Decolonization of the Female Body in Eavan Boland’s In Her Own Image
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 박주영 | - |
dc.date.accessioned | 2021-08-12T04:26:53Z | - |
dc.date.available | 2021-08-12T04:26:53Z | - |
dc.date.created | 2021-06-17 | - |
dc.date.issued | 2012 | - |
dc.identifier.issn | 1226-9689 | - |
dc.identifier.uri | https://scholarworks.bwise.kr/sch/handle/2021.sw.sch/15865 | - |
dc.description.abstract | This paper aims to explore how Eavan Boland’s In Her Own Image decolonizes and demystifies the female body as signified in patriarchal literary texts. Challenging the restrictions imposed upon women’s self-expression, Boland focuses on describing taboo areas of female bodily experience, such as anorexia, menstruation, mastectomy, and masturbation. Boland argues her female identity from the perspectives of the body and sexual pleasure. The poetic language that she envisages in In Her Own Image directly connects female sexuality and writing poetry. Throughout the poems, Boland’s use of concrete bodily imagery does not stop at disclosing camouflaged patriarchal language; she extends this critique to mythology about women. In so doing, Boland subverts traditional poetic standards, for it is women’s real lives, feelings, and sufferings that defy the laws of male-inscribed literary texts. This paper points out that Boland’s In Her Own Image shows a woman who can perceive through her body; it is in the body that the poetic voices find female identity and selfhood. Positing the female body as the origin of female selfhood, Boland emphasizes her poetic vision, which is embodied through expressing the physical jouissance of the female body as a liberating act. In her artistic decolonization of the female body, female subjectivity is fully liberated from its imprisonment in patriarchal literary texts. | - |
dc.language | 영어 | - |
dc.language.iso | en | - |
dc.publisher | 한국영미문학페미니즘학회 | - |
dc.title | Decolonization of the Female Body in Eavan Boland’s In Her Own Image | - |
dc.title.alternative | Decolonization of the Female Body in Eavan Boland’s In Her Own Image | - |
dc.type | Article | - |
dc.contributor.affiliatedAuthor | 박주영 | - |
dc.identifier.doi | 10.15796/fsel.2012.20.1.003 | - |
dc.identifier.bibliographicCitation | 영미문학페미니즘, v.20, no.1, pp.59 - 90 | - |
dc.relation.isPartOf | 영미문학페미니즘 | - |
dc.citation.title | 영미문학페미니즘 | - |
dc.citation.volume | 20 | - |
dc.citation.number | 1 | - |
dc.citation.startPage | 59 | - |
dc.citation.endPage | 90 | - |
dc.type.rims | ART | - |
dc.identifier.kciid | ART001657136 | - |
dc.description.journalClass | 2 | - |
dc.description.journalRegisteredClass | kci | - |
dc.subject.keywordAuthor | Eavan Boland | - |
dc.subject.keywordAuthor | decolonization | - |
dc.subject.keywordAuthor | female body | - |
dc.subject.keywordAuthor | jouissance | - |
dc.subject.keywordAuthor | selfhood | - |
Items in ScholarWorks are protected by copyright, with all rights reserved, unless otherwise indicated.
(31538) 22, Soonchunhyang-ro, Asan-si, Chungcheongnam-do, Republic of Korea+82-41-530-1114
COPYRIGHT 2021 by SOONCHUNHYANG UNIVERSITY ALL RIGHTS RESERVED.
Certain data included herein are derived from the © Web of Science of Clarivate Analytics. All rights reserved.
You may not copy or re-distribute this material in whole or in part without the prior written consent of Clarivate Analytics.