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Female trance in Han Tae-Sook's production of Lady Macbeth

Authors
심정순
Issue Date
Feb-2009
Publisher
CAMBRIDGE UNIV PRESS
Citation
NEW THEATRE QUARTERLY, v.25, no.97, pp.63 - 71
Journal Title
NEW THEATRE QUARTERLY
Volume
25
Number
97
Start Page
63
End Page
71
URI
http://scholarworks.bwise.kr/ssu/handle/2018.sw.ssu/5963
DOI
10.1017/S0266464X09000062
ISSN
0266-464X
Abstract
In this article, Jung-Soon Shim indicates how Han Tae-Sook transforms Lady Macbeth's subconscious into an interculturally emotional space in which the Christian concept of guilt and the Korean ethos of Han intersect. In this way, the director conducts an intercultural dialogue, negotiating the Western world view in Shakespeare's Macbeth together with the traditional Confucian-shamanistic world view to be found in Korea. Jung-Soon Shim is Professor of English at Soongsil University in Seoul, currently President of the Korean Theatre Studies Association (KTSA), and a founding member and President of the Korean Association of Women in Theatre (KAWT). Her numerous books include Twenty-First Century Korean Women Theatre Directors (2004).
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