ScholarWorks@Hongik: Ko, Kyong Ho

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Ko, Kyong Ho (고경호)

Fine Arts (Sculpture)

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조각:4||DMZ:3||Space:3||contemporary art:3||Shelter:3||쉘터:3||Interaction:2||공간:2||공간성:2||신체:2||현대미술:2||sculpture:2||Deconstruction:2||건축:2||body:2||상호작용:2||상호텍스트성:2||오브제:2||설치미술:2||Consensus:1||Contemporary Art:1||Contemporary Installation Art:1||Convergence Technology:1||Daivd Altmejd Oliver Laric human body sculpture representation nonrepresentation:1||Derria:1||Digital Art:1||Digital Platform:1||Digital Public Art:1||Digital Signage:1||Duplex:1||Emancipation:1||Eva Hesse:1||Evaluation Index:1||Felix GonzalezTorres:1||Figurative Sculpture:1||Found Footage:1||Ghost:1||House:1||Illusion:1||Immaterial:1||Installation:1||Installation Art:1||Interpretation:1||Janine Antoni:1||Jason Rhoades:1||Jeff Wall:1||Kusama Yayoi:1||Material:1||Maurice MerleauPonty:1||Media Architecture:1||Media Art:1||Mediate:1||Medium:1||MicroUtopia:1||Midnight Moment:1||Northern Renaissance Art:1||Object:1||Pablo Valbuena:1||Parametric:1||Phantasmagoria:1||Phenomenology:1||PostDigital:1||Privacy:1||Public Art Placeness:1||RACHEL WHITEREAD:1||Reality:1||Relational Aesthetics:1||Relational Art:1||Remediation:1||Rirkrit Tiravanija:1||Sculpture:1||Scuplture:1||Sewoon Sangga:1||Sitespecific:1||StagedPhotography:1||Subculture:1||Surveillance society:1||The Body:1||The Deathof the Author:1||Tobias Rehberger:1||Tomoko Takahashi:1||Transparency:1||Trickster:1||Ubiquitous:1||Urban Refugee:1||Urban Regeneration:1||Virtual Reality:1||Visibility:1||Vitual museum:1||absence of space:1||affect:1||architecture:1||autonomy of mind:1||content analysis:1||difference:1||encounter:1||event:1||excretion:1||expenditure:1||experience:1||human relations:1||image:1||installation art:1||intercontextuality:1||interrelation:1||intertextuality:1||liminality:1||multi narrative:1||myth:1||negative space:1||object:1||parergon:1||performance:1||place:1||presence:1||proverb:1||s body:1||sitespecificity:1||situationis:1||space:1||text:1||unconscious:1||value of ambivalence:1||가상 현실:1||가상박물관:1||감시사회:1||건축 공간:1||경계:1||경계성:1||경계의 모호성:1||경험:1||공공미술장소성:1||공동체:1||관계미술:1||관계미학:1||네거티브공간:1||뇌파:1||다중 내러티브:1||데리다:1||데이비드 알트메이드올리버 라릭인체 조각재현비재현성:1||도시 재생:1||도시난민:1||독자의 탄생:1||동시대 현대미술:1||듀플렉스 하우스:1||디지털 공공미술:1||디지털 플랫폼:1||디지털사이니지:1||디지털아트:1||레이첼 화이트리드:1||리크리트 티라바니자:1||마이크로 유토피아:1||마주침:1||매개:1||매체:1||메를로퐁티:1||몸:1||무의식:1||물질:1||미드나잇 모먼트:1||미디어 아키텍처:1||미디어아트:1||배설:1||부재 공간:1||북유럽 르네상스 미술 현대미술:1||브리콜라주:1||비무장지대:1||비물질:1||사건:1||상호관계:1||상황주의:1||설치:1||세운상가:1||소모:1||속담:1||시각:1||신화:1||실재성:1||안드레아 지텔:1||앤 해밀턴:1||양가적 가치:1||에바 헤세:1||연출사진:1||유령:1||유비쿼터스:1||융합기술:1||이미지:1||인간의 관계:1||인식조사:1||인체조각:1||작가의 신체:1||작품분석:1||장소:1||장소 특정적:1||장소성:1||재닌 안토니:1||재매개:1||저자의 죽음:1||정동:1||정신적 자유:1||제이슨 로즈:1||제프 월:1||지수화:1||차연:1||콘텐트 분석:1||쿠사마 야요이:1||텍스트:1||토모코 타카하시:1||토비아스 레베르거:1||투명성:1||트릭스터:1||파라메트릭:1||파레르곤:1||파블로 발부에나:1||파운드 푸티지:1||판타스마고리아:1||퍼포먼스:1||펠릭스 곤잘레스토레스:1||폐쇄회로 텔레비전:1||포스트디지털:1||프라이버시:1||하위문화:1||합의:1||해방:1||해석:1||해체이론:1||현대 설치조각:1||현상학:1||현존:1||(텍스트의) 해체:1||환영:1||3D projection mapping:1||3D scaning:1||3D 프로젝션 맵핑:1||3D스캐닝:1||ANDREA ZITTEL:1||Analysis of Work:1||Ann Hamilton:1||Architectural space:1||Architecture:1||Artist&apos:1||Awareness Investigation:1||Birthof the reader:1||Boundary:1||Boundary ambiguity:1||Brainwave:1||Bricolage:1||CCTV:1||Community:1||

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94, Wausan-ro, Mapo-gu, Seoul, 04066, Korea02-320-1314

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