무용수들의 무용저작권 관심도에 따른 활성화 지수 분석
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 백민경 | - |
dc.contributor.author | 김승일 | - |
dc.date.available | 2019-07-18T04:01:58Z | - |
dc.date.issued | 2006 | - |
dc.identifier.issn | 1738-964X | - |
dc.identifier.issn | 2508-7029 | - |
dc.identifier.uri | https://scholarworks.bwise.kr/cau/handle/2019.sw.cau/29313 | - |
dc.description.abstract | The purpose of this study was to examine the index of activation of dancers demonstratively according to their interests in the dancing copyright. For this, the investigator conducted a questionnaire survey of 390 dancers who were active in university and other dancing teams in Seoul and Gyeonggi areas in 2005. Among such collected data, 314 dancers' replies were finally used for this study except inappropriate data. For the tools of measurement in the collection of data, the barometers, developed by Yun Jin-yeong in 2001, were used in the questionnaire by modifying and supplementing them. Study findings are as follows: First, all the questionnaires that measure the degree of interests and the index of activation for the dancing copyright are reliable and appropriate for the measurement of every conception. Second, as for the indices of interests/knowledge/participation/ effectiveness in the dancing copyright, those who have the experience of creative choreographing are greater than those who have not, professional dancers than amateurs, and those who have master's degree or above than undergraduate schooling or below, respectively.Third, as for the difference of activation according to the existence and nonexistence of a copyright registering performance, those who have a copyright registering performance reveal greater knowledge/agreement than those who have not. As for the detailed factors that have influence upon the difference of experience of creative choreographing, those who are professional dancers and have higher schooling have greater knowledge/agreement for the knowledge of activation than those who are amateurs and have less schooling. Fourth, as for the influence, such detailed factors as interests, knowledge, participation, and effectiveness in the dancing copyright, have upon the activation of knowledge, there is no such an influence except the effectiveness. | - |
dc.format.extent | 12 | - |
dc.publisher | 한국체육학회 | - |
dc.title | 무용수들의 무용저작권 관심도에 따른 활성화 지수 분석 | - |
dc.type | Article | - |
dc.identifier.bibliographicCitation | 한국체육학회지, v.45, no.1, pp 591 - 602 | - |
dc.identifier.kciid | ART000991045 | - |
dc.description.isOpenAccess | N | - |
dc.citation.endPage | 602 | - |
dc.citation.number | 1 | - |
dc.citation.startPage | 591 | - |
dc.citation.title | 한국체육학회지 | - |
dc.citation.volume | 45 | - |
dc.publisher.location | 대한민국 | - |
dc.description.journalRegisteredClass | kci | - |
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