구로사와 아키라의 ≪가장 아름답게≫에 나타난 ‘순수한 영화적 목표’에 대한 고찰A Study on ‘Pure Cinematic Goals’ in Akira Kurosawa’s “The Most Beautiful”
- Other Titles
- A Study on ‘Pure Cinematic Goals’ in Akira Kurosawa’s “The Most Beautiful”
- Authors
- 이시준
- Issue Date
- Feb-2022
- Publisher
- 일본어문학회
- Keywords
- 黒澤明、一番美しく、国策映画、女子挺身隊、セミドキュメンタリー; 구로사와 아키라; 가장 아름답게; 국책영화; 여자정신대; 세미다큐멘터리; Akira Kurosawa; The Most Beautiful; semi-documentary format; pure cinematic goals; female workers
- Citation
- 일본어문학, no.96, pp.501 - 527
- Journal Title
- 일본어문학
- Number
- 96
- Start Page
- 501
- End Page
- 527
- URI
- http://scholarworks.bwise.kr/ssu/handle/2018.sw.ssu/42252
- DOI
- 10.21792/trijpn.2022.96.022
- ISSN
- 1226-9301
- Abstract
- “The Most Beautiful” is the second film released on April 13, 1944 by Toho Studios, and depicts the story of female workers in a military factory at the end of the Pacific War. According to previous studies, most of them viewed the film as an ideological state-run film adapted to state power due to the strong nature of propaganda. However, there is very little analysis about the content and artistic side of the film. Thus, this study examines the following three points, focusing on the director’s intentions and messages. First, it is pointed out that the director attempts to adopt a semi-documentary format. Second, it is claimed that this film tries to portray ordinary girls, not heroes involved in the war, Lastly, it is considered that it has an emphasis on ‘personality completion’ and ‘growth’ as the themes throughout the film.
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Collections - College of Humanities > Department of Japanese Language & Literature > 1. Journal Articles
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