CAU Scholar's Space: Cho, Hye Jung

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Cho, Hye Jung (조혜정)

예술대학원 (예술경영학과)

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Tel 02-820-5783
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<아가씨>:2||The Handmaiden:2||<동주>:1||<모노노케 히메>:1||<부산행>:1||<센과 치히로의 행방불명>:1||<셜리에 관한 모든 것>:1||<신과 함께>:1||<이웃집 토토로>:1||Adaption:1||Afterlife/hell image:1||Alice in Wonderland:1||Along with the Gods:1||Animation:1||Animism:1||Auteurisme:1||BTS:1||BTS Universe:1||BTS 유니버스:1||BU Contents:1||BU 콘텐츠:1||Central Motion Pictures Exchange:1||Chosun－sibo:1||City Trilogy ❙:1||DongJu: The Portrait of a Poet:1||Ecofeminism:1||Ecology:1||Edward Hopper:1||Experiencing Horror:1||Factor of Boxoffice Success:1||Faith in Shiwang:1||Fantasy:1||Female Narrative:1||Film Law:1||Filming Style:1||Films and Art:1||Fingersmith:1||Gonjiam: Haunted Asylum:1||Guillermo del Toro:1||Gustav Deutsch:1||Hayao Miyazaki:1||Heimat:1||Heterochronie:1||Heterotopia:1||Horror Movie:1||IPA Analysis:1||IPA 분석:1||Intermediality:1||Kami:1||Kamibelief:1||Kings of Hell(Shiwang):1||Korean Film Union:1||Lesbianism:1||Liberty News:1||Manchurian Western:1||Minjoong Film Production Company:1||Musical:1||My Neighbor Totoro:1||Mythical Motif:1||Narrative Analysis:1||Narrative Distance:1||Neoliberalism Economy:1||Online Performance:1||Park Chanwook:1||Psychopomp:1||Recreation:1||Reinterpretation:1||Rhee government:1||Service Quality:1||Shintoism:1||Shintos’ Forest:1||Shirley: Visions of Reality:1||Space:1||Spirited Away:1||Streaming Service:1||Studio Ghibli:1||Tableau Vivant:1||The Princess Mononoke:1||The Wailing:1||Therianthropic Creature:1||Train to Busan:1||Transformation:1||Transmedia Storytelling:1||USAMGIK:1||Western genre:1||Worldview:1||Yourself and Yours:1||Zhang Lu:1||adaptation:1||archetype:1||blockade policy:1||comic blood & gore fantasy:1||convention:1||crossing the threshold:1||discovery of a living:1||distribution right of foreign films:1||economical inequality:1||elixir:1||eroticism:1||export drive:1||film industrialization:1||film policy:1||formula:1||free of entrance charge:1||halfway space:1||hero's journey:1||hometown:1||iconography:1||inmost cave:1||labor:1||living picture:1||local color:1||local colored movies:1||locality:1||mimicry and repeat:1||minimalism:1||morality:1||mythological imagination:1||nation building:1||native:1||newsreel:1||ordeal:1||paradox of hard work:1||policy basis:1||policy maker:1||poverty:1||promotion organization:1||promotion policy:1||psychopathology of everyday life:1||public relation policy:1||resurrection:1||reward:1||schizophrenia:1||snobbism:1||spatial image:1||taboo:1||the Hero Myth:1||the Oedipus Complex:1||triangle relationship:1||unity of people:1||‘도시3부작’:1||『핑거스미스』:1||가미:1||가미신앙:1||각색:1||경제적 불평등:1||공간:1||공간이미지:1||공보정책:1||공포영화:1||구스타브 도이치:1||기예르모 델 토로:1||노동:1||뉴스영화:1||도상:1||만주웨스턴:1||모럴:1||모방과 반복:1||뮤지컬:1||미군정:1||미니멀리즘:1||미야자키 하야오:1||민중영화제작주식회사:1||박찬욱:1||반인반수:1||방탄소년단:1||번안:1||변용:1||보상:1||봉쇄정책:1||부활:1||분열증:1||빈곤:1||사이공간:1||살아있는 그림:1||삼각관계:1||상호매체성:1||생태주의:1||생활의 발견:1||서비스품질:1||서사분석:1||서사적 거리:1||성실의 역설:1||세계관:1||스노비즘:1||스튜디오 지브리:1||스트리밍 서비스:1||시왕신앙:1||신도(神道):1||신도의 숲:1||신자유주의경제:1||신화적 모티프:1||신화적 상상력:1||애니메이션:1||애니미즘:1||에드워드 호퍼:1||에로티시즘:1||에코페미니즘:1||여성동성애:1||여성서사:1||영웅신화:1||영화 ｢곤지암｣:1||영화와 미술:1||영화흥행요인:1||오이디푸스 콤플렉스:1||온라인 공연:1||웨스턴장르:1||이상한 나라의 앨리스:1||일상의 정신병리학:1||작가주의:1||장률:1||재창작:1||재해석:1||저승/지옥 이미지:1||저승시왕:1||저승차사:1||조선시보:1||조선영화동맹:1||중앙영화배급사:1||체험공포:1||촬영방식:1||컨벤션:1||코믹잔혹판타지:1||타부:1||타블로 비방:1||토속성:1||트랜스미디어 스토리텔링:1||포뮬라:1||하이마트:1||해방뉴스:1||향토:1||향토물:1||향토성:1||향토영화:1||헤테로크로니아:1||헤테로토피아:1||<곡성>:1||환상성:1||<당신자신과 당신의 것>:1||

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