일본 기모노 의장(意匠)의 변천
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 이경희 | - |
dc.date.available | 2020-04-24T13:25:42Z | - |
dc.date.created | 2020-03-31 | - |
dc.date.issued | 2011 | - |
dc.identifier.issn | 1229-2060 | - |
dc.identifier.uri | https://scholarworks.bwise.kr/kumoh/handle/2020.sw.kumoh/2757 | - |
dc.description.abstract | This study investigate the transition about Japanese national costume kimono. The prototype of the present kimono is a kosode. The origin of kosode dates back to the mid-Heian period, when this type of kimono served as the everyday wear of commoners and an undergarment for court nobles, both men and women. In the Muromachi period,particularly after the Onin war, the kosode began to be by people of all classes. In the Muromachi period, kosode consisted mainly of woven textiles. In the Momoyama period, kosode became very elaborate, employing such various techniques as tie-dyeing, embroidery, metallic leaf(surihaku) and free-hand painting. These were further combined resulting in such techniques as tsujigahana dyeing and nuihaku, which are now considered to epitomize Momoyama-period textile design. A category of kosode of the early Edo period, known as Keicho kosode, is fashioned mainly from black, white, or red figured satin(rinzu), or from figured satin segmented in these three colors. Books of kosode designs began to be published in the Kambun era, when the merchant class was becoming economically powerful, kosode began to reflect its taste. During its final stage of development in the late 17th and early 18th centuries, yuzen dyeing achieved wide acceptance. From the late 18th century toward the early 19th century, kosode worn by the merchant class underwent drastic changes, while those worn by the samurai class changed little. In the after the late 18th century, clear differences in design and decorative methods appeared between the kosode worn by rich merchants and those worn by middle and lower class merchants. | - |
dc.language | 한국어 | - |
dc.language.iso | ko | - |
dc.publisher | 한국의류산업학회 | - |
dc.title | 일본 기모노 의장(意匠)의 변천 | - |
dc.title.alternative | Transition of Japanese Kimono Design | - |
dc.type | Article | - |
dc.contributor.affiliatedAuthor | 이경희 | - |
dc.identifier.bibliographicCitation | 한국의류산업학회지, v.13, no.1, pp.32 - 43 | - |
dc.citation.title | 한국의류산업학회지 | - |
dc.citation.volume | 13 | - |
dc.citation.number | 1 | - |
dc.citation.startPage | 32 | - |
dc.citation.endPage | 43 | - |
dc.type.rims | ART | - |
dc.identifier.kciid | ART001532550 | - |
dc.description.journalClass | 2 | - |
dc.subject.keywordAuthor | Japanese national costume | - |
dc.subject.keywordAuthor | kosode | - |
dc.subject.keywordAuthor | kimono | - |
dc.subject.keywordAuthor | design | - |
dc.subject.keywordAuthor | transition | - |
Items in ScholarWorks are protected by copyright, with all rights reserved, unless otherwise indicated.
350-27, Gumi-daero, Gumi-si, Gyeongsangbuk-do, Republic of Korea (39253)054-478-7170
COPYRIGHT 2020 Kumoh University All Rights Reserved.
Certain data included herein are derived from the © Web of Science of Clarivate Analytics. All rights reserved.
You may not copy or re-distribute this material in whole or in part without the prior written consent of Clarivate Analytics.