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『全芳備祖』의 梅花詞人과 格律 初探
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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 김영철 | - |
| dc.date.accessioned | 2021-06-22T18:01:59Z | - |
| dc.date.available | 2021-06-22T18:01:59Z | - |
| dc.date.issued | 2016-05 | - |
| dc.identifier.issn | 1226-850x | - |
| dc.identifier.issn | 2671-8286 | - |
| dc.identifier.uri | https://scholarworks.bwise.kr/erica/handle/2021.sw.erica/15500 | - |
| dc.description.abstract | 『全芳備祖』為南宋陳詠所編, 該書不僅設置賦詠祖, 也設置了樂府祖. 陳詠將詩與詞二體並收錄於其中, 以顯示其對新興文體-詞起興致, 是其編纂『全芳備祖』的動機之一. 本稿即針對樂府祖所收梅詞進行討論, 陳詠依從南宋以降詞體的樂府起源說, 因此收錄兩宋梅詞時, 頗對詞調的性質與分類加以注意, 陳詠在宋代梅詞以蘇軾為冠, 並將其為學梅詞的典範, 南宋則可舉朱敦儒為首, 且對馬子嚴在梅詞所下的功力予以高度評價. 但他選入詞人和詞調時均不偏重某方, 選詞盡求創作的多樣化, 另外選錄體現詞體本色節奏美的梅詞以求創作的規範化, 『全芳備祖』是兼具詞選性質的類書, 它間接實現了南宋詞人所倡導的復雅理想, 此乃陳詠『全芳備祖』樂府祖所收梅詞價值所在. | - |
| dc.format.extent | 25 | - |
| dc.language | 한국어 | - |
| dc.language.iso | KOR | - |
| dc.publisher | 한국중국학회 | - |
| dc.title | 『全芳備祖』의 梅花詞人과 格律 初探 | - |
| dc.title.alternative | An Analysis of Ci Poetry on Plum Blossoms of QuanFangBeiZu | - |
| dc.type | Article | - |
| dc.publisher.location | 대한민국 | - |
| dc.identifier.bibliographicCitation | 중국학보, no.76, pp 163 - 187 | - |
| dc.citation.title | 중국학보 | - |
| dc.citation.number | 76 | - |
| dc.citation.startPage | 163 | - |
| dc.citation.endPage | 187 | - |
| dc.identifier.kciid | ART002112007 | - |
| dc.description.isOpenAccess | N | - |
| dc.description.journalRegisteredClass | kci | - |
| dc.subject.keywordAuthor | 全芳備祖 | - |
| dc.subject.keywordAuthor | 陳景沂 | - |
| dc.subject.keywordAuthor | 南宋 | - |
| dc.subject.keywordAuthor | 類書 | - |
| dc.subject.keywordAuthor | 詞 | - |
| dc.identifier.url | https://kiss.kstudy.com/thesis/thesis-view.asp?key=3455392 | - |
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