CAU Scholar's Space: Kim, Ji Hoon

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Kim, Ji Hoon (김지훈)

예술대학 (영화)

Research Area: 영화

Tel 02-820-5792
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essay film:3||digital cinema:3||cinema:3||영화:3||Stillness:2||운동:2||Korean documentary cinema:2||Walter Benjamin:2||Documentary film:2||documentary:2||무빙 이미지:2||디지털:2||미디어 고고학:2||Hito Steyerl:2||Movement:2||Chris Marker:2||정지:2||발터 벤야민:2||digital:2||비디오:2||Harun Farocki:2||에세이 영화:2||experimental documentary:2||archive:2||media archaeology:2||다큐멘터리:2||Digital technology:2||video:2||Essay Film:1||Eternalism:1||Expanded field:1||Eyal Weizman:1||Ferry disaster:1||Forensic Architecture:1||Found Footage:1||Gilles Deleuze:1||Giorgio Agamben:1||GoPro:1||Hybrid:1||Hybridity:1||Im Heungsoon:1||Immersion:1||JeanLuc Godard:1||Jung Jaehoon:1||Ken Jacobs:1||Korean Documentary:1||Korean Independent Film:1||Korean blockbuster:1||Korean documentary:1||Lim Cheolmin:1||Lynne Sachs:1||Materialism:1||Media:1||Media Studies:1||Medium:1||Medium Specificity:1||Moving Image:1||Narration:1||Natalie Bookchin:1||Nonverbal quality of voice:1||ObjectOriented Ontology:1||Obsolescence:1||Ouvroir:1||Past:1||Pervasive Animation:1||Photography:1||PostHuman:1||Postmedia:1||Postmedium:1||Postrepresentation:1||Posttruth:1||Postfilmic Metamorphosis:1||Postinternet:1||Presence:1||Renaimation:1||Rosalind E. Krauss:1||Second Life:1||Sense of presence (SoP):1||Sensory Ethnography:1||Sewol:1||Speculative Realism:1||Synthetic vision:1||Technical Support:1||Temporality:1||Tour of Duty:1||Verbocentrism:1||Video:1||Video art:1||Virtual reality (VR):1||Voice of documentary:1||Youngsan Massacre:1||activist documentary:1||archival art:1||archival film:1||art of the moving image:1||avant‐garde cinema:1||biopolitics:1||chronophotography:1||cinematic video installation:1||circulationism:1||computer:1||countervisuality:1||digital camera:1||digital documentary:1||digital manipulation:1||digital maps:1||digital media:1||digital video:1||digital visual effects:1||dimensional image:1||disembodied vision:1||documentary certainty:1||documentary uncertainty:1||drone camera:1||expanded dispositif:1||film:1||found footage filmmaking:1||gesture:1||historical film:1||hybrid activist documentary:1||hybridization:1||installation:1||intermedial essay film:1||intermediality:1||landscape:1||media hybridity:1||memory:1||memoryinbetween:1||mobile privatization:1||mobile screen media:1||mobility:1||montage:1||moving image:1||moving image installation:1||national cinema:1||online ethnographic compilation:1||online video:1||operational image:1||panorama:1||participatory culture:1||perceptual realism:1||performative cartography:1||personal documentary:1||political commons:1||poor image:1||postcinema:1||postcinematic conditions:1||postfilmic conditions:1||postverité:1||potentialities:1||precinematic technology:1||profanation:1||projection performance:1||redistribution:1||reenactment:1||relocation:1||scale:1||social media platform:1||soft montage:1||software:1||spatialization:1||spectacle:1||stereoscope:1||subjunctive mode:1||temporalization:1||testimony:1||translocal or transhistorical narrative:1||transnational cinema:1||trauma:1||video art:1||video installation:1||violence:1||virtual museum:1||virtuality:1||visual media apparatus:1||가동적 이미지:1||감각민속지:1||객체 지향적 존재론:1||고프로:1||공간화:1||과거:1||기술적 지지체:1||나탈리 북친:1||내레이션:1||다비드 클레르부:1||다큐멘터리 불확실성:1||다큐멘터리 불확정성:1||대항시각성:1||데이터모싱:1||데이터벤딩:1||데자뷰:1||도미닉 가뇽:1||드론 카메라:1||디지털 글리치 비디오:1||디지털 기술:1||디지털 다큐멘터리:1||디지털 비디오:1||디지털 실험 다큐멘터리:1||디지털 영화:1||디지털 조작:1||디지털 카메라:1||디지털 테크놀로지:1||디지털 화:1||로잘린드 크라우스:1||리애니메이션:1||말중심주의:1||매체:1||매체 특정성:1||매체 특정성 (medium specificity):1||목소리:1||몸짓:1||몽타주:1||미디어:1||미디어 혼종성:1||미디어연구:1||미학:1||변별적 특정성:1||변증법:1||비디오 설치작품:1||비디오 아트:1||비디오아트:1||비언어:1||빈곤한 이미지:1||사변적 실재론:1||사운드:1||사진:1||상관주의:1||생명정치:1||세속화:1||소셜 미디어 플랫폼:1||소프트 몽타주:1||쇠퇴:1||쇠퇴(Obsolesence):1||순환주의:1||스펙터클:1||습득상 화제작:1||습득영상:1||시각 미디어 장치:1||시간성:1||시간화:1||아방가르드 화:1||아카이브:1||아카이브적 전환:1||에얄 와이즈먼:1||연속사진:1||영상 설치작품:1||영화연구:1||영화적 경험:1||영화적 비디오 설치작품:1||온라인 민속지 컴필레이션:1||온라인 비디오:1||원주의:1||유물론:1||유물론(materialism):1||이주:1||임철민:1||입체경:1||잠재성:1||재분배:1||전영화적 테크놀로지:1||전시의 영화(Cinema of Exhibition):1||정재훈:1||정치적 공유지:1||조르조 아감벤:1||존재론(ontology):1||질 들뢰즈:1||차원적 이미지:1||참여 문화:1||컴퓨터:1||켄 제이콥스:1||클레멘트 그린버그:1||탈체현적 시각:1||태시타 딘 (Tacita Dean):1||편재하는 애니메이션:1||편찬 다큐멘터리:1||포렌식 아키텍처:1||포스트매체:1||포스트미디어:1||포스트시네마:1||포스트시네마 조건:1||포스트재현:1||포스트진실:1||포스트인터넷:1||포스트필름 변형:1||포스트휴먼:1||프로젝션 퍼포먼스:1||필름(film):1||하룬 파로키:1||하이브리드:1||하이브리드 액티비즘 다큐멘터리:1||한국 다큐멘터리:1||한국 독립 다큐멘터리:1||한국 독립영화:1||현대미술비평:1||현전:1||혼종성:1||혼종화:1||확장된 디스포지티프:1||확장영역:1||<거미의 땅>:1||히토 슈타이얼:1||<범전>:1||21stcentury Korean society:1||3D visualization:1||A Roar of the Prairie:1||Aesthetics:1||Archival Turn:1||CGIs:1||Cinema:1||Cinema Studies:1||Cinematic Experience:1||Clement Greenberg:1||Compilation Documentary:1||Contemporary Art Criticism:1||Correlationism:1||Databending:1||Datamoshing:1||David Claerbout:1||Deja vu:1||Dialectic:1||Differential Specificity:1||Digital:1||Digital Cinema:1||Digital Experimental Documentary:1||Digital Glitch Video:1||Documentary sound:1||Dominic Gagnon:1||Embodiment:1||

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