ScholarWorks@Hongik: Lee, Jung gyo

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Lee, Jung gyo (이정교)

Fine Arts (Industrial Design)

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공간디자인:15||연속성:6||Space Design:6||Satisfaction:5||시지각:5||Spatial Design:5||Space Marketing:5||Spatial design:5||Brand Space:5||체험:4||커뮤니케이션:4||Experiential Marketing:4||Metaverse:4||브랜드 이미지:4||&apos:4||디자인 요소:4||체험 마케팅:4||색채:4||만족:4||메타버스:4||Communication:4||PTSD:4||스페이스 마케팅:4||체험마케팅:4||Residential space:3||Antoni Gaudi y Cornet:3||Museum:3||사용자 경험:3||Upcycling Design:3||회귀분석:3||:3||Flagship Store:3||공간특성:3||Digital:3||주거 공간:3||.:3||공간 사용자 경험 디자인:3||ChatGPT:3||Sequence:3||중국:3||VMD 전략:3||Sustainability:3||박물관:3||공간디자인 마케팅:3||치유:3||치유 공간:3||China:3||공공디자인:3||Color:3||업사이클링 디자인:3||브랜드 공간:3||Marketing Strategy:3||공간연출:3||VMD Strategy:3||1인 가구:3||벽:2||Design elements:2||Lifestyle brand:2||복합쇼핑몰:2||Visual perception:2||VisualPerception:2||공간마케팅:2||Space Design Marketing:2||Visualization:2||Wall:2||제3공간:2||브랜드 스페이스:2||브랜드 아이덴티티:2||Generative AI:2||주거공간:2||브랜드 충성도:2||Brand Identity:2||공감각:2||브랜딩:2||브랜딩 전략:2||지속 이용 의도:2||Local Community:2||지속가능성:2||공공공간:2||지역공동체:2||공공미술:2||비주얼 머천다이징:2||Characteristic:2||진입공간:2||공공성:2||Brand Image:2||Experience:2||behavior:2||brand image:2||사인디자인:2||광고 크리에이티브:2||광고 프로덕션 디자인:2||Guesthouse:2||Experience Composition Requisites:2||Spatial User Experience Design:2||Experience Contents:2||구조 방정식:2||체험전시:2||color:2||Spatial characteristics:2||consumer behavior:2||Digital Exhibition Space:2||Experience Marketing:2||초고령사회:2||cosmetic shop:2||Healing:2||Healing Space:2||카페:2||생성형 AI:2||생태 효과:2||Healing space:2||Digital Media:2||Public Art:2||Culture Marketing:2||experience content:2||experience exhibition:2||Experience exhibit:2||Apartment:2||특성:2||특성 연구:2||소비자 니즈:2||image contents:2||image experience:2||Housing Space:2||ICT:2||Stress:2||IMC:2||interbehaviorive:2||Python:2||Midjourney:2||Minimalism:2||SuperAged Society:2||musical:2||nteractive contents system:2||ReUsed Materials:2||스트레스:2||Idle Space:2||Recovery:2||도시재생:2||relation:2||Apartment Exterior&apos:2||플래그십 스토어:2||Synesthesia FiveSenes Experience Merketing Retail:2||한옥:2||핵심요소:2||Regression Analysis:2||s Pedestrian Space:2||Regression analysis:2||Brand loyalty:2||sciences Museum:2||Active Seniors:2||Continuity:2||디지털:2||실증분석:2||심리적 안정감:2||2012Architecten:2||Resilience:2||Cognitive Experience:2||Incheon International Airport:2||stage:2||Branding:2||Theme Park:2||회복:2||회복탄력성:2||NCS:2||Regeneration:2||Biophilic design:2||Nature:2||라이프스타일브랜드:2||variability:2||Electric Home Appliances:2||Emotional Factor.:2||vmd:2||Interaction:2||역사문화 가로:2||Audience:2||Advertisement production design:2||마케팅 전략:2||Flow experience:2||AR:2||Urban Regeneration:2||CES:2||오감:2||Sensibility:2||Form:2||오프라인 브랜드 공간:2||Service Design:2||감성:2||메타버스 플랫폼:2||Formative:2||몰입:2||Korean Cultural Center:2||몰입경험:2||User experience:2||VMD:2||CMYK:2||문화 마케팅:2||유휴공간:2||Operation Program:2||유휴산업시설:2||Front balcony:2||Sign Design:2||게스트하우스:2||인지체험:2||인천국제공항:2||미니멀리즘:2||Cafe:2||인터렉티브:2||Entrance:2||VP(Visual Presentation):2||Singleperson households:2||POPUP Store:2||바이오필릭디자인:2||Smart Furniture:2||Social capital:2||Environmental Production:2||Visual Merchandising:2||공간 디자인:2||재사용 재료:2||재생:2||Image rhetoric:1||Immersion:1||Immersive:1||Impermanent Performance Space:1||Indicators research:1||Influencing factors:1||Installation Art:1||Intention to Continuous Use:1||Intention to continuous use:1||Interactive:1||Interior Design:1||Interior artificial lighting:1||Internet bar:1||Internet cafe:1||Interrelationship:1||Invitation:1||Kano Model:1||Kitchen Space:1||Korean Traditional House:1||Koreanstyle house:1||Kumho Art Hall Yonsei:1||Large Performing Arts Center:1||Lifestyle:1||Lifestyle Brand:1||Lifestyle Shop:1||Living Brand:1||Lobby Space:1||Lobby Space of Office Building:1||Loft:1||Lounge design:1||Luxury furniture:1||Luxury furniture market:1||M50’:1||MSSE (MSSE):1||Main Entrance:1||Main Lobby:1||Maketing:1||Manhattan New York City:1||Marine museum:1||Marketing Communication:1||Marketing mix:1||Mass Media Drama:1||Matrix Filtering:1||Maximizing Experience:1||Media:1||Media facade:1||Merchandising:1||Meta Store:1||Metaverse Platform:1||Metaverse platforms:1||Middlelow price Cosmetics Brand:1||Milan international furniture fair site:1||Minimalist space:1||Moderating effect:1||Module:1||Movement:1||MultiComplex Shopping Malls:1||Multimodal Experience:1||Multipersona:1||Multipurpose theatre:1||Museum Exhibition Space:1||Museum exhibit space:1||Narrative:1||Natural element:1||New Chinese Style in Interior Design:1||New Normal:1||No.8 Bridge&apos:1||O4O service:1||O4O 서비스:1||Object:1||Offline Brand space:1||Offline space:1||Offline stores:1||Old Town:1||Oldenberg:1||Omni experience:1||Omnichannel:1||Open Space:1||Ophthalmic Clinic:1||Organic Food Market:1||PAM:1||Partnership:1||Performing Arts Center Cafe Lounge:1||Period drama:1||Personal Space:1||Personality:1||Personalize:1||Place Assetization:1||Place characteristics:1||Place marketing:1||Planning characteristics:1||Platform:1||Playground:1||Popup book.:1||Popup exhibition space:1||Popup space:1||Product Display Space:1||Product Promotion:1||Production Design:1||Proportion:1||Prosumer Marketing:1||Psychological Stability:1||Psychological stability:1||Public Design:1||Public Realm Design:1||Public Relation:1||Public Service Space:1||Public Space:1||Public art and design:1||Public design:1||Public facilities:1||Public service:1||Public space:1||Publicity:1||Qualitative research:1||Railway station:1||ReMaterialization:1||Reappearance:1||Recreational space:1||Red Town&apos:1||Relaxation Space:1||Requirements:1||Resident Pticipation:1||ResidentsFriendly:1||Respiratory infections:1||Response:1||Reuse:1||Rgeneration:1||Rgeneration Design:1||SEM:1||SF영화:1||SPA Brand:1||SPA brand Strategy:1||SPA브랜드:1||SPA브랜드 전략:1||Scene design:1||Scenic Effect:1||Science Fiction Film:1||Screening clinic:1||Selfdriving car’ interior:1||Sense:1||Sense of Realism:1||Sensory Marketing:1||Service user:1||Servicescape:1||Shoes Brand Shop:1||Shopping Center:1||Showroom space planning:1||Sign design:1||Single Household:1||Site design:1||Smart Restaurant:1||Space:1||Space Branding:1||Space Characteristics:1||Space Culture:1||Space design:1||Space marketing strategy:1||Space production:1||Space service Design:1||Spaces for Customers’ Benefits:1||Spacial Strategy:1||Spatial Characteristic Element:1||Spatial Regeneration:1||Spatial Strategy:1||Spatial User Experience:1||Spatial branding:1||Spatial contents:1||Spatial coordination:1||Spatial design strategy:1||Spatial production:1||Spatial program:1||Spatial representation:1||Spatial sequence:1||Spatial storytelling:1||Sponsorship:1||Sport Experiential Space:1||Sports Store:1||Store:1||Store Atmosphere:1||Store Identity:1||Storytelling:1||Strategic Experiential Modules:1||Strategy:1||Street facilities:1||Structural equation modeling:1||Structure of Visual Relationships:1||Students:1||Suburban shopping mall:1||Sunmyo structure:1||Sustainable Revitalization:1||Sustainable design:1||Symbol:1||Symbolism:1||Synesthesia:1||TAM:1||TV Drama Production Design:1||TV드라마 프로덕션디자인:1||Technology Accceptance Model:1||Technology Acceptance Model:1||Technology Readiness Idex:1||Telecommunication Company:1||Temporary care space planning:1||Textile Design:1||The Palace Museum:1||The Third Place:1||The guidiung method of vistor&apos:1||The handmaiden:1||Tiny house:1||Today's house:1||Touchpoint:1||Traditional Decoration Pattern:1||Traditional F&:1||Traditional element:1||Traditional wooden structure:1||Transportation facilities:1||Trauma:1||Untact:1||Upcycling:1||Urban Branding:1||Urban Historical and Cultural Heighborhood:1||Urban Parks:1||Urban Regeneration Project Evaluation System:1||Urban competitiveness:1||Urban customer:1||Urban design:1||Urban regeneration:1||User:1||User Experience:1||VMD Components:1||VMD elements:1||VMD 구성 요소:1||VMD 구성요소:1||VMD전략:1||VP ZONE Flexibility:1||Vertical structure:1||Virtual Space Design:1||Virtual worlds:1||Vistor&apos:1||Visual Depth:1||Visual Marketing:1||Visual Merchandising Plan:1||Visual Merchandising strategy:1||Visual Merchandising(VM):1||Visual perception experience:1||VisualPerceptive:1||VisualPerceptive Sequence:1||Wayfinding:1||Women&apos:1||Xi’an happiness forest belt:1||Youth PTSD:1||Yunnan Province:1||aging in community:1||ai:1||apartment elevator:1||brand life cycle:1||brand regeneration:1||characteristic:1||cinephilic experience:1||circular economy:1||composition elements:1||continuity:1||convergence:1||corporate complex cultural space:1||digital media:1||digital media art:1||ecofriendly:1||elevator car interior design:1||elevator car interior design elements:1||environment:1||environment art design:1||exhibition:1||experience:1||experiential marketing:1||furniture:1||furniture design:1||healing:1||hyperpersonalized service:1||immersive digital media art exhibition:1||immersive digital technology:1||immersive experience:1||intent to accept:1||international Fair:1||interrelationship:1||iot:1||material:1||multisensory stimulation:1||nonlinguistic storytelling:1||offline brand space:1||outdoor ad.:1||reinterpretation:1||retail shop:1||robot:1||roduction design:1||s:1||s Cosmetics Store:1||s movement:1||s movement in museum:1||smart furniture:1||soban:1||space design:1||space design marketing consumer needs:1||space marketing:1||space marketing experience:1||spatial brand:1||spatial design:1||sustainability:1||sustainable design:1||the third place:1||theme environment:1||tradition:1||tray:1||visual perception:1||visual relation:1||wallcolor:1||‘800수’:1||‘8호교’:1||‘M50’:1||‘홍방’:1||가구 마케팅:1||가구디자인:1||가로편의시설:1||가변성:1||가상공간 디자인:1||가상세계:1||가전 브랜드 샵:1||감각:1||감각마케팅:1||감상자:1||감성공간:1||감성디자인:1||감성요소.:1||감성조명:1||감성체험:1||개방공간:1||개인공간:1||개인화:1||게슈탈트:1||게슈탈트시지각심리:1||경계:1||경험 공간:1||경험 극대화:1||경험 차원 5가지 요소:1||계층분석법:1||계획특성:1||고객 경험:1||고객만족:1||고궁박물관:1||공간:1||공간 브랜드:1||공간 서비스디자인:1||공간 스토리텔링:1||공간 재생:1||공간 전략:1||공간디자인 전략:1||공간마케팅전략:1||공간문화:1||공간브랜딩:1||공간코디네이션:1||공간콘텐츠:1||공간특성요소:1||공간프로그램:1||공공 서비스 공간:1||공공서비스:1||공공시설:1||공공영역 디자인:1||관계:1||관람객:1||관람동선 유도방법:1||광화문광장:1||교외형 쇼핑몰:1||교통시설:1||구도심:1||구성요소:1||국내 연구:1||국내통신기업:1||국제박람회:1||극적효과:1||근거이론:1||글로벌 SPA 패션 브랜드:1||글로벌허브공항:1||금호아트홀 연세:1||기능분석:1||기술수요모델:1||기술수용모델:1||기술수용모형:1||기술준비도:1||기업 복합문화공간:1||기업 사옥 로비공간:1||기업 아이덴티티:1||기업 전략:1||기업복합문화공간:1||기업이미지:1||기업홍보관:1||기업후원:1||길찾기:1||놀이터:1||뉴노멀:1||뉴욕 맨해튼:1||다감각자극:1||다감각자극 환경:1||다니엘오스트:1||다목적 공연장:1||단독주택:1||대규모 공연문화시설:1||대응성:1||더블 다이아몬드 모델:1||델파이 기법:1||도시 역사문화 가로:1||도시 재생:1||도시 재생 프로젝트의 평가 시스템:1||도시경쟁력:1||도시고객:1||도시공원:1||도시브랜딩:1||도시재생 사업:1||도시형 타운하우스:1||드라마 세트:1||디스토피아:1||디자인 교육:1||디자인 상품 크라우드 펀딩:1||디자인 전략:1||디자인 차별화:1||디자인 특성:1||디자인 프로세스:1||디자인개발:1||디자인전략:1||디지털 네트워크:1||디지털 노마드:1||디지털 매체:1||디지털 미디어아트:1||디지털 전략:1||디지털 전시 공간:1||디지털 전시공간:1||디지털미디어:1||디지털인스톨레이션:1||라운지 디자인:1||라이프스타일:1||라이프스타일 브랜드:1||라이프스타일 숍:1||럭셔리 가구:1||럭셔리 가구 시장:1||럭셔리 공간 연출:1||로비 공간:1||로프트:1||리빙발코니:1||리빙브랜드:1||리테일:1||리테일샵:1||마케팅:1||마케팅 커뮤니케이션:1||마케팅믹스:1||만족도:1||매장:1||매장 분위기:1||멀티모달 체험:1||멀티페르소나:1||메인 출입공간:1||메인로비:1||메타 스토어:1||모듈:1||몰입 경험:1||몰입형 디지털 기술:1||몰입형 디지털 미디어아트 전시:1||무대:1||무대미술:1||문화예술 마케팅:1||문화예술공간:1||문화의 향유:1||뮤지컬:1||미니멀공간:1||미드저니:1||미디어:1||미디어파사드:1||밀라노 국제가구박람회장:1||바이오필릭 디자인:1||박물관 관람동선:1||박물관 전시 공간:1||박물관 전시공간:1||방향:1||백화점:1||백화점 매장 비주얼 프레젠테이션:1||번 슈미트:1||복합 체험 공간:1||복합문화공간:1||복합성:1||북경 798아트존:1||북경798 예술거리:1||브라운필드:1||브라운필드 재생:1||브랜드:1||브랜드 경험:1||브랜드 경험 디자인:1||브랜드 레주버네이션:1||브랜드 만족도:1||브랜드 선호도 및 구매의도:1||브랜드 수명주기:1||브랜드 오프라인 공간:1||브랜드 자산:1||브랜드 정체성:1||브랜드 커뮤니케이션:1||브랜드 커뮤니케이션 전략:1||비교분석:1||비례:1||비언어적 스토리텔링:1||비주얼 마케팅:1||비주얼 머천다이징 계획:1||비주얼 프레젠테이션 오브제의 특성:1||비주얼 프레젠테이션 존의 유연성:1||비주얼머천다이징(VM):1||빅 데이터:1||사용자:1||사이트디자인:1||사회적 자본. 과학관:1||상관성:1||상업 공간 디자인:1||상업공간:1||상징:1||상징색채:1||상징성:1||상품 진열 공간:1||상품 프로모션:1||상품화 계획:1||상호관계성:1||상호성:1||상호작용:1||색채 심리:1||색채감성요인(色彩感性要因):1||색채대비:1||색채심리:1||생태복원:1||생태적 효과:1||서비스 사용자:1||서비스 스케이프:1||서비스디자인:1||서사:1||선별진료소:1||선형회귀분석:1||설치미술:1||설치미술 특성:1||성격:1||소비자:1||소비자 가치:1||소비자 감성:1||소비자 행동:1||소비자 혜택공간:1||소비자구매행동단계(AIDMA):1||쇼룸공간계획:1||쇼핑몰:1||쇼핑센터:1||수용 의도:1||수용의도:1||수직구조:1||순묘구조:1||스마트 가구:1||스마트 레스토랑:1||스마트가구:1||스토리텔링:1||스토리텔링 특성:1||스토어 아이덴티티:1||스페이스 브랜딩:1||스페이스마케팅:1||스포츠 체험공간:1||스포츠매장:1||스폰서십:1||시각적 깊이:1||시각적 상호관계:1||시각화:1||시네필적 경험:1||시대극:1||시대변화:1||시민참여:1||시안 행복 숲 지대:1||시지각적 연속성:1||시지각체험:1||식음 공간:1||실내디자인:1||아동 발달:1||아트 커뮤니티 가든:1||아트페어:1||아파트 모델하우스 욕실공간:1||아파트 엘리베이터:1||아파트 외부 보행공간:1||아파트 인테리어 디자인:1||안과전문병원:1||액티브 시니어:1||액티브시니어:1||어린이 놀이:1||어포던스:1||어포던스 디자인:1||언택트:1||업사이클링:1||에너지 효율화:1||에코테크:1||엘리베이터 카 내부공간 디자인:1||엘리베이터 카내부공간 디자인 요소:1||여성 화장품매장:1||역사성:1||영상언어:1||영상체험:1||영상컨텐츠:1||영역:1||영향 요소:1||영화 아가씨:1||영화공간특성:1||예술가:1||예술작품:1||예술적 공간 연출:1||오늘의집:1||오브제:1||오프라인 공간:1||오프라인매장:1||옥외광고물:1||온라인 홈퍼니싱 플랫폼:1||올덴버그:1||옴니채널:1||옴니체험:1||외국인 개별여행자:1||요구사항:1||운남성:1||운영프로그램:1||움직임:1||원목:1||유기농 푸드마켓:1||유휴공간재생:1||이미지 수사학:1||인공 지능:1||인공지능 서비스:1||인지심리학:1||인터넷 바:1||인터넷 카페:1||인터렉티브 컨텐츠 시스템:1||일시성적 연출공간:1||입구공간:1||자료 포락 분석법:1||자연:1||자연 요소:1||자연친화 체험 효과:1||자율주행차 인테리어:1||장소 마케팅:1||장소자산화:1||장소적 특성:1||재료순환:1||재미:1||재생 디자인:1||재생공간:1||재외한국문화원:1||재학생:1||재현:1||재활용:1||전략:1||전략적 체험 모듈:1||전시:1||전시공간:1||전시디자인:1||전시연출방법:1||전통 목구조:1||전통 장식문양:1||전통식문화:1||전통요소:1||전환:1||제화브랜드샵:1||조명연출:1||조절효과:1||조형성:1||조형적 특성:1||주민참여:1||주민친화:1||주방 공간:1||주택문화관:1||중저가 화장품 브랜드:1||증강현실:1||지속가능:1||지속가능한 활성화:1||지역사회에서의 고령화:1||지표 연구:1||직장인 여성:1||진료공간계획:1||질적 연구:1||차 전문점:1||차이:1||참여기법:1||챗GPT:1||철도역사:1||청소년 PTSD:1||체험 공간:1||체험 극대화:1||체험 존:1||체험 커뮤니케이션:1||체험구성요건:1||체험마케팅 공간:1||체험마케팅전략:1||체험연출:1||체험요소(4Es):1||체험전시관:1||체험컨텐츠:1||체험콘텐츠:1||체험형:1||초개인화 서비스:1||치유공간:1||치유공간디자인:1||친환경 디자인:1||침구류 진열:1||카노 모델(Kano model):1||커뮤니티 가든:1||커뮤니티공간:1||커피전문점:1||컨버전디자인:1||컬러:1||컬러테라피:1||코로나19:1||코스메틱 플래그쉽 스토어:1||코워킹 오피스:1||터치포인트:1||테마파크:1||테마환경:1||텍스타일디자인:1||트라우마:1||파사드:1||파트너십:1||팝업 공간:1||팝업 스토어:1||팝업 전시공간:1||팝업북:1||팝업스토어:1||패션 브랜드:1||패션 플래그쉽 스토어:1||패션공간:1||패션마케팅:1||패션브랜드:1||패션이벤트:1||패션전시:1||패션호텔:1||퍼포밍아트센터 카페라운지:1||펀디자인:1||편리성:1||편안함:1||폐 산업시설:1||표현과 도입:1||프로덕션 디자인:1||프로덕션디자인:1||프로슈머 마케팅:1||플래그쉽 스토어:1||플래그쉽스토어:1||플랫폼:1||하이엔드 글로벌 가구 브랜드:1||해양박물관:1||행동:1||행태심리:1||현대 중국식 인테리어 다자인:1||현장감:1||협소주택:1||형태:1||호흡기 감염병:1||혼잡성:1||홈퍼니싱:1||홍보:1||화성화:1||화성화 디자인:1||화장품 매장:1||화장품 원 브랜드숍:1||화장품 전문점:1||환경:1||환경 오염:1||환경 지속적인 디자인:1||환경연출:1||활성화:1||활성화 방안:1||후기수용모형:1||휴식공간:1||3D composition:1||3D 프린팅의 확장성:1||4th industrial revolution:1||4차 산업혁명:1||798 ArtDist:1||800show&apos:1||AIDMA:1||AIDMA Rule:1||AIDMA의 법칙:1||AR Technology:1||AR 기술:1||Abandoned Industrial Facilities:1||Acceptance Intention:1||Access Space:1||Activation:1||Activation Plans:1||Advertisement creative:1||Affective design:1||Affordance theory:1||Affordance design:1||Analytic Hierarchy Process:1||Apartment Interior Design:1||Apartment Model House bathroom space:1||Approach Space:1||Area:1||Art Community Garden:1||Art cultural space:1||Art fair:1||Artificial Intelligence Service:1||Artificial intelligence:1||Artist:1||Artistic space production:1||Artwork:1||Augmented Reality(AR):1||B:1||BTL Marketing:1||BTL 마케팅:1||Bedding Display:1||Behavioral Psychology:1||Beijing 798 Art Zone:1||Bernd H. 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