공간:1||아파트:1||아파트단지 외부공간:1||안내사인:1||안도 타다오:1||안전색채:1||안전성:1||안전추구형:1||안전취약계층 배려:1||안전표지물:1||안정성:1||알파룸:1||암스테르담 재생디자인 호텔:1||야간 경관:1||야간 조명:1||어린이 공공 도서관:1||어린이 뮤지엄:1||어린이 박물관:1||어린이 발달:1||어린이 발달과 행태 특성:1||어린이 보호구역:1||어린이 체험공간:1||어린이 치유공간:1||어린이공원:1||어린이놀이공간:1||어린이박물관:1||어린이병원:1||어린이와 보육교사:1||언어심상:1||언택트:1||언택트 디자인:1||업무환경:1||업무환경개선:1||업사이클링:1||에이스호텔:1||에코뮤지엄:1||엔트로피 법:1||여성성:1||역동성:1||역량강화:1||역사 도시:1||역사문화거리:1||역사문화광장:1||역사성:1||연계성:1||연구 동향:1||연구경향:1||연구유형):1||연극기호학:1||연극언어:1||연색성:1||연출기법:1||연출특성:1||영・유아:1||영상미디어:1||영상효과:1||영역:1||영역구축:1||영역성:1||영역특성:1||영유아 발달:1||영향도:1||영향요인:1||예술:1||예술화 특성:1||오페라하우스:1||오프라인공간:1||오픈스페이스:1||오피스:1||오피스 공간:1||옥상정원:1||옥외광고물:1||옥외광고물등의 관리와 옥외광고산업 진흥에 관한법률:1||온라인:1||외식 브랜드:1||외장색채:1||요인:1||요인분석:1||우울감:1||움직임:1||웨이파인딩:1||위계성:1||위상적 형식:1||유기적:1||유동적 공간:1||유리:1||유아:1||유아기:1||유아의 감각인지발달:1||유연성:1||유통공간:1||유형별 매체 분석:1||유형별 특성:1||유형학:1||유휴 공간:1||융복합:1||융합:1||융합디자인:1||융합성:1||은거(隱居):1||은사(隱士) 문화:1||은신처:1||은평한옥마을:1||의미적 요인:1||이미지연극:1||이야기:1||이용자 행태:1||이용자중심:1||이용행태:1||이중차분법:1||인간행태:1||인물기념관:1||인물성격 5요인:1||인식조사:1||인지:1||인지건강디자인:1||인지과정:1||인지도:1||인지복잡성:1||인지속성:1||인지심리:1||인터랙션:1||인터랙티브:1||인터렉티브:1||인터렉티브 디자인:1||인테리어 데코레이션:1||인테리어 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지표:1||평가도구:1||평가방식:1||평가요소:1||포스트코로나:1||폴링워터:1||표리적:1||표상:1||표적집단심층면접:1||표지판:1||표현 특성:1||푸 매트릭스:1||품질관리시스템:1||퓨쳐시스템스:1||프라이빗 이코노미:1||프로덕션디자인:1||프로덕션디자인 공간:1||프로세스:1||프로젝트:1||프로젝트성 공공미술:1||프리츠커상 수상자:1||플래그 쉽 스토어:1||플래그쉽스토어:1||피터줌터:1||학교폭력예방:1||한국 공공건축 디자인요소:1||한여름 밤의 꿈:1||한옥:1||한옥접근성:1||해양친수공간:1||해외 공공건축제도:1||해외박물관:1||행태특성:1||헤드마운트디스플레이:1||현대 라이프스타일:1||현대 사무공간:1||현대건축 표현양상:1||현대광장:1||현대물리학:1||현대적 적용:1||현황 및 전략:1||혐연자:1||형성구조:1||호텔:1||호텔 마케팅:1||호텔 비즈니스센터:1||혼합현실:1||홀로그램:1||홀로닉 구조:1||홈페이지:1||화재:1||환경디자인:1||환경조형물:1||환경특성:1||환대:1||환승역사:1||환승정류장:1||환영성:1||활성화:1||활성화 요소:1||회전율:1||휴게공간:1||흡연공간:1||흡연위치:1||흡연자:1||12감각론:1||희극구조:1||1인 가구:1||1인 주거:1||1인 주거 공간:1||A Highrise Apartment:1||A Midsummer Night’s Dream:1||A Study on the Production Design Production design:1||A brand apartment:1||A new town:1||AHP분석:1||Accessibility:1||Ace hotel:1||Achromatic color:1||Act on Management of Outdoor Advertising Materials and Promotion of Outdoor Advertising Industry:1||Activate regional culture:1||Activation element:1||Activities to Experience Forest:1||Aesthetic:1||Aesthetic(미학적):1||Aesthetics:1||Affordance Design:1||Analysis of the Studies:1||Analysis of trends:1||Antismokers:1||Apartment:1||Apartment House:1||Apartments:1||Application Method:1||Apply Method:1||Architect:1||Architectural Lighting:1||Architectural planning:1||Architectural space:1||Architectural space components:1||Architecture Design Characteristics:1||Area of variables:1||Art Pavilion:1||Art care space:1||Art exhibition:1||Art museum:1||Artification characteristics:1||Arts:1||Atmosphere:1||Attention:1||Attention of Vision:1||Audience:1||Automobile Brand:1||Autonomous Ground Vehicle:1||Avantgarde:1||B Space:1||Beauty:1||Behavior Characteristic:1||Being:1||Bernd H. Schmitt:1||Bicycle Road:1||Big Blur:1||Big data:1||BigBlur Phenomenon:1||Biophilic Design:1||Biophilic design:1||Body Reaction:1||Boundary:1||Bouroullec design:1||Brand Communication:1||Brand Effect:1||Brand Experience:1||Brand Identity:1||Brand Image:1||Brand Image Differentiation Strategy:1||Brand Personality:1||Brand Positioning (브랜드 포지셔닝):1||Brand Road Shop:1||Brand image:1||Brand image expressivity:1||Branding:1||Brandscaping:1||Breakwater:1||Broad public design:1||Business Expansion:1||B공간:1||CSR:1||CSV:1||Calligraphy aesthetic:1||Calligraphy aesthetic space:1||Calligraphy principle:1||Capacity building:1||Care:1||Career Convergence Education:1||Case study:1||Cause Branding(코즈 브랜딩):1||Change in the times:1||Change of house space:1||Changeability:1||Characteristic Derivation:1||Characteristic Elements:1||Characteristics of Biophilic design:1||Characteristics of Space Design:1||Characteristics of Spatial Expression:1||Chicago public art:1||Child:1||Child Offences:1||Childfriendly City:1||Childhood’s sensory cognitive development:1||Children & teachers:1||Children library:1||Children’s Library:1||Children’s Park:1||Children’s Protection Area:1||Chinese Architectural Design:1||Chinese Calligraphy:1||Chinese Calligraphy Aesthetics:1||Chinese Calligraphy Aesthetics Public Space:1||Chinese Calligraphy Space:1||Chinese Public Architectural Design Elements:1||Chinese Public Art Design:1||Chinese Squares:1||Chinese architectural space:1||Chinese tradition:1||Circular City:1||Circular Economy:1||Circulation:1||City:1||City Park:1||City Public Places:1||City Revitalization:1||City Space:1||City brand:1||City design:1||City identity:1||City marketing:1||City&apos:1||Civil Expert:1||Classification System:1||Classroom Color:1||Classroom Color Design:1||Coastal Waterfriendly Space:1||Cognitive:1||Cognitive Psychology:1||Cognitive attributes:1||Cognitive complexity:1||Cognitive health design:1||Collaborative governance:1||Color Environment:1||Color Planning:1||Color Scheme:1||Color Stimulation:1||Color characteristic:1||Color environment:1||Color rendering:1||Color response:1||Color standard guide:1||Commercial Facilities:1||Common:1||Common area:1||Common space activation:1||Communication medium:1||Communion:1||Community Activation:1||Community Care:1||Community Care Space:1||Community Center for the Elderly:1||Community Centers:1||Community Shopping Center:1||Community Space:1||Community commerce:1||Community components:1||Company Party:1||Companyspecific type:1||Comparative Research:1||Complex Community Space:1||Complex Cultural space:1||Complex commercial space:1||Complex cultural space:1||Complexity:1||Comprehensive Plan for Promotion of Public Design:1||Consensual:1||Consideration for the Safety Vulnerable Class:1||Consistency:1||Construction Strategy:1||Consumer behavior:1||Consumption risk:1||Consumption value:1||Contact:1||Contemporary Architectural Form:1||Contemporary Art:1||Contemporary philosophy:1||Contemporary public square:1||Control Revolution:1||Convention Stage:1||Convergence Design:1||Conversion Design:1||Cooperative governance:1||Corporate Social Responsibility (CSR):1||Corporate office:1||Corporateled Business:1||Counter Monuments:1||Covert space:1||Covid 19:1||Creating Shared Value (CSV):1||Creating Shared Value(공유가치창출):1||Creative Experience Activity:1||Creativity:1||Crime Prevention Design:1||Cultural Perspective:1||Cultural Regeneration:1||Cultural Space:1||Cultural city:1||Cultural contents:1||Cultural factor:1||Cultural resources:1||Cultural tourism convergence:1||Cultural value type:1||Culture:1||Culture and Art:1||Culture and Art Amenity:1||Current Status and Strategy:1||DDP 탐방요인:1||DQI(Design Quality Indicator):1||Dance:1||Day Care Center:1||Daycare center:1||Deboundary:1||Decreased visual acuity:1||Dedicated department:1||Definition of Public Art:1||Demonstration Area:1||Department Store:1||Department store:1||Depressed:1||Design Activism:1||Design Area:1||Design Methodology:1||Design Quality. Management System:1||Design Strategies:1||Design Subject:1||Design education in college:1||Design evaluation:1||Design governance:1||Design methodology:1||Design thinking:1||Design toolkit:1||Development Index:1||Development Trends:1||Digital Branding Strategy:1||Digital Media:1||Digital show:1||Directing Technique:1||Directing characteristics:1||Directing elements:1||Direction:1||Display:1||Diversified design:1||Double Difference Method:1||Drug Store:1||Dwelling:1||Dwelling Space:1||EEG.:1||ESG management:1||ESG washing:1||ESG경영:1||ESG워싱:1||EV Charging Network:1||EV Charging Station:1||Early Childhood Care Facilities:1||Early childhood development:1||Earlychildhood:1||East and west:1||Eco Museum:1||Ecofriendly Cosmetic:1||Ecofriendly Space Design:1||Ecological Early Childhood Education:1||Economic(경제적):1||Education:1||Educational Space:1||Elderly Hous5ing:1||Elderly Lifetime:1||Eldery:1||Electric Vehicle(EV):1||Elements of Resident Participation:1||Elements of Walking Behaviour:1||Embodied Cognition:1||Emotion Recognition:1||Emotional Charge:1||Emotional measurement:1||Empirical Space Characteristics:1||Empirical Theory:1||Empty house:1||Enforcement Decree of the Public Design Promotion Act:1||Enjoyment:1||Entropy method:1||Environment:1||Environment Attitude:1||Environmental Design:1||Environmental Images(환경이미지):1||Environmental characteristics:1||Environmental sculptures:1||Eunpyeong Hanok Village:1||Evaluation:1||Evaluation Factor:1||Evaluation System:1||Evaluation system:1||Event:1||Evidence Based Design:1||Evolution of space:1||Evolutionary psychology:1||Exclusive Organization:1||Exess Space:1||Exhibit design:1||Exhibition Curating:1||Exhibition Design:1||Exhibition Enveronment:1||Exhibition Enveronment.:1||Exhibition Pavilions:1||Exhibition Satisfaction:1||Exhibition space:1||Exhibitions:1||Exifibition Type:1||Experience Element:1||Experience Event:1||Experience economy:1||Experience shop:1||Experiential:1||Experiential factor:1||Experientiality:1||Experiment:1||Extensibility of Space:1||Exterior colors:1||EyeTraker:1||F&B Space:1||F&B Store:1||F&B space:1||F&B매장:1||Facade:1||Facade design:1||Facade design type:1||Facility:1||Factor Analysis:1||Factors of Change:1||Factors of Trip to DDP:1||Failure Cases:1||Fallingwater:1||Fashion show:1||Femininity:1||Field theory:1||Fire:1||Flagship Mtore:1||Flexibility:1||Floral medallion motif:1||Floral scrolls:1||Flowability:1||Focus Group Discussion:1||Food and Beverage Spaces:1||Forbidden City:1||Forest of the Future:1||Formation structure:1||Formative:1||Formative Space:1||Free Standing Hospice:1||Functional (기능적):1||Furniture Design:1||Furniture design:1||Fusion and Combination:1||Future Education:1||Future Heritage:1||Future Office Environment:1||Future Systems Formative Elements:1||Future heritage:1||GWP:1||Gangnam Suhyang Public Space:1||Garden culture:1||General Neighborhood Urban Regeneration:1||General architect system:1||Generative Order:1||Geospatial information:1||German Pavilion:1||Gestalt Visual Perception:1||Glass:1||Grass:1||Great Work Place:1||Greenway Network:1||Ground Theory:1||Guanzhong region:1||Guideline:1||Guidelines:1||HMD(Head Mounted Display):1||HSCD:1||Hackerspace:1||Handon exhibition:1||Hanok:1||Hanok accessibility:1||Heal:1||Healing Color:1||Healthy Streets Approach:1||Hermit:1||Hermit Culture:1||Highway Rest Area:1||Highway rest area:1||Historical City:1||Historical Cultural Street:1||Historical and cultural squares:1||Holistic space:1||Holonic structure:1||Homepage:1||Hospitality:1||Hotel:1||Hotel marketing:1||Human Behavior:1||Humanoriented:1||IAD framework:1||IAD 제도분석:1||IOT Home service:1||IOT홈서비스:1||Identitiy:1||Idle Industrial Facilities:1||Idle Spaces:1||Illuminance:1||Illumination:1||Illusion:1||Image:1||Image Effect:1||Image Theatre:1||Imagery:1||Importance Analysis:1||Improvement Proposal:1||Inbetween:1||Inside:1||Indoor space:1||Industrial design education:1||Infant:1||Infant development:1||Infants:1||Influence Level:1||Influential Factors:1||Integrated Design:1||Integrated Marketing Communications:1||Intensity of illumination:1||Interact:1||Interactive Design:1||Interior:1||Interior Design:1||Interior Space:1||Interior trend:1||John Dewey:1||Keyword Network:1||Keyword Network Analysis(키워드 네트워크 분석):1||Kinetic art:1||Korean Public Architectural Design Elements:1||Land Art:1||Landmarks:1||Landscape:1||Landscape Design:1||Language:1||Lavatory on the Highway Service Area:1||Legal Responsibility:1||Legal system related to public design:1||Light and Shadow:1||Light pollution:1||Lighting:1||Lighting characteristic:1||Lighting direction:1||Lighting effect:1||Lighting factor:1||Lighting plan:1||Linear Waterfront Park:1||Lingnan(嶺南) Region:1||Literature Research:1||Local Public Design:1||Local culture:1||Local government:1||Location:1||Luxury Brand:1||Luxury fashion stage:1||MOT (브랜드 접점):1||MZ generation:1||MZ 세대:1||Malling:1||Management strategy:1||Marketing 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