독일영화 ‘엑스페리먼트(Das Experiment)’에 나타난 표현주의 경향에 관한 연구
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 김미옥 | - |
dc.contributor.author | 조창현 | - |
dc.date.available | 2019-08-06T03:05:39Z | - |
dc.date.issued | 2008 | - |
dc.identifier.issn | 1598-6497 | - |
dc.identifier.uri | https://scholarworks.bwise.kr/cau/handle/2019.sw.cau/31342 | - |
dc.description.abstract | Each individual making up of the modern society could make some decision about the nature of human being? If so, our civilization that has been made by to human being will be no more than the circulatory train toward an orbit of an end? The other thing that we could investigate is that whether one human being could educate another one. A means of education like prison could be functioned as the mostly effective means for making our human being become inhuman? Our human being is, by nature, 'Cain'. Therefore, that how we could educate 'Cain' and how the education is made through another 'Cain' The fictitious space of the fiction has a special quality that is realized by connecting with the actual elements and immediacy of feeling. The fictitious structure of fiction is a guidance system that makes us believe the fact and fancy we know. The thing that we know through the movie, das Experiment, is that a mock experiment is a fictitious one. But a condition that materializes the fiction is the fact. Above all, our feeling that takes part in the experiment we believe as the fact. As the result of it, passing over the problem of the real and falsehood, it reveals us that could distort the out come of interpretation and dimension of interpretation. With our observation of the contents of culture and arts that are made up of the fiction, our attention, belief and feelings would also become simulated. The results of such a mock experiment of the heart are related with the actual desire of us, even though they are fictitious, and also bear the problems toward a fixed direction of value judgement. Therefore, they are very important. Movie, Das Experiment, not only exposes the subject of Panopticon of Foucalt like the lookout and punishment, like the social structure and its subject in this respect, but also exhibits a boundary of expression and representation. Making a step further from the question about the nature of human being within the expressionistic interconnections that this movie suggests, we try to investigate about the relationship of feeling with fiction in the movie. This dissertation has also its own meaning in presenting the side of pathological symptoms about revealing the human psychology with a notion of space reminding us of the reconsideration about reality | - |
dc.format.extent | 12 | - |
dc.publisher | 한국디자인문화학회 | - |
dc.title | 독일영화 ‘엑스페리먼트(Das Experiment)’에 나타난 표현주의 경향에 관한 연구 | - |
dc.title.alternative | A Research on The Trend of Expressionism in The German Movie, ‘Das Experiment' | - |
dc.type | Article | - |
dc.identifier.bibliographicCitation | 한국디자인문화학회지, v.14, no.2, pp 53 - 64 | - |
dc.identifier.kciid | ART001257923 | - |
dc.description.isOpenAccess | N | - |
dc.citation.endPage | 64 | - |
dc.citation.number | 2 | - |
dc.citation.startPage | 53 | - |
dc.citation.title | 한국디자인문화학회지 | - |
dc.citation.volume | 14 | - |
dc.publisher.location | 대한민국 | - |
dc.subject.keywordAuthor | Expressionism Film | - |
dc.subject.keywordAuthor | Space Design | - |
dc.subject.keywordAuthor | Authority | - |
dc.subject.keywordAuthor | Violence | - |
dc.subject.keywordAuthor | 표현주의 영화 | - |
dc.subject.keywordAuthor | 공간연출 | - |
dc.subject.keywordAuthor | 권력 | - |
dc.subject.keywordAuthor | 폭력 | - |
dc.description.journalRegisteredClass | kci | - |
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