CAU Scholar's Space: Jahng, Surng Gahb

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Jahng, Surng Gahb (장성갑)

첨단영상대학원 (영상학과)

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Tel 02-820-5350
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countercountermeasure:4||infrared:3||missile:2||countermeasure:2||simulation:2||seeker:2||rosette scan:2||Chinese cultural industry:1||Chinese cultural policy:1||Chinese cultural undertakings:1||Clustering algorithms:1||Complex illumination:1||Convergence:1||Discrete wavelet transforms:1||East Asia:1||Existence mode of painting:1||FPS game:1||Feature extraction:1||Films:1||Flexible Form:1||Game rating:1||Games:1||Histograms:1||Ho Tzu Nyen:1||Hyegang Choi HanKi:1||IRCCM:1||Image segmentation:1||Interactive:1||Interactive game:1||Intersection:1||Kmeans algorithm:1||Knowledge sharing behavior:1||Korean Genre Films:1||LMS method:1||Lighting:1||Love Marriage:1||Management measures:1||Masculinity:1||Media Contents:1||Nationalism:1||New Media:1||New New Media:1||Painting:1||Poetic:1||Rhythm game:1||Rosette scan:1||Situational analysis:1||Social cognitive theory:1||Technology application:1||Television programs:1||VR video:1||VR 영상:1||Virtual Reality Industry:1||Virtual community:1||Vivid Expression and Bold Outline:1||Wavelet domain:1||Yue Opera Movies:1||adaptive signal processing:1||archival cinema:1||artifactuality:1||awakening:1||clustering segmentation algorithm:1||computerassisted learning model:1||context of Institution:1||data storage:1||detection:1||digital game reward system:1||exponential learning model:1||form of art:1||humanevaluation theory:1||image clustering:1||infrared reticle seeker:1||infrared seeker:1||instantaneousfrequency estimation:1||intelligent extraction:1||interactive video:1||interpolation search:1||local feature:1||media convergence:1||memory:1||missiles:1||new media art:1||panorama image:1||performance art:1||personal perception theory:1||pleasur:1||policy:1||postcinema:1||presence:1||projective transfer:1||reticle:1||rosette scan seeker:1||seekers:1||selfregulation:1||simulations:1||target detection:1||target tracking:1||the smart phone addiction scale:1||tracking performance:1||twocolor reticle seeker:1||ultraviolet:1||video:1||video mosaics:1||virtuality:1||wavelet decomposition:1||가상성:1||가상현실 산업:1||각성:1||게임등급:1||관리 조치:1||기술 응용:1||기억:1||남성성:1||내셔널리즘:1||뉴뉴미디어:1||뉴미디어:1||뉴미디어 아트:1||대인지각론 스마트폰 중독척도:1||동아시아:1||동작인식:1||미디어 콘텐츠:1||부드러운 형식:1||사랑과 결혼:1||사의적 표현:1||시적 성질:1||아카이브 영화:1||영상구조:1||예술형식:1||월극영화:1||융합:1||인공적 현재:1||인물감평이론:1||인터랙티브 비디오:1||인터렉티브:1||자기통제감:1||정책:1||제도의 맥락:1||존재 방식:1||중국 문화 사업:1||중국 문화 정책:1||중국 문화산업:1||즐거움:1||추세 분석:1||퍼포먼스:1||포스트시네마:1||프레즌스:1||한국 장르영화:1||혜강 최한기:1||호 추 니엔(Ho Tzu Nyen):1||<Pacific Rim>:1||회화:1||<The Great Gatsby>:1||<위대한 개츠비>:1||<퍼시픽 림>:1||Action Recognition:1||Action game:1||China:1||

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