<소현성록> 연작과 <유효공선행록> 連作의 比較 硏究 -‘婚姻談’에 나타난 敍述視覺을 중심으로-

Abstract

The <Sohyeonseongrok> and <Yuhyogongseonhangrok> series have a shared plot in which a story of ethical man-type male characters faithfully abiding by the Confucian principles is told in the prequel followed by a sequel describing a story of hero-type male characters seeking their own desire and show a typical personality of gentlemen and heroes. In the meantime, these two series describe problems of both gentleman -type and hero-type male characters sufferings of female characters in Marriage story, and while the <Sohyeonseongrok> take a male-centered perspective, the <Yuhyogongseonhangrok> series hold a female-centered perspective. These differences in the narrative perspectives indicate that these two series reflect a different viewpoint of readers, and such dichotomy of readers is also observed in the <Hyeonmongssangryonggi> and <Seonghyeongongsukyeolgi>series, a full-length novel written in Korean that belongs to the same Samdaerok category.