CAU Scholar's Space: Kim, Young Sam

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Kim, Young Sam (김영삼)

예술대학 (패션)

Research Area: 패션디자인

Tel 031-670-3278
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미적 특성:6||stage costume(무대의상):4||fashion model:3||aesthetic characteristics:3||패션모델:3||조형적 특성:3||stage costumes(무대의상):3||the aesthetic characteristics:2||the aesthetic values:2||modern fashion:2||movie costume:2||fashion style:2||패션 스타일:2||performing arts(공연예술):2||영부인의 양장:2||무대의상:2||formative characteristics:2||music visualization:2||미적 가치:2||표현 유형:2||Doppelgäenger(이중자아):1||Expression techniques:1||Expression types:1||Fashion curation:1||Fashion curation image type:1||Fashion images:1||Fashion photographs:1||Fashion shows:1||Feminity:1||First Ladies:1||Hanji:1||Head dress:1||Hippie style(히피 스타일):1||Interactive exchange:1||Iris Apfel:1||Korean theater(한국연극):1||Korean traditional music cantata(국악칸타타):1||Long long time ago whuoee whuoee:1||Louis Vuitton:1||Mediation code:1||Musical ‘Chicago’(뮤지컬 ‘시카고’):1||Natural motif:1||P. G.Bogatyryov (보가티료프):1||Performing arts:1||Performing arts(공연예술):1||Philippe Decoufle(필립 드쿠플레):1||Philippe Guillotel(필립 기요텔):1||Photographer ‘Patrick Demarchelier’:1||Picasso's Women:1||Piet Mondrian:1||Production System of Stage costume(무대의상 제작시스템):1||Purchase intention:1||Sansculotte(상뀔로뜨):1||Shopping orientation:1||Space directing:1||Stage costume:1||Stage costume(무대의상):1||Symbolism:1||Synesthesia immersion:1||The First Ladies' clothes in Western style:1||The First Ladies' clothes in western style:1||The Korean First Ladies:1||The Last Emperor:1||The aesthetic characteristics:1||The aesthetic values:1||The role types of First Ladies:1||Types of model pose:1||Usage motives:1||Virtuality:1||Vivienne Westwood:1||Wassily Kandinsky:1||aesthetic characteristics of Western women’s costumes:1||aesthetic characteristics(미적 특성):1||aesthetic characteristics(미적특성):1||aesthetic effect:1||antisocial resisting consciousness(반사회적 의식):1||apocalypse fashion:1||armor:1||art collaboration:1||bridesmaid:1||british fashion:1||clothing evaluation criteria:1||clothing types and characteristics:1||club wear:1||clubculture:1||clubber:1||color symbol:1||commitment:1||comparative perspective(비교적 관점):1||connection network:1||consumers' sentiment:1||consumers’ preferred brands:1||contemporary fashion industry:1||costume construction(의상제작):1||costumerentals(대여의상):1||costumes of the chorus(코러스의상):1||creative musical play(창작음악극):1||creative musical ‘Hyecho’(창작뮤지컬 ‘혜초’):1||design element(디자인 요소):1||design inspirations:1||diving suit:1||experience economy theory:1||experience marketing:1||expression types:1||expression types of fantasy:1||fashion designer:1||fashion designer's images:1||fashion engineering:1||fashion journalist:1||fashion magazine:1||fashion photos:1||fashion show finale:1||fashion window display:1||forms of image expression in photos:1||functional clothing:1||glocalism:1||haute couture:1||heraldry:1||images of flight attendants:1||independent film:1||job satisfaction:1||job style:1||knight:1||leejin(리진):1||lifestyle:1||low budget(저예산):1||luxury brand:1||mask theatre (가면극):1||media body(미디어 신체) Nouvelledance(누벨당스):1||modern expressions in fashion:1||movie location:1||movie ‘27 Dresses’:1||movie ‘Alice in wonderland’:1||musical 'Chicago'(뮤지컬 ‘시카고’):1||natural object:1||opera(오페라):1||performance costumes(퍼포먼스 의상):1||period costumes(시대복식):1||plural eclecticism:1||plural eclecticism(다원적 절충주의):1||postmodernism tendency(포스트모더니즘 경향):1||red carpet dress:1||satisfaction:1||selfexpression:1||shopping propensity:1||silver fashion icon:1||social big data:1||sports wear:1||stage confidence:1||stage costume:1||stage costume (무대의상):1||stage costume production system:1||stage costume(무대 의상):1||style types:1||subculture:1||théâtre de l'absurde(부조리극):1||the analysis of diachronic:1||the artistic paradigm shift:1||the concept of fashion show:1||the formative characteristics:1||the magic flute(마술피리):1||the perspective of mechanic aesthetic:1||the story about Sora’s star (소라별 이야기):1||the theory of fantasy in literature:1||the world's top 4 musicals(세계 4대 뮤지컬):1||turnover intention:1||uniform designs:1||uniform of flight attendants:1||utility clothing:1||utilization types of model poses:1||value:1||warcore:1||wassily kandinsky:1||water sports:1||wearable technology:1||wedding:1||wetsuits:1||women’s shoes design:1||가상성:1||가치관:1||갑옷:1||공간 연출:1||공감각적 몰입성:1||공연예술:1||기계미학적 관점:1||기능적 의복:1||기사:1||다원적 절충주의:1||디자인 유형:1||디지털 패션영상:1||라이프 스타일:1||럭셔리 브랜드:1||레드카펫 드레스:1||루이 뷔통:1||만족도:1||매개코드:1||모델 포즈의 활용유형:1||몰입:1||무대 의상 제작 시스템:1||무대자신감:1||문장:1||문화적 환상성 이론:1||비비안 웨스트우드:1||빌리 아킬레오스:1||사진 이미지 표현형식:1||상징성:1||상호작용적 교류:1||샤넬:1||서양여성복식의 미적특성:1||선호 브랜드:1||소비자 심리:1||소셜 빅데이터:1||쇼핑성향:1||수상스포츠:1||스포츠웨어:1||습식잠수복:1||실버 패션 아이콘:1||실용 의복:1||아이리스 아펠:1||아트 콜라보레이션:1||안나 윈투어:1||여성 슈즈 디자인:1||여성성:1||영국 패션:1||영부인:1||영부인의 유형:1||영화 '이상한 나라 앨리스':1||영화의상:1||예술적 패러다임 전환:1||옛날 옛적에 훠어이 훠이:1||오트 쿠튀르:1||워코어:1||웨어러블 테크놀로지:1||유희성:1||의복평가기준:1||의상 유형 및 특성:1||이직의도:1||자기표현력:1||자연적 모티프:1||자연적 오브제:1||잠수복:1||재난 패션:1||중국영화제:1||직무만족도:1||직무스타일:1||체험 경제 이론:1||체험 마케팅:1||코로나 패션:1||코카콜라 병:1||콜라보레이션:1||큐트서킷:1||클러버:1||클럽문화:1||클럽웨어:1||패션 공학:1||패션 윈도우 디스플레이:1||패션 저널리스트:1||패션디자이너 이미지:1||패션매거진:1||패션사진:1||패션쇼:1||패션쇼 피날레:1||패션의 현대적 표현:1||패션이미지:1||표현 기법:1||피카소의 여인들:1||하위문화:1||한국 영부인:1||한지:1||헤드 드레스:1||현대 패션 산업:1||3D printing fashion:1||환상성의 표현 유형:1||3D printing technology:1||3D 프린팅 기술:1||3D 프린팅 패션:1||Aesthetic characteristics:1||Alexander McQueen:1||Amusement:1||Anna Wintour:1||Billie Achilleos:1||Chanel:1||Characteristics of expressions:1||China film festival:1||Chinese traditional colors:1||CocaCola bottle:1||Collaboration:1||Corona fashion:1||Cultural preferences:1||CuteCircuit:1||Design types:1||Digital fashion image:1||

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