CAU Scholar's Space: Baik, Young Ju

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Baik, Young Ju (백영주)

예술대학 (공간연출)

Research Area: 공간연출

Tel 02-820-5811
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performativity:5||수행성:4||performance:4||관객성:3||installation:3||퍼포먼스:3||매체성:3||무대:3||참여:2||관여:2||연극성:2||현실:2||presence:2||spectatorship:2||설치:2||stage:2||퍼포먼스 공간:2||abstraction:2||theatricality:2||사이트:2||site:2||performance space:2||reality:2||User:1||Waste heat recovery:1||alienation effect:1||appropriation:1||archives:1||composition:1||conscience:1||context:1||contextuality:1||countermonuments:1||deconstruction:1||descriptive phenomenology:1||documentation:1||drift:1||duration:1||engagement:1||everydaylife:1||expansion:1||flâneur:1||happening:1||illusion:1||immersion:1||immersive theatre:1||insitu:1||intermediality:1||liminality:1||map:1||mechenized experience:1||mediality:1||mediality spectatorship:1||memorial design:1||modern temporality:1||narratives:1||narrativization:1||network protocol:1||new media:1||nonobjective:1||object:1||objecthood:1||participation:1||participatory environment:1||pedagogy:1||performance design:1||performative research:1||place:1||place identity:1||post modernity:1||postdramatic theater:1||postproduction:1||practice:1||process art:1||production:1||realism:1||regime of art:1||screen:1||segmentalization:1||sensationalism:1||situation:1||social performance:1||social process:1||socially engaged art:1||space:1||spatialization:1||strategy:1||structuralization:1||structure of experience:1||subjective experience:1||sublime:1||symbol:1||tactics:1||technology:1||temporality:1||the sensible:1||theatrical situation:1||total work of art:1||transmedia:1||trip:1||usership:1||virtual reality:1||walking:1||가상현실:1||감성:1||걷기:1||경험 구조:1||경험의 구조:1||공간여정:1||공간화:1||공연:1||공유:1||구성:1||극장 상황:1||근대적 시간성:1||기계적 경험:1||기록:1||기술:1||내러티브:1||네트워크 프로토콜:1||뉴미디어:1||디오라마:1||라이브 시네마 연극:1||러시아 미래주의:1||르완다:1||리미널리티:1||맥락:1||메모리얼 디자인:1||비대상:1||사물성:1||사용자:1||사용자성:1||사회적 과정:1||사회적 수행:1||사회적 예술:1||산책가:1||상징:1||상호매체성:1||상호성:1||상황:1||생소화 효과:1||서사화:1||선분화:1||선정주의:1||설치미술:1||수행적 리서치:1||숭고:1||스크린:1||시각성:1||시간성:1||실천:1||아카이브:1||양심:1||에이도푸시콘:1||역기념비:1||연행적 실천:1||예술의 체제:1||오브제:1||옵시스:1||이머시브 연극:1||이머전:1||일상:1||장소지도:1||장소성:1||전략:1||전술:1||전용(轉用):1||정황성:1||존재양식:1||주관적 경험:1||지속성:1||참여적 환경:1||총체예술론:1||추상:1||추상화:1||카메라 현존:1||커뮤니타스:1||탈근대성:1||테칭 시에:1||트랜스미디어:1||파노라마:1||퍼포먼스 디자인:1||페다고지:1||포스트 드라마 연극:1||포스트 프로덕션:1||포스트프로덕션:1||표류:1||풍경 극장:1||프로덕션:1||프로세스 아트:1||플랫폼:1||해체:1||해프닝:1||현상학적 기술(記述):1||현실주의:1||현장:1||현존:1||현존성:1||형상:1||확장:1||Camera Presence:1||환영:1||Diorama:1||Eidophusikon:1||Heat exchanger:1||Interactivity:1||Landscape Theater:1||Live Cinema Theatre:1||Mediality:1||Opsis:1||Panorama:1||Participation:1||Platform:1||Plurality:1||Postdramatic Theater:1||Postproduction:1||Power cycle:1||Russian Futurism:1||Rwanda:1||Sharing:1||Stage:1||Supercritical carbon dioxide:1||Tehching Hsieh:1||Thermodynamic cycle modeling:1||

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