宋元代 詞人의 虛字論
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 김영철 | - |
dc.date.accessioned | 2021-06-23T11:41:12Z | - |
dc.date.available | 2021-06-23T11:41:12Z | - |
dc.date.issued | 2011-06 | - |
dc.identifier.issn | 1225-973X | - |
dc.identifier.issn | 2733-4503 | - |
dc.identifier.uri | https://scholarworks.bwise.kr/erica/handle/2021.sw.erica/38938 | - |
dc.description.abstract | 詞到了宋末時期, 標舉姜吳(姜夔、吳文英)為體的典雅詞人無不以形式技巧為主軸, 尤重韻律。 宋末以後沈義父《樂府指迷》、張炎《詞源》、陸輔之《詞旨》皆專設條目論及虛字, 張炎論虛字最為具體, 在虛字詞論中起了關鍵作用, 且他填詞喜將虛字融入於詞。茲就本稿所得研究成果如下 :其一、 宋元詞論家所論虛字實即虛詞, 因其範疇涉及面廣泛又多種, 可包含多重詞類, 而動詞、副詞特受重視。其二、就宋元詞論家所列虛字而言, 單字比多音節還受重視又多樣, 宋元詞論隱約顯示出辛棄疾、張炎擅用多音節虛字, 由此可推斷張炎用虛字時借鑑辛棄疾。其三、虛字用於句首者佔首位多數, 句尾兼押韻之處莫屬藝高者不可, 誠如吳文英是也。其四、虛字可用去聲以臻乎妙, 且以去聲兼領字者較易得抑揚頓挫的音樂效果。據研究顯示, 詞調與虛字之間雖然沒有搭建一定的模式, 詞人卻大都留意遵守領字位置。其五、專就虛字言, 張炎對辛棄疾特予注目, 似乎認其為虛字的典範, 辛棄疾擅用虛字以促進詞的曲化, 進而於白話詞的發展確有貢獻, 縱然如此, 張炎卻最終選擇姜夔為理想人物, 其原因不外乎姜夔用虛字不僅有節制, 還以此抗衡吳文英的質實。由於宋元詞論家把虛字等形式列入核心議題, 儘管導致明代、清初詞論界不免流於形式主義, 卻在詞論史上為後代微型詞論具有奠基的意義。 | - |
dc.format.extent | 25 | - |
dc.language | 한국어 | - |
dc.language.iso | KOR | - |
dc.publisher | 중국어문학연구회 | - |
dc.title | 宋元代 詞人의 虛字論 | - |
dc.title.alternative | On The Ci Poetry Theory ‘Xu Zi’ of Poets in The Song and Yuan Dynasty | - |
dc.type | Article | - |
dc.publisher.location | 대한민국 | - |
dc.identifier.bibliographicCitation | 중국어문학논집, no.68, pp 493 - 517 | - |
dc.citation.title | 중국어문학논집 | - |
dc.citation.number | 68 | - |
dc.citation.startPage | 493 | - |
dc.citation.endPage | 517 | - |
dc.identifier.kciid | ART001558677 | - |
dc.description.isOpenAccess | N | - |
dc.description.journalRegisteredClass | kci | - |
dc.subject.keywordAuthor | 宋元 | - |
dc.subject.keywordAuthor | 詞 | - |
dc.subject.keywordAuthor | 虛字 | - |
dc.subject.keywordAuthor | 詞源 | - |
dc.subject.keywordAuthor | 樂府指迷 | - |
dc.identifier.url | https://www.dbpia.co.kr/journal/articleDetail?nodeId=NODE01643862 | - |
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