윌리엄 포사이드 작품의 초현실주의 표현기법 분석 - 「추상화된 도시」, 「흩어진 군중」, 「헤테로토피아」를 중심으로 -A Study on Surrealism Expressions Techniques in William Forsythe’s Choreographies - Focusing on City of Abstract, Scattered Crowd, Heterotopia -
- Authors
- 안현민
- Issue Date
- 2021
- Publisher
- 한국무용예술학회
- Keywords
- William Forsythe; Surrealism; Technique; Expression; Image; 윌리엄 포사이드; 초현실주의; 기법; 표현; 이미지
- Citation
- 무용예술학연구, v.82, no.2, pp 35 - 48
- Pages
- 14
- Journal Title
- 무용예술학연구
- Volume
- 82
- Number
- 2
- Start Page
- 35
- End Page
- 48
- URI
- https://scholarworks.bwise.kr/cau/handle/2019.sw.cau/62930
- DOI
- 10.16877/kjds.82.2.202106.35
- ISSN
- 1226-900X
2713-9468
- Abstract
- This study aims to find surrealism expressions in three pieces of William Forsythe by referencing four surrealism techniques : automatisme, dépaysement, collage, frottase. To analyze the works, the author enumerates notions and traits of surrealism techniques referring to other scholarly papers, books and videos. The City of Abstracts has a rubbed effect of audience’s body image. Scattered Crowd puts thousands of ballons in the space which, looks unfamiliar and irrelevant. Heterotopia emphasizes unconsciousness, which is the point of surrealism using props and sounds of dancers. Through these analyses, Forsythe’s works exemplify how surrealism techniques affect on contemporary dance works.
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