CAU Scholar's Space: Kim, Se Il

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Kim, Se Il (김세일)

인문대학 (러시아어문학)

Research Area: 러시아어문학

Tel 02-820-5115
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신동북아:4||러시아:4||슬라브 신화:3||Russia:3||자먀틴:3||문화:3||Culture:3||Zamiatin:2||스트리밍:2||Christian View:2||러시아 문화:2||아브람체보:2||Emoticon:2||streaming:2||문화산업:2||Russian FarEast:2||기독교적 관점:2||Nation Brand:2||이중신앙:2||Nation Image:2||네오리얼리즘:2||한국:2||Slavic Mythology:2||외국어로서 러시아어:2||AntiUtopia:2||NeoNortheast Asia:2||러시아어:2||Neorealism:2||Dual Faith:2||국가 브랜드:2||국가 이미지:2||FLEX:1||Folktales:1||Formation of Poetics:1||G. Orwell:1||Global Game Market:1||Globalization:1||Glocalization:1||Gumilev:1||Guro:1||IBT:1||IKTechnology:1||Image of Tiger:1||Korea:1||Korea Culture:1||Korean:1||Korean Students:1||Kotlovan:1||Language environment:1||Lermontov:1||Local Culture:1||MMORPG:1||Mamontov:1||MetaCulture:1||Multiscreen:1||Myth:1||Nation Brand Policy:1||Nation Image Policy:1||Nesterov:1||New Northeast Asia:1||Nonlinear Watching TV:1||Northeast Asia:1||Pechorin:1||Platonov:1||PostSoviet:1||Primorsky krai:1||Prose of 1920s:1||Public Art:1||Regionalism:1||Romanticism:1||Russia Area Studies:1||Russia Culture:1||Russia Online Game:1||Russian:1||Russian Broadcasting Industry:1||Russian Culture Industry:1||Russian Far East:1||Russian Game Industry:1||Russian Literature:1||Russian Local Culture:1||Russian Media Culture:1||Russian Online Games:1||Russian TV:1||Russian Young Generation:1||Russian as a Foreign Language:1||Russian as a foreign language:1||Russian culture:1||Russian language:1||Russian music industry:1||Russia’s National Image:1||S. Korea:1||SNULT:1||Sculpture:1||Slavic Myth:1||Sochi Winter Olympics:1||Study russian in Korea:1||Subculture:1||Symbol:1||TORFL:1||Teaching Method:1||Teaching method:1||Tera:1||Tiger:1||Toman:1||Tourism:1||Tumen River project:1||Vasnechov:1||Vladivostok:1||We:1||WebTechnology:1||Zamyatin:1||access:1||aptronym:1||black humor:1||charactonym:1||comedy:1||comic literature:1||comparative literature:1||contact experience:1||culture industry:1||digital sound source:1||e스포츠:1||emotion dysregulation:1||emotion regulation strategies:1||explicit attitude:1||female emancipation:1||immigrant population:1||implicit attitude:1||intergroup contact:1||mobile:1||music industry:1||national attitudes:1||negative affect:1||philosophical novel:1||physical nature:1||prejucided attitude:1||prejudice reduction:1||satire:1||satirical literature:1||the Olbanian Language:1||the women´s problem:1||type of charactonym:1||개막식 문화콘텐츠:1||검은 사막:1||관광:1||교육:1||교육 방법론:1||교육방법론:1||구로:1||구밀료프:1||국가브랜드정책:1||국가이미지정책:1||극동:1||글로벌 게임시장:1||꼬뜨로반:1||낭만주의:1||네스테로프:1||능력인정시험:1||동북아시아:1||동아시아:1||두만강 프로젝트:1||디지털 음원:1||따만:1||러시아 TV:1||러시아 게임산업:1||러시아 국가이미지:1||러시아 극동:1||러시아 문화산업:1||러시아 문화정책:1||러시아 미디어 문화:1||러시아 방송산업:1||러시아 온라인 게임:1||러시아 온라인게임:1||러시아 음악 산업:1||러시아 지역학:1||러시아 청년 세대:1||러시아극동:1||러시아문학:1||러시아지역문화:1||레르몬또프:1||마몬토프:1||멀티스크린:1||멀티플레이 온라인 롤플레잉 게임:1||메타 문화:1||모바일:1||문화경제:1||문화관광:1||문화교류:1||문화변동:1||문화역동성:1||문화정책:1||문화주의:1||바스네초프:1||반문화:1||블랙유머:1||비교문학:1||비선형적 TV 시청:1||뻬초린:1||쁠라또노프:1||설화:1||세계화:1||세방화:1||소치 동계올림픽:1||스널트:1||시베리아:1||시학의 태동:1||시학의 형성:1||신화:1||아방가르드:1||아키에이지:1||안티 유토피아:1||안티유토피아:1||어울리는 이름:1||언어 환경:1||여성문제:1||여성해방:1||영웅서사시:1||올더스 헉슬리:1||올바니아어:1||우리 시대의 영웅:1||우리들:1||웹 테크놀로지:1||육체적 본성:1||음악 산업:1||이모티콘:1||인터넷 기반 교육:1||자먀찐:1||접속:1||정보교환 테크놀로지:1||조지 오웰:1||지역 문화:1||지역주의:1||철학 소설:1||체호프:1||체호프의 여주인공:1||캐릭토님:1||캐릭토님 유형:1||테라:1||토르플:1||포스트 소비에트:1||풍자:1||풍자 문학:1||플라토노프:1||플렉스:1||하위문화:1||한국 대학생:1||한국 문화:1||한국어:1||한국어능력시험:1||한국에서 러시아어 교육:1||호랑이:1||호랑이 형상:1||희극:1||.:1||희극문학:1||1920년대 산문:1||A Hero of Our Time:1||A. Huxley:1||A. Platonov:1||Abramtsevo:1||Amur tiger:1||Archeage:1||Avantgarde:1||Avramtsevo:1||Black Desert:1||Bylina:1||Certified competence tests:1||Chekhov:1||Chekhov's heroine:1||Coat of аrms:1||Counterculture:1||Cultural Changes:1||Cultural Contents of the Opening Ceremony:1||Cultural Dynamics:1||Cultural Policy:1||Cultural Policy of Russia:1||Cultural Tourism:1||Cultural industry:1||Culturalism:1||Culture Economy:1||Esports:1||E. Zamiatin:1||East Asia:1||Education:1||Emergence of Poetics:1||

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