CAU Scholar's Space: Cho, Hee Jeong

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Cho, Hee Jeong (조희정)

인문대학 (영어영문학과)

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Tel 02-820-5097
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the conversation poem:6||parody:5||대화시:5||패러디:4||Charlotte Smith:3||John Keats:3||Mary Oliver:2||Mary Robinson:2||gender discourse:2||Anne Sexton:2||메리 올리버:2||patriarchy:2||ecopoetry:2||시적 화자:2||English poetry:2||Isabella:2||otherness:2||the poetic speaker:2||Transformations:2||Robert Southey:2||Thalaba the Destroyer:2||personification:2||formal experimentation:2||존 키츠:2||Jacques Rancière:1||John Donne:1||Lyrical Tales:1||Major Robert Gregory:1||Milton:1||Modern Times:1||Optimality Theory:1||Pauline:1||Percy Bysshe Shelley:1||Poems of 19121913:1||Pride and Prejudice:1||Pride and Prejudice and Zombies:1||Queen Mab:1||Rapunzel:1||Robert Browning:1||Robert Frost:1||Romantic idealism:1||Saint Augustine:1||Samuel Taylor Coleridge:1||Sappho and Phaon:1||SelfinRelation:1||Sensibility:1||Tangled:1||Ted Hughes:1||The Emigrants:1||The Rime of the Ancient Mariner:1||The Sublime:1||Thomas Hardy:1||Twelve Moons:1||Val Plumwood:1||William Blake:1||William Butler Yeats:1||alliteration:1||ambivalence:1||androgyny:1||antidualism:1||assonance:1||aural elements:1||colonial disease:1||colonialism:1||conservatism:1||constraint:1||contagion:1||contamination:1||contraries:1||critical literacy:1||cultural authority:1||dialogism:1||elegies:1||fairy tales:1||female growth:1||female solidarity:1||formal criticism:1||fragments:1||gender anxiety:1||generic experimentation:1||generic renewal:1||human perception:1||humility for the environment:1||iambic pentameter:1||idealization:1||ideology:1||intersubjective connection:1||intertextuality:1||intimacy with nature:1||lexical inversion:1||materialistic capitalism:1||mechanical time:1||meter:1||modern epistemology:1||modern individual:1||motherhood:1||narrators:1||negative capability:1||oppressed women:1||perception of reality:1||personal narrative:1||phonological phrase:1||poetic dialogue:1||poetic identity:1||poetics of encounter:1||polyphonic discourse:1||posthumous fame:1||prejudice:1||radicalism:1||ranking relation:1||reality:1||religious community:1||rhyme:1||romance:1||romantic poetics:1||ruins:1||selfaffirmation:1||selfeffacement:1||simile:1||solitude:1||sonnets:1||sound:1||sublimation:1||synecdoche:1||teaching English poetry:1||the East:1||the French revolution:1||the Legitimate Sonnet:1||the Romantic lyric:1||the aesthetic:1||the audience:1||the dramatic monologue:1||the epic:1||the epistolary form:1||the ethics of psychoanalysis:1||the failure of sympathy:1||the fairy tale:1||the female auditor:1||the female image:1||the female other:1||the ghost story:1||the ideal vision:1||the imperial subject:1||the male poet:1||the ode:1||the outer world:1||the panorama:1||the perceiving subject:1||the poetics of mourning:1||the practical:1||the private sphere:1||the reading woman:1||the romance:1||the sonnet claim:1||the spatial form:1||the unity of being:1||the visor effect:1||the writing subject:1||the “white bird” imagery:1||theatricality:1||tragic joy:1||usefulness:1||witches:1||zoomorphism:1||“Hazel Tells LaVerne:1||“On Seeing the Elgin Marbles”:1||“Ozymandias”:1||“Pomegranate”:1||“Snake”:1||“The Frog Prince”:1||“Tintern Abbey”:1||“To His Coy Mistress”:1||” The Princes and the Frog:1||「그의 수줍은 연인에게」:1||「뱀」:1||「석류」:1||「틴턴 사원」:1||『고딕 이야기들』:1||『늙은 노수부의 노래』:1||『라푼젤』:1||『맵 여왕』:1||『변형』:1||『브리짓 존스의 일기』:1||『서정적 이야기들』:1||『열두 달들』:1||『오만과 편견』:1||『오만과 편견과 좀비』:1||『이자벨라』:1||『파괴자 탈라바』:1||『폴린』:1||『하워즈 엔드』:1||가부장제:1||각운:1||개인적 서사:1||고독:1||공간적 형식:1||공감의 실패:1||관계 속 자아:1||극적 독백:1||근대적 개인:1||근대적 인식론:1||낭만적 서정시:1||낭만적 이상주의:1||낭만주의 시학:1||대화주의:1||도로시 워즈워드:1||동양:1||동화:1||두운:1||로맨스:1||로버트 브라우닝:1||로버트 사우디:1||로버트 프로스트:1||마녀:1||만남의 시학:1||메리 로빈슨:1||면갑 효과:1||모음운:1||물질주의적 자본주의:1||미학:1||바흐친:1||발 플럼우드:1||변증법:1||보수주의:1||사후 명성:1||상호주관적 관계:1||상호텍트스성:1||생태시:1||샬롯 스미스:1||서사시:1||서술자들:1||성 담론:1||성 어거스틴:1||소극적 수용력:1||소네트 정통성 주장:1||소리:1||송가:1||승화:1||시적 대화:1||시적 정체성:1||식민주의:1||식민지의 질병:1||실용성:1||애가적 소네트:1||앤 섹스턴:1||억압된 여성들:1||에코페미니즘:1||엘리자베스 개스켈:1||엘리자베스 보웬:1||여성 이미지:1||여성 청자:1||여성의 성장:1||연극성:1||영시:1||영시 교육:1||오염:1||외적 세계:1||운율:1||유령 이야기:1||유용성:1||의인화:1||이데올로기:1||이사벨라:1||이상화:1||인식 주관:1||자기 긍정:1||자기 말소:1||자연물로의 변신:1||장르 실험:1||장르적 쇄신:1||전염:1||정신분석학 윤리:1||제유:1||존 던:1||종교 공동체:1||찰스 톰린슨:1||청각적 요소:1||카리타스:1||캐시 송:1||큐피디타스:1||크리티컬 리터러시:1||타자성:1||탈이원론:1||파노라마:1||편견:1||포스터:1||헨리 제임스:1||현실 인식:1||형식 비평:1||형식 실험:1||｢개구리왕자｣:1||형식적 실험:1||｢헤이즐이 라번에게 말하네｣:1||<공주와 개구리>:1||<라푼젤>:1||AngloIrish identity:1||Bakhtin:1||Birthday Letters:1||Bridget Jones’ Diary:1||Caritas:1||Cathy Song:1||Charles Tomlinson:1||Cupiditas:1||Desmond:1||Dialectic:1||Dorothy Wordsworth:1||E. M. Forster:1||Ecofeminism:1||Elegiac Sonnets:1||Elizabeth Bowen:1||Elizabeth Gaskell:1||Emily Dickinson:1||Gothic Tales:1||Henry James:1||Howards End:1||

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