CAU Scholar's Space: Ryu, Seungwan

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Ryu, Seungwan (류승완)

경영경제대학 (경영학부(서울))

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Tel 02-820-5296
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LTE:5||Service Blueprint:4||LTEA:4||Resource allocation:3||LTEadvanced:3||Multihop relays:3||Active queue management:3||WLAN:3||IEEE 802.16j:3||Interference avoidance:3||Congestion control:3||Ontology:3||Power control:3||Service Quality:3||서비스 품질:3||OFDMA:3||Technology Acceptance Model:2||문화예술:2||의사결정:2||Security:2||문화예술교육:2||자가최적화:2||Next Generation Mobile Communications:2||Feedback control:2||MRO:2||Handover:2||뮤지컬:2||Theory of Planned Behavior:2||Audience Satisfaction:2||중국:2||Flow:2||Service Design:2||발전전략:2||Power Control:2||고객만족:2||feedback control:2||O2O:2||브랜드 자산:2||Proportionalintegralderivative control:2||Brand Equity:2||공연예술:2||클래식 음악공연:2||Devicetodevice communication:2||Decision Making:2||펨토셀:2||Mobile Communication:2||Cochannel interference (CCI):2||학교 문화예술교육:2||Mobile Service:2||RED:2||관람의도:2||핸드오버:2||outage probability:2||PQMethod:2||RFID/USN:2||Parameters:2||Random early detection:2||China:2||proportionalintegralderivative control:2||Received Signal Strength:2||수신신호강도:2||AQM:2||reuse partitioning (RUP):2||LTEAdvanced:2||SERVQUAL:2||Development Strategy:2||TCP/IP:2||congestion control:2||Musical:2||cooperative transmission:2||Business Models:2||Satisfaction:2||Customer Journey Map:2||Technology Acceptance:2||Devicetodevice Communication:1||Diffusion model:1||Digital Contents:1||Digital Music:1||Digital Transformation:1||Directional Antenna:1||Disaster:1||EGovernment:1||EPCGlobal:1||ESG:1||ESG management:1||ESG 경영:1||ETPB:1||Effective Throughput:1||Efficient Frequency Assignment:1||Enterprise femtocell:1||Exhibition service:1||Experience Level:1||FFR:1||FGI:1||FIDO:1||Failure point:1||Femtocell:1||Food Delivery Service platform:1||Formation factors:1||Frameefficiency:1||Frequency Partitioning:1||Frequency assignment:1||Frequency reuse partitioning (FRP):1||Fresh food:1||Full Browsing Service:1||Future direction for mGovernment:1||Generic Link Layer:1||Generic link llayer:1||Grand Mint Festival:1||HeNB:1||Heterogeneous Wireless Networks:1||Hierarchical Value MAP:1||HipHop Culture:1||HipHop Music:1||Home Network:1||IEEE 802 15 4:1||IEEE802.16j:1||ISSERVQUAL:1||ISSERVQUAL:1||Idol:1||Inclusive Arts Education:1||Inclusive Cultural Policy:1||Innovation Diffusion Theory:1||Innovation Resistance:1||Institution Theory:1||Intention of Watching:1||Intention to watch:1||Interference:1||Interference management:1||Interference mitigation:1||JCAC:1||Korea:1||Korean Original Creative Musical:1||LOD:1||Linked Open Data:1||Long Term EvolutionAdvanced (LTEA):1||Loyalty:1||MGovernment:1||MAC:1||Marketing Strategy:1||Markov Chain:1||Markov chain:1||Maximum coverage:1||MeansEnd Chain:1||Metadata:1||Middleware:1||Mobile Business Model:1||Mobile Payment Service:1||Mobile Services:1||Mobile Web:1||Mobile contents:1||Multihop relay:1||Multiplex cultural space:1||Museum:1||Museum Service:1||Music Industry:1||Musical Industry:1||News Data:1||Next–Generation Mobile Communication Technology:1||Next Generation Mobile Service:1||Next Generation Mobile Service platform:1||Next generation mobile:1||NextGeneration Mobile Communication Technology:1||NonHomogeneous Poisson Process:1||OSMU films:1||OSMU 영화:1||Online Performances:1||Online audiences:1||Outage Probability:1||PAQM:1||PESTSWOTIPA:1||PID control:1||PID feedback control:1||Pattern Recognition:1||Perceived Benefits:1||Perceived Scrifices:1||Perceived Value:1||Performance Art:1||Performing Arts:1||Performing Arts Information services:1||Performing arts:1||Personal Media:1||Picocell:1||Piracy Intention:1||Place attachment:1||Placeness:1||Plays:1||Policy:1||Popular Music Concert:1||Popular Music Festivals:1||PostCOVID:1||Prior Knowledge:1||Proactive AQM:1||Proximity:1||Public Service Export:1||Public Service Export Platform:1||Public information system:1||Qmethodology:1||Quality:1||Quality of Life:1||Queue management:1||Q방법론:1||RFID middleware system:1||RFID 미들웨어 시스템:1||Radio resource:1||Respectating Intention:1||Relationship Immersion:1||Relative Importance:1||Remote development:1||Resource Allocation:1||Resource Reservation:1||Retail industry:1||SOA:1||STR:1||SWOTAHP:1||Scenario:1||Scenario Analysis:1||Selection Attribute Customer satisfaction:1||Selection Attributes:1||Sensor Tag:1||Service Architecture:1||Service Attributes:1||Service Clue:1||Service Drawing:1||Service Error Matrix:1||Service Experience:1||Service Failure:1||Service Marketing:1||Service Model:1||Service Modeling:1||Service Ontology:1||Service Oriented Architecture:1||Service Platform:1||Service Process:1||Service Reference Model:1||Service models:1||Service process:1||Service quality:1||Servicescape:1||Simulator:1||Small Theater Service:1||Smartwork:1||Social Distancing:1||Social Exclusion:1||Social Network Service:1||Soft Laddering:1||Software Reliability:1||Software Reliability Growth Model:1||Spectating Satisfaction:1||Stage Imaging Technology:1||Student Satisfaction:1||Subjective research:1||Support Vector Machine:1||TCP:1||TOE Framework:1||TPM:1||TTR:1||TaskTechnology Fit:1||Technology Conversion:1||TechnologyOrganizationEnvironment Framework:1||Text Mining:1||The Order of Priority:1||Theater Service:1||Theater Services:1||Topic modeling:1||Traffic Congestion:1||Two dimensional Markov chains:1||UX design Honeycom Model:1||Ubiquitous:1||Unused space:1||Use case diagram:1||User Satisfaction:1||User eXperience(UX):1||Usercentric Service:1||Valuebased Acceptance Model:1||Valuebased Adoption Model:1||Vertical Handoff Decision:1||Vertical Handover:1||Vertical handover:1||Video Service for Classical Music Performance:1||Viewing Continuous Intention:1||Viewing Immersion:1||Virtual Character:1||Virtual Idol:1||Watch intention:1||WiMAX 802.16m:1||Wireless:1||active queue management (AQM):1||almost blank subframes (ABS):1||building energy management:1||call admission control:1||call blocking
probability:1||call blocking and outage probability:1||cellular multihop system:1||cellular relay network:1||channel state:1||channel utilization:1||city brand:1||cochannel interference (CCI):1||combination algorithm:1||conditional Gaussian distribution:1||control channel information:1||coordinated multipoint transmission (CoMP):1||cultural city Bucheon:1||culture and art:1||culture and arts education:1||culture and arts education in secondary schools:1||customer satisfaction:1||data cleaning:1||eGovernment:1||early morning delivery service:1||effective throughput:1||effectiveness of culture and arts education:1||energy consumption:1||energy forecasting:1||energy monitoring and management:1||energysaving:1||enterprise femtocell:1||exponential effective SINR:1||femtocell networks:1||frame efficiency:1||heterogeneous networks (HetNet):1||intercell interference coordination (ICIC):1||interference mitigation:1||joint transmission (JT):1||leader urban regeneration:1||location information:1||macro UE:1||management evaluation:1||matching algorithm:1||maximum coverage:1||mobile multihop relay:1||multiframe (out band):1||nontransparent:1||nontransparent mode RS:1||optimal resource allocation:1||outage probability and Markov chain:1||packet scheduling:1||platform service:1||power saving:1||public cultural and art institutions:1||public service:1||random early detection (RED):1||relay station:1||service quality:1||simulator model:1||singleframe (in band):1||students’satisfaction:1||sustainability:1||synchronized signal:1||tag transition:1||timeutility:1||transmission timing control:1||transparent:1||uFarm:1||uFarm Architecture:1||unslotted CSMA/CA:1||uplink system:1||urban identity:1||wakeupondemand MAC scheme:1||window time slide:1||wireless downlink:1||가상아이돌:1||가상캐릭터:1||가치기반수용모델:1||가치단계도:1||결과품질:1||경영평가:1||경험수준:1||계획된 행동이론:1||계획적 행동이론:1||고객 만족:1||고객여정지도:1||공공 서비스:1||공공 서비스 추출:1||공공문화예술기관:1||공공서비스 수출플랫폼:1||공공정보시스템:1||공연예술정보서비스:1||과업기술 적합성:1||과정품질:1||관객:1||관객만족:1||관객유형:1||관계 몰입:1||관람 의도:1||관람만족도:1||관람몰입:1||관람태도:1||국가간 차이비교:1||그랜드민트페스티벌:1||기술 수용 모델:1||기술 수용성:1||기술환경조직 프레임워크:1||기술수용:1||뉴스 데이터:1||대중음악 페스티벌:1||데이터 정제:1||도시브랜드:1||도시정체성:1||디지털 트랜스포메이션:1||디지털음악:1||디지털전환시대:1||디지털콘텐츠:1||만족:1||만족도:1||매체접근제어:1||매칭 알고리즘:1||메타데이터:1||모바일 커뮤니케이션:1||몰입:1||무대 영상기술:1||무선자원:1||문화도시:1||문화도시 부천:1||문화복지:1||문화복지서비스:1||문화복지서비스 품질:1||문화예술 접근성:1||문화예술교육 효과:1||문화적 도시재생:1||문화정책:1||물리적환경품질:1||뮤지컬산업:1||미술관:1||미술관 마케팅:1||미술관 브랜드:1||미술관 서비스:1||범용링크계층:1||불법이용의도:1||브랜드 가치:1||브랜드 이미지:1||브랜드 인지도:1||브랜드 태도.:1||브랜드 품질:1||브랜디드 콘텐츠:1||비대면 공연:1||빅데이터:1||사전지식:1||사회관계망:1||사회적 거리두기:1||사회적 배제:1||삶의 질:1||새벽배송 서비스:1||서비스스케이프:1||서비스품질:1||선택 속성:1||선택속성:1||소비 행동:1||소비가치:1||소비동기:1||소비자 유형:1||소비자 행동:1||소비행동:1||소프트 래더링:1||소프트래더링:1||수단목적 사슬:1||수단목적 사슬 이론:1||수용의도:1||수직핸드오버:1||수출지원 플랫폼:1||스마트워크:1||시뮬레이터:1||시뮬레이터 모형:1||시청몰입:1||신기술:1||신선식품:1||아이돌:1||아이돌 유료 소통 서비스:1||연극:1||영상서비스:1||온라인 공연:1||온라인 관객:1||온톨로지 모형 기반:1||원격개발:1||윈도우 타임 슬라이드:1||유통 산업:1||음식 배달 플랫폼:1||음악산업:1||의사결정지원:1||이동통신:1||재관람의도:1||재난:1||전자정부:1||접근 프로토콜:1||정보:1||제도 이론:1||조합 알고리즘:1||주관성연구:1||중국뮤지컬산업:1||지각된 가치:1||지각된 혜택:1||지속 사용 의도:1||지속가능경영:1||지속시청의도:1||지속적 이용의도:1||차세대 이동 통신 기술:1||차세대이동통신기술:1||창작뮤지컬:1||추구가치:1||충성도:1||코로나19:1||태그 전이:1||텍스트 마이닝:1||토픽모델링:1||통합무선자원관리:1||티켓구매의도:1||포용적 문화예술교육:1||포용적 문화정책:1||표적집단면접법:1||플랫폼 서비스:1||학생 만족:1||한국:1||한국무용:1||한국전통공연:1||합창공연:1||혁신 저항:1||혁신확산이론:1||현대무용:1||확산모형:1||확장된 계획적 행동이론:1||1인미디어:1||힙합음악:1||3GPP LTE:1||3GPPLTE:1||802.16 MMR:1||Acceptance Intention:1||Access Control:1||Access Protocols:1||Activity diagram:1||Analysis and Design Methodology:1||Analytic Hierarchy Process:1||Art Museum Brand:1||Art Museum Marketing:1||Audience:1||Audience Type:1||Audience satisfaction:1||Audience’s Attitude:1||Big data:1||Brand Attitude:1||Brand Awareness:1||Brand Image:1||Brand Quality:1||Brand Value:1||Branded Contents:1||Business Model:1||Business model:1||COVID19:1||COVID19 pandemic:1||Call Blocking:1||Capacity:1||Cell Range Expansion:1||Cell 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Femtocell:1||Design Attributes:1||DevicetoDevice (D2D):1||DevicetoDevice Communication:1||DevicetoDevice communication:1||Devicetodevice:1||

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