기술에 종속되다: 크로넨버그의 『크래쉬』에 나타난 니힐리즘과 하이데거적 게슈텔Annexed by Technology: Nihilism and Heideggerian Gestell in Cronenberg’s Crash
- Other Titles
- Annexed by Technology: Nihilism and Heideggerian Gestell in Cronenberg’s Crash
- Authors
- 진주영
- Issue Date
- 2017
- Publisher
- 한국비평이론학회
- Keywords
- 데이빗 크로넨버그; 크래쉬(1996); 하이데거; 들뢰즈; 비릴리오; 니힐리즘; David Cronenberg; Crash(1996); Heidegger; Deleuze; Virilio; nihilism
- Citation
- 비평과이론, v.22, no.3, pp.257 - 281
- Journal Title
- 비평과이론
- Volume
- 22
- Number
- 3
- Start Page
- 257
- End Page
- 281
- URI
- https://scholarworks.bwise.kr/sch/handle/2021.sw.sch/8074
- ISSN
- 1598-9089
- Abstract
- This essay traces the shattering effects of Heideggerian Gestell shown in David Cronenberg’s 1996 film to investigate how the culture of nihilistic spectator can be fueled by human annexation to technology which is akin to the enlightenment impulse gone awry. By reading Crash with the current grappling with technology put forth by thinkers such as Paul Virilio, Fredric Jameson, and Friedrich Kittler, I construe the Cartesian subject as the source of such nihilism. In conclusion, I compare and contrast Deleuze’s conception of time-image with Crash to highlight how the liberating power of the false activated by time-image can serve as a vehicle to navigate the technological wasteland so viscerally visualized in Crash.
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