알랭 바디우의 비미학적 관점에서 본 농당스 연구 -제롬 벨의 작품 ｢저자가 부여한 이름, Nom Donneˊ par L’Auteur｣을 중심으로-

Abstract

The purpose of this study is to investigate the aesthetic significance of non-danse and to suggest the possibility of expanding the scope of dance. We analyze Jérôme Bel’s Nom Donné par L’Auteur based on Alain Badiou’s theory of inesthetics. In the process of analysis, this study intends to reconsider the perception of ‘what dance is’. As a result of interpreting Jérôme Bel’s work into ‘the six principles of dance’ suggested by Badiou in his essay “Dance as a Metaphor of Thought”, it is found that non-danse, a form of experimental art, provided artistic significance suitable for the new era. As such, when the ontological significance and characteristics of dance are discussed in various ways from the perspective of a new aesthetic transformation, the extension of dance art will be expanded and diversified, and its value will be rediscovered.