ScholarWorks@Hongik: Choi, Ik seo

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Choi, Ik seo (최익서)

College of Fine Arts (Industrial Design)

Research Area: 공간디자인 세부전공

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전시커뮤니케이션:4||ESG:4||도시재생:4||공간디자인:4||상호작용성:3||전시 커뮤니케이션:3||Exhibition Communication:3||전시디자인:3||Exhibition Design:3||공공디자인:3||Correlation:2||Interactive:2||Interactivity:2||Exhibition communication:2||인터랙티브:2||공공성:2||공공시설:2||Environmental Color:2||STEAM:2||Immersive Environment:2||Place Identity:2||Jeanne Gang(Studio Gang):2||Mixed Reality Media:2||Karen A. Frank:2||Kazuyo Sejima(SANAA):2||몰입환경:2||Senior Welfare:2||Korean Design:2||전시 디자인:2||Korean Design Identity:2||미디어아트:2||Environmental Psychology:2||Affordance:2||Public Facilities:2||Design Exhibition:2||Public design:2||Narrative Structure:2||가상환경:2||Urban Regeneration:2||Radicalism:2||Urban regeneration:2||경험디자인:2||Radicals:2||Rarus:2||Experiment Architecture:2||Spatial Design:2||Virtual Environment:2||Ecofriendly traffic system:1||Ecological Aesthetics:1||Ecological Museum:1||Educational Space:1||Educational Space Characteristics:1||Educational environment:1||Edward Relph:1||Emotional:1||Environmental experience:1||Evaluation Index:1||Exhibition Direction:1||Exhibition Storytelling:1||Exhibition design:1||Experience:1||Experience Design:1||Experience Media Production. Exhibition Communication:1||Experiential Design:1||Expressive characteristics of light:1||Extended Reality:1||Fair Marketing:1||Fair communication:1||Fair design:1||Fashion Flagship Store:1||Femininity:1||Field Theory:1||Firsthand Experience Exhibition:1||Flagship store:1||Flexibility:1||Flipped learning:1||Formative Language:1||Framework of information delivery:1||Function change:1||Furniture design:1||Gamification:1||Harmony between Heaven and Human:1||Historical Museography:1||Historical museum:1||History Exhibition:1||IMC:1||Idea association of superposition:1||Immersion:1||Immersion Environment:1||Impulse purchase:1||Information design:1||Installation Art:1||Institutional publicity:1||Intangible Cultural Property:1||Integrated Experience Structure:1||Interaction:1||Interaction media production:1||Intermedia:1||Intermediality:1||Intertextuality:1||Landscape lighting:1||Learning Program:1||Liquid Space:1||Living Fair:1||Local living area:1||MR 매체:1||MR매체:1||Management of narrative environment:1||Marketing:1||Media Aesthetics:1||Media Art:1||Mediaart:1||Metaverse:1||Minimalism:1||Motor show:1||Multifaceted:1||Multiple Intelligence:1||Museology:1||Museum:1||Museum collection:1||Mutual Affection:1||National Intangible Heritage Center:1||Natural light:1||Neighborhood living area:1||OnSite History museum:1||Online Exhibition Platform:1||Other Geometry:1||Park lighting:1||Pedestrian Environment:1||Perceptionexperience:1||Performative Walking Activity:1||Placelessness:1||Play:1||Pneumatic:1||Polysemic space:1||Productions of Exhibition:1||Promotion Center:1||Public Art:1||Public Design:1||Public Space:1||Public transportation connection:1||Publicness:1||Regional Identity:1||Regional identity:1||Renewal:1||Residence Complex:1||Resident Participation:1||Residentcentered:1||Resilience:1||Retail shop:1||Satisfaction with Exhibition:1||Scenography:1||Science Exhibition:1||Science Museum:1||Scientific Communication:1||Selfgenerated:1||Sensibility:1||Seoul:1||Sharing space:1||Significance:1||Smart home:1||Smart mobility:1||Social Design:1||Social Media Network:1||Social space:1||Sociocultural activity:1||Space Graphysm:1||Space design:1||Spatial Characteristic:1||Spatial Characteristics of Natural Environment:1||Spatial Design.:1||Spatial Interactivity:1||Spatial function:1||Spatial utility:1||Special exhibition:1||Stand design:1||Storytelling:1||Strategic Experiential Modules:1||Street furniture:1||Structuralism:1||Structure System:1||Superposition of ideas:1||Surrealism:1||Tao follows Nature:1||Teachinglearning:1||TechnoAesthetic:1||Temporary Exhibition:1||The Field of Art:1||The Field of Power:1||Theory of experience:1||Transferring system:1||Untact:1||Urban environment:1||Urban idle space:1||Usability:1||User Experience:1||User driven civilization:1||VM(Visual Merchandising):1||Value Production:1||Virtual Exhibition:1||Virtual Reality:1||Visual expression:1||Waterfriendly Space:1||Waterfront:1||Xujing(虛靜):1||Zhong Yin(中隱):1||comprehension:1||contemplation:1||ecofriendly adaptability:1||environmental design:1||exhibition media:1||porcelain:1||regional activation:1||spatial design:1||가구디자인:1||가로시설물:1||가변화:1||가상 전시:1||가상 현실:1||가상물리시스템:1||가치생성:1||감상:1||감성:1||게이미피케이션:1||경관조명:1||경험이론:1||고객경험:1||공간 설계:1||공간 특성:1||공간그래픽:1||공간기능:1||공간연출매체:1||공간의 상호작용성:1||공간의 유용성:1||공공공간:1||공공미술:1||공기막:1||공원조명:1||공유공간:1||과학 커뮤니케이션:1||과학관:1||과학전시:1||관념 중첩:1||관념연합적 중첩:1||교수학습:1||교육 공간:1||교육공간 특성:1||교육환경:1||구조 시스템:1||구조주의:1||국립무형유산원:1||권력장:1||근린생활권:1||급진주의:1||유아기 아동:1||기능 변화:1||기술미학:1||기획전시:1||노인복지:1||녹색교통:1||다면적:1||다의적 공간:1||다중지능:1||단 로세하르데:1||대중교통연계:1||도법자연(道灋自然):1||도시유휴공간:1||도시환경:1||도자기:1||디자인 전시:1||디자인모델:1||디지털 트윈:1||디지털미디어:1||리뉴얼:1||리빙 페어:1||리질리언스:1||마케팅:1||매체 미학:1||메타버스:1||모터쇼:1||몰입:1||몰입 환경:1||무형문화재:1||뮤즈올로지:1||미니멀리즘:1||미술장:1||바이오테크닉:1||바이오필릭:1||바이오필릭 디자인:1||박물관:1||박물관 소장품:1||보행 환경:1||부르디외:1||브랜드 공간:1||브랜드 스케이핑:1||브랜드 체험공간:1||브랜드 홍보:1||비상설:1||빌바오:1||빌트인 시스템:1||빛 표현특성:1||사용자 경험:1||사용자 주도 문명화:1||사회문화 활동:1||사회적 공간:1||사회적 디자인:1||상호 매체성:1||상호 텍스트성:1||상호감응:1||상호성:1||상호현실주의:1||생역동성:1||생태미학:1||생태박물관:1||생태친화 적응성:1||서사 환경의 조영:1||서사구조:1||서사환경:1||서울시:1||설치미술:1||소셜 미디어 네트워크:1||수변공간:1||수행적 걷기 활동:1||스마트 모빌리티:1||스마트홈:1||스탠드 디자인:1||스토리텔링:1||시각표현:1||시노그래피:1||실험 건축:1||아니쉬 카푸어:1||아트 콜라보레이션:1||아트프로젝트:1||언택트:1||에드워드 렐프:1||여성성:1||역사계 박물관:1||역사계 전시:1||역사전시:1||온라인 전시 플랫폼:1||유동공간:1||유사자연:1||유아 교육공간:1||유아 교육공간 방향:1||유아기 사회성:1||유희:1||의경(意境):1||의미 생성:1||이해:1||인지 체계:1||인지반응:1||인지학습:1||인터랙션 미디어 연출:1||인터미디어:1||자가생성:1||자연광:1||자연환경의 공간적 특성:1||자율성:1||자전거 주차시설:1||장소 상실:1||장소 정체성:1||장소정체성:1||장이론:1||적응성:1||적응성 기능:1||전략적 체험모듈:1||전시 스토리텔링:1||전시만족도:1||전시매체:1||전시연출:1||전시예산:1||정보 전달 구조:1||정보 접근성:1||정보디자인:1||조형언어:1||주민중심:1||주민참여형:1||중은(中隱):1||지각 체험:1||지역 정체성:1||지역 활성화:1||지역생활권:1||지역정체성:1||집합주거단지:1||창의융합인재:1||천인합일(天人合一):1||체험:1||체험매체 연출:1||체험전시:1||초현실주의:1||친수공간:1||친환경 녹색학교:1||커뮤니케이션:1||커뮤니티 공간:1||커뮤니티 비즈니스:1||커뮤니티 아트:1||코로나19:1||타자의 기하학:1||통합마케팅:1||통합적 경험구조:1||패션 플래그쉽 스토어:1||페어 마케팅:1||평가 지표:1||플래그십 스토어:1||플립러닝:1||학습프로그램:1||한국 디자인:1||한국 디자인 정체성:1||해체주의:1||행태지원:1||허정(虛靜):1||현장역사박물관:1||홍보관:1||확장현실:1||환경 설계:1||환경색채:1||환경심리:1||환경적 경험(AUX):1||환경적 경험디자인:1||환승체계:1||활용성:1||급진주의 건축:1||Accessibility of information:1||Adaptability:1||Adaptive function:1||Ambient Experience Design:1||Anish Kapoor:1||Art Collaboration:1||Art Project:1||Artificial nature:1||Artistic Conception:1||Autonomy:1||Bicycle parking area:1||Bilbao:1||Biodynamics:1||Biophilic:1||Biophilic Design:1||Biotechnique:1||Bourdieu:1||Brand Promotion:1||Brand Scaping:1||Brand Space:1||Brand experience space:1||Budget of Exhibition:1||Builtin system:1||COVID19:1||Cognitive Learning:1||Cognitive Response:1||Cognitive system:1||Communication:1||Community Space:1||Community art:1||Community business:1||Conjoint Analysis:1||Correalism:1||Creative and convergent talents:1||Customer Experience:1||Cyber Physical System:1||Daan Roosegaarde:1||Deconstructionism:1||Design model:1||Digital Twin:1||Digital media:1||Early Childhood Children:1||Early Childhood Education Space:1||Early Childhood Education Space Direction:1||Early Childhood Sociality:1||EcoFriendly Green School:1||

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