CAU Scholar's Space: Hwang, Kyu Cheol

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Hwang, Kyu Cheol (황규철)

인문대학 (영어영문학과)

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Tel 02-820-5068
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metadramatic devices:2||문제 희극:2||Jewish identity:2||대위법적 구조:2||conflict.:2||Nazism:2||갈등 / Portia:2||포오셔:2||Holocaust:2||나치즘:2||난제:2||낭만 희극:2||religious conflicts:2||Romantic Comedy:2||홀로코스트:2||dramatic devices:2||riddles:2||베트남전:2||역사극:2||충격 요법:2||Problem Comedy:2||Holocaust deniers:1||Holocaust drama:1||Home on the Mornin’ Train:1||Jame Norris:1||Jim Thorpe:1||John Barrymore’s ghost:1||Jon Marans:1||Juliet:1||Last of the Boys:1||Loomis:1||Maria Irene Fornes:1||McCarthyism:1||Old Wicked Songs:1||Overtime:1||PTSD:1||Prince Henry the Navigator:1||Richard III:1||Robert McNamara:1||Robert Schumann:1||Romeo and Juliet:1||Shakespeare:1||Shakespeare Authorship Debate:1||Stalinism:1||Steven Dietz:1||Susanna Hall vs Jack Lane case:1||Terra Incognita:1||Totalitarianism:1||Underground Railroad:1||Vietnam War:1||a Catholic:1||a Christian reading:1||a historical fantasy play for children:1||a problem play:1||a shock therapy:1||a tragedy of Providence:1||acculturation:1||ambiguity:1||an answer play:1||anachronism:1||antiSemitism:1||antiStratfordans:1||antiwar play:1||assimilation:1||blasphemous speeches and behaviors against God:1||bourgeoisie:1||ceremony within the drama:1||certain truth:1||channeling:1||citations:1||comic resolution:1||comicality:1||contrapuntal structure:1||counterpoint structure:1||cultural conflicts:1||cultural identity:1||distortion:1||diversity:1||documentary within the drama:1||double distress:1||drama within the drama:1||dramatic work dealing with controversy:1||emotional conflicts:1||fatherson relationship:1||finding themselves:1||ghosts:1||hate crimes:1||historical play:1||history play:1||homophobia:1||hostile takeover:1||human quality of violence:1||integration:1||journey into the unconscious:1||marginalization:1||mass media:1||metaphor:1||metaphysical tragicomedy:1||multicultural society:1||multiculturalism:1||multiculturalistic issues:1||omission:1||openendedness:1||orientalism:1||parabases:1||parody:1||personality disorder:1||physical violence:1||pivotal role:1||probable truth:1||proletariat:1||race:1||racial and ethnic identity:1||racism:1||redwood forest:1||relationship between the Shakespeares:1||revolt:1||revolution:1||roleplaying:1||separation:1||seriousness:1||sex:1||sexism:1||sexual orientation:1||sexual violence:1||shock therapy:1||simplification:1||sin and salvation:1||socialist revolutions:1||songswithinthe play:1||speculative truth:1||stage properties:1||storytelling:1||talk show within the drama:1||the American press:1||the Iroquois:1||the Native Americans:1||the Polish Jews:1||the Vietnam War:1||the assimilationist education policy of the American government:1||the blondehaired beauty myth:1||the dramaturgical errors:1||the dysfunction of communication:1||the racial prejudice:1||the search for the Author:1||the search for the Fool:1||the search for the Self:1||tragic denoument:1||unity:1||value of the piano:1||vaudevillian repertoire:1||verbal violence:1||xenophobia:1||『로미오와 줄리엣』:1||『리처드 3세』:1||『마지막 소년 병사』:1||『시인의 사랑』:1||『연장전』:1||『오래된 나쁜 노래들』:1||『짐노페디』:1||『햄릿』:1||가톨릭 신도:1||가톨릭적 주제:1||개연적 진실:1||극 중 노래들:1||극작상의 오류:1||극적 장치:1||극적 장치들:1||극중 다큐멘터리:1||극중 의식:1||극중 토크쇼:1||극중극:1||기독교:1||기독교적 독법:1||꼴라쥬:1||노동자 계급:1||논쟁극:1||다문화 사회:1||다문화주의적 쟁점들:1||다양성:1||단순함의 오류:1||단일성:1||대중매체:1||데스데모나:1||동성애공포증:1||동화:1||로버트 맥나마라:1||로베르트 슈만:1||루미스:1||매카시즘:1||메타드라마적 장치:1||메타드라마적 장치들:1||모호함의 오류:1||무대 소품들:1||무의식에로의 여행:1||문제극:1||문화변용:1||문화적 정체성:1||미국 정부의 동화주의 교 육 정책:1||미국의 언론:1||미의 신화:1||바르톨로메 데 라스 카사스:1||바이넘:1||반란:1||반스트랫퍼드파:1||반유대주의:1||반전극:1||베트남계 미국인:1||보드빌 레퍼토리:1||부자 관계:1||분리:1||불경스러운 언행:1||비극적 결말:1||사변적 진실:1||사회주의 혁명:1||삼나무 숲:1||새로운 혁명:1||생략의 오류:1||섭리 비극:1||성:1||성격 장애:1||성적 취향:1||성차별주의:1||성폭력:1||셰익스피어:1||셰익스피어 부부의 관계:1||셰익스피어 원저자 논쟁:1||소외화:1||소통부전:1||수잔나 홀 대 잭 레인 소송 사건:1||스탈린주의:1||스토리텔링:1||스티븐 디츠:1||시대착오 주의:1||신체적 폭력:1||아시아계 미국인의 정체성:1||아침 기차를 타고 본향으로:1||아프리카적 특성:1||어릿광대 찾기:1||언어폭력:1||에이. 알. 거니:1||역사 판타지 아동극:1||역할극:1||열린 결말:1||오리엔탈리즘:1||왜곡의 오류:1||외국인혐오증:1||외상후 스트레스장애:1||유대인 정체성:1||유대인의 정체성:1||유령들:1||은유적 표현:1||이로쿼이족:1||이중고:1||인용:1||인종:1||인종 및 민족적 정체성:1||인종주의:1||인종주의적 편견:1||자본가 계급:1||자아 찾기:1||저자 찾기:1||적대적 기업인수:1||전체주의:1||정체성 찾기:1||제임스 노리스:1||존 마란스:1||존 배리모어의 유령:1||종교적 갈등:1||죄와 구원:1||줄리엣:1||중국이민자:1||중추적 역할:1||증오범죄:1||지하철도 운동:1||진지함:1||짐 쏘프:1||채널링:1||콘스탄스:1||크리스토퍼 콜럼버스:1||토착미국인:1||통합:1||파라바시스:1||파시즘:1||패러디:1||페미니즘 비평:1||폭력성:1||폴란드 유대인:1||피아노의 가치:1||해답극:1||혁명:1||형이상학적 희비극:1||홀로코스트 극:1||홀로코스트를 부인하는 부류:1||확실한 진실:1||희극성:1||희극적 결말:1||A New Revolution:1||히아와타:1||A. R. Gurney:1||Africanness:1||Amerasian children:1||Antirealistic characteristics:1||Asian American identity:1||Bartolomé de las Casas:1||Bynum:1||Catholic theme:1||Chinese immigrants:1||Christianity:1||Christopher Columbus:1||Collage:1||Constance:1||Desdemona:1||Dichterliebe:1||Fascism:1||Feminism:1||Gymnopédies:1||Hamlet:1||Hiawatha:1||

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