CAU Scholar's Space: Sohn, Jeong Hee

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Sohn, Jeong Hee (손정희)

인문대학 (영어영문학과)

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Tel 02-820-5109
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Charlotte Perkins Gilman:5||Healing:5||치유:4||Edith Wharton:3||invalidism:3||이디스 워튼:3||discipline:2||economic independence:2||diary:2||Louisa May Alcott:2||slavery:2||Elizabeth Stuart Phelps:2||진정한 여성성:2||female bonding:2||women’s status:2||sympathy:2||병증:2||일기:2||female education:2||Catharine Maria Sedgwick:2||transatlantic studies:2||transatlanticism:2||domestic economy:2||샬롯 퍼킨스 길먼:2||narrative:2||Domesticity:1||EdithWharton:1||English Language and Literature:1||Expansion of Sympathy:1||F. Scott Fitzgerald:1||Facilitator:1||Female Gothic:1||Fettered for Life:1||Gender Performance:1||Gender Performativity:1||Hannah Webster Foster:1||Harriet A. Jacobs:1||Henry James:1||Hobomok:1||Hyperactivity:1||Identity Formation:1||Im/migrant:1||Incidents in the Life of a Slave Girl: Written by Herself:1||Interactive Bibliotherapy:1||Inversion of Gender Roles:1||Language Education:1||Laura: A Creole Plantation:1||Lillie Devereux Blake:1||Literary Therapy:1||Live and Let Live:1||Lydia Maria Child:1||Marriage:1||Materialism:1||Medicine:1||Melancholia:1||Memory:1||Michel Foucault:1||My Ántonia:1||Nathaniel Hawthorne:1||Native Americans:1||New Paradigm for Health:1||Oratory:1||Owen Wister:1||Participant:1||Patti Kim:1||Poetry/Journal Therapy:1||Professionalism:1||Public Speaking:1||Sarah Josepha Hale:1||Scott F. Fitzgerald:1||Selfimage:1||Separate Spheres:1||Sister Carrie:1||Social Conventions:1||Social Reform:1||Souls Belated:1||Storytelling:1||Subversive Storytelling:1||Summer:1||Tetra System:1||The Boarding School:1||The Coquette:1||The Crux:1||The Custom of the Country:1||The Emigrants:1||The Female American:1||The Great Gatsby:1||The Lecturess:1||The Linwoods:1||The Order of Discourse:1||The Other Two:1||The Power of Sympathy:1||The Silent Partner:1||The Virginian:1||Theodore Dreiser:1||Therapeutic Attempt:1||Toni Morrison:1||True Womanhood:1||True womanhood:1||True!Womanhood:1||Unca Eliza Winkfield:1||Unpunished: A Mystery:1||Urban Space:1||Washington Square:1||What Diantha Did:1||William Hill Brown:1||Woman Doctor:1||Woman Writer:1||Woman doctor:1||Woman’s Role:1||Women and Economics:1||Writing:1||ambivalence:1||anxiety:1||authorship:1||class:1||class division:1||constructed womanhood:1||consumer society:1||consumerculture:1||containment of subversion:1||creative writing:1||cultural exchange:1||digital storytelling:1||discourse analysis:1||discrimination:1||division of labor:1||domestic ideology:1||domestic novel:1||domestic service:1||early American novel:1||ego identity:1||emulation:1||eugenics:1||female subject:1||flapper:1||gender:1||genealogy:1||heritage tour:1||heteroglossia:1||identity crisis:1||interconnectedness:1||invalid:1||journal:1||journal therapy:1||language identity:1||literacy:1||marriage market:1||mask:1||materialist feminism:1||miscegenation:1||moral fantasy:1||motherhood:1||nation building:1||nationbuilding:1||nationfounding:1||national fantasy:1||noble savage:1||politics of literary representation:1||power:1||professionalization of domestic labor:1||public narrative:1||public speaking:1||public womanhood:1||quarterlife crisis:1||roleplaying:1||seduction motif:1||seduction novel:1||sisterhood:1||slave narrative:1||storytelling:1||storytelling healing:1||tableau vivant:1||the American Revolution:1||the New Woman:1||the Nullification Crisis:1||the Republican Ideology:1||the Republican Womanhood:1||the Roaring Twenties:1||the West:1||the Western:1||the cowboy hero:1||the first American novel:1||the flapper phenomenon:1||the frontier thesis:1||the other:1||the outraged mother:1||the rise of the American novel:1||the servant question:1||tour narrative:1||true womanhood:1||university students:1||urbanization:1||utopian feminism:1||vanishing American:1||virtue:1||wilight Sleep:1||woman reformer:1||woman suffrage:1||woman's economic independence:1||woman's sphere:1||woman’s rights:1||woman’s status:1||work:1||“Behind a Mask”:1||“Bernice Bobs Her Hair”:1||“Head and Shoulders”:1||“Invented Tradition”:1||“The Artist of the Beautiful:1||“The Offshore Pirate”:1||“미의 예술가”(“The Artist of the Beautiful”):1||“종탑”(“The BellTower”):1||” the Romantic concept of the Artist:1||” “Drowne's Wooden Image:1||「1월 10일」(“The Tenth of January”):1||「머리와 어깨」:1||「버니스 단발머리를 하다」:1||「연안의 해적」:1||「제철공장의 삶」(“Life in the Iron Mills”):1||『 루벤과 레이첼 』(Reuben and Rachel):1||『가난한 부자와 부유한 빈자』(The Poor Rich Man and The Rich Poor Man):1||『기숙학교』:1||『나의 안토니아』(My Ántonia):1||『린드우가』:1||『마그렛 하우스』(Margret Howth):1||『면죄: 미스테리』:1||『명목상의 동업자』(he Silent Partner):1||『여름』:1||『여성 퀵소티즘』:1||『위대한 개츠비』:1||『이민자들』:1||『평생 족쇄에 채워져』:1||가면:1||가정 이데올로기(domestic ideology):1||강건한 여성성:1||건강에 관한 새로운 패러다임:1||건국:1||건국(nationbuilding):1||결혼:1||결혼시장:1||경쟁:1||경제적 독립:1||계급 분화(class division):1||계급(class):1||계보학:1||공감의 확장:1||공적 담론:1||공적 발언:1||공적 여성성:1||공화국 이데올로기(the Republican ideology):1||공화주의 여성성:1||공화주의 이데올로기:1||과잉활동:1||교훈적 요소(didactic elements):1||구성된 여성성:1||그 지방의 관습:1||글쓰기문학치료:1||기억:1||낭만주의(Romanticism):1||대서양횡단 연구:1||대서양횡단주의:1||대서양횡단주의(transatlanticism):1||대타자의 욕망:1||대학생:1||데이비스(Rebecca Harding Davis):1||도시 공간:1||도시화:1||릴리 블레이크:1||멜빌(Herman Melville):1||무효화 위기:1||문학치료:1||문화적 교환:1||물질주의:1||미국 국가 정체성(American national identity):1||미국 리얼리즘(American Realism):1||미국 예외주의:1||미국독립혁명:1||미국소설의 발생(the rise of the American novel):1||미덕(virtue):1||반마취 상태:1||불안:1||빈곤(poverty):1||뿌리뽑힘(Uprootedness):1||사적 욕망:1||사회 개혁:1||사회 개혁(social reform):1||사회개혁(social reform):1||상호연결성:1||상호작용적 독서치료:1||샬롯 스미스:1||샬롯 퍼킨즈 길먼:1||서부(the West):1||서사:1||센티멘탈리즘(sentimentalism):1||소란한 20년대:1||소비 문화:1||소비사회:1||소외(alienation):1||수재너 해스웰 로우슨(Susanna Haswell Rowson):1||스콧 피츠제럴드:1||시스터 캐리:1||신여성:1||아메리칸 드림(American Dream):1||안나:1||앨리스 제임스:1||여성 위상:1||여성고딕:1||여성교육:1||여성의사:1||여성작가:1||여성주체:1||여성참정권:1||여성화(feminization):1||욕망:1||우울증:1||윌라 캐더(Willa Cather):1||유혹소설(seduction novel):1||이디쓰 워튼:1||이민자/이주민(Im/migrant):1||이혼. 사회적 관습:1||일:1||자아상:1||자아정체감:1||저널치료:1||저자의 권리(authorship):1||전복의 봉쇄:1||전복적 스토리텔링:1||젠더 수행성:1||진정한 여성성(True Womanhood):1||참여자:1||청년위기:1||초기 미국소설:1||촉진자:1||치료적 시도:1||캐서린 마리아 세즈윅:1||캐서린 마리아 세즈윅(Cathrine Maria Sedgwick):1||타비싸 길먼 티니:1||테오도르 드라이저:1||테트라 시스템:1||페미니즘(feminism):1||펠프스(Elizabeth Stuart Phelps):1||플래퍼:1||플래퍼 현상:1||피츠제럴드:1||피카레스크:1||해너 웹스터 포스터:1||해너 웹스터 포스터(Hannah Webster Foster):1||호손(Nathaniel Hawthorne):1||혼종성(hybridity):1||환자:1||<Jacob’s Ladder>:1||훈육:1||<야곱의 사다리>:1||<천국에서 한 걸음>:1||1920년대 미국:1||A Cab Called Reliable:1||A Step from Heaven:1||A" NewEngland" Tale:1||Ablebodied womanhood:1||Alice James:1||America of 1920s:1||American exceptionalism:1||Americanness:1||An Na:1||Asian American literature:1||Beloved:1||Catherine Maria Sedgwick:1||Charlotte Perkin Gilman:1||Charlotte Smith:1||Charlotte Temple:1||Desire:1||Desire of the Other:1||Discourse:1||Divorce:1||Doctor Zay:1||Domestic Economy:1||

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