A Case Study on Analysing Traditional Colours and Patterns of Peking Opera of Visual Image and Cultural Code

Abstract

Peking opera is one of the Chinese dramas. Also known as “Xiqu”, China attaches great importance to the inheritance and development of Peking Opera. But the content of Peking Opera performance is difficult to understand, and the slow accompaniment and singing method are different from the rhythm that modern people love. In addition, the audience does not understand the knowledge and background content of Peking Opera, which is also the reason for the decline in the number of Peking Opera audi-ences. Peking Opera audiences have knowledge of Peking Opera, and the audience only Knowing the appearance of Peking opera, but not the connotation of Peking opera. Therefore, it is very important to understand the traditional Chinese culture of Peking opera and analyze the reasons that affect the cognition of Peking opera. This article analyzes the problems related to the visual image of Peking opera in traditional Chinese culture from the colors and patterns of Peking opera, and understands the role, characteristics and significance of the colors and patterns of Peking opera in the traditional Peking opera culture for the purpose of research. The research scope is to analyze the value of Peking Opera from the perspectives of vision, art and culture. The research method is to conduct in-depth research through relevant papers, network materials, books and news-related materials. Use the theory of visual elements and the meth-odology of brand culture code design(CCBD) to analyze the visual image of Peking Opera, the meaning and characteristics of Peking Opera colors, and the pattern elements that appear in Peking Opera. This research analyzes the analysis and understanding of the traditional Chinese culture of Peking Opera, focusing on the Peking Opera colors and pattern elements that appear in Peking Opera. Understand the characteristics and theoretical knowledge of Peking Opera colors and pattern elements. Color is no longer just a sensory cognition, but to a certain extent becomes an auxiliary guide and standard. The graphic elements of Peking opera reflect China’s political ethics, moral values, values and religious views to express specific meanings. Through visual element theory and cultural code element theory to under-stand the value of Peking opera color and pattern elements in Peking opera system. I hope to make the same contribution to the understanding and development of Chinese culture. Hope to see these theories in many other studies in future applications.